Genevieve Valentine
Autor/a de Mechanique: A Tale of the Circus Tresaulti
Sobre l'autor
Crèdit de la imatge: Ellen Wright
Sèrie
Obres de Genevieve Valentine
Bespoke 7 exemplars
A Bead of Jasper, Four Small Stones 5 exemplars
Demons, Your Body, and You 4 exemplars
The Gravedigger of Konstan Spring 4 exemplars
The Last Run of the Coppelia [novelette] 3 exemplars
Semiramis 3 exemplars
And the Next, and the Next 3 exemplars
Study for Solo Piano 3 exemplars
Carthago Delenda Est 3 exemplars
The Red Shoes 3 exemplars
Abyssus Abyssum Invocat 2 exemplars
Armless Maidens of the American West 2 exemplars
29 Union Leaders Can't Be Wrong 2 exemplars
Two Graves #1 2 exemplars
The Dire Wolf 2 exemplars
Is This Your Day to Join the Revolution? 2 exemplars
Light on the Water [short fiction] 2 exemplars
Wondrous Days 2 exemplars
Overburden 1 exemplars
Hello, I’m Your Election 1 exemplars
Levar Burton Reads #69: Let Those Who Would 1 exemplars
Two Graves Vol. 1 1 exemplars
This Evening's Performance (novelette) 1 exemplars
Two Graves #2 1 exemplars
Two Graves #3 1 exemplars
Eighty Miles an Hour All the Way to Paradise 1 exemplars
Catwoman: Bd. 8 1 exemplars
Keep Calm and Carillon 1 exemplars
White Stone 1 exemplars
Advection 1 exemplars
A Brief Investigation of the Process of Decay 1 exemplars
Seeing 1 exemplars
Things to Know About Being Dead 1 exemplars
The Sandal-bride 1 exemplars
A Game Of Mars 1 exemplars
So Deep That the Bottom Could Not Be Seen 1 exemplars
Catwoman (2011) #44 1 exemplars
Good Fences 1 exemplars
Captain Justice Saves the Day (short story) 1 exemplars
DC Sneak Peek: Catwoman #1 [Digital] 1 exemplars
Aberration 1 exemplars
Strange Sports Stories (2015) #4 — Autor — 1 exemplars
Obres associades
The Mad Scientist's Guide to World Domination: Original Short Fiction for the Modern Evil Genius (2013) — Col·laborador — 390 exemplars
Queen Victoria's Book of Spells: An Anthology of Gaslamp Fantasy (2013) — Col·laborador — 376 exemplars
Lost Transmissions: The Secret History of Science Fiction and Fantasy (2019) — Col·laborador — 123 exemplars
Mad Hatters and March Hares: All-New Stories from the World of Lewis Carroll's Alice in Wonderland (2017) — Col·laborador — 117 exemplars
Willful Impropriety: 13 Tales of Society, Scandal, and Romance (2012) — Col·laborador — 82 exemplars
The Best Science Fiction and Fantasy of the Year Volume Eleven (2017) — Col·laborador — 78 exemplars
HELP FUND MY ROBOT ARMY!!! and Other Improbable Crowdfunding Projects (2014) — Col·laborador — 73 exemplars
The Cutting Room: Dark Reflections of the Silver Screen (2014) — Introducció; Col·laborador — 62 exemplars
The Final Frontier: Stories of Exploring Space, Colonizing the Universe, and First Contact (2018) — Col·laborador — 58 exemplars
More Human Than Human: Stories of Androids, Robots, and Manufactured Humanity (2017) — Col·laborador — 50 exemplars
Hanzai Japan: Fantastical, Futuristic Stories of Crime From and About Japan (2015) — Col·laborador — 41 exemplars
Subterranean Magazine Summer 2011 — Col·laborador — 2 exemplars
Etiquetat
Coneixement comú
- Data de naixement
- 1981-07-01
- Gènere
- female
- Nacionalitat
- USA
- Lloc de naixement
- Texas, USA
- Agent
- Barry Goldblatt
Membres
Ressenyes
Llistes
Premis
Potser també t'agrada
Autors associats
Estadístiques
- Obres
- 66
- També de
- 112
- Membres
- 1,901
- Popularitat
- #13,544
- Valoració
- 3.6
- Ressenyes
- 147
- ISBN
- 47
- Llengües
- 3
- Preferit
- 5
“To drive a helpless person mad, give them knowledge. Then, to make a monster: Give them power. To make a monster yours: …”
I was intrigued from page one. Playing with Persephone and Hades in a fun way with Death unable to let go of one terse, cranky woman, so he keeps her around as a helper.
I still don't understand all the worldbuilding and the character motivations. Death didn't finish the job and inadvertently let Emilia alter him. Emilia's got some type of power when she touches someone. There's a mentorship when you become Death apparently.
You can tell two different artists are working on this book at the same time and not in a way I particularly liked. The art style isn’t cohesive.
I didn’t like the article excerpts at all (not that they weren’t interesting). But it took me out the flow of the story.
But I enjoyed the narrative voices for Emilia and Death. I’d read volume two for sure.
4.5… (més)