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S'està carregant… The Cross: History, Art, and Controversyde Robin M. Jensen
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The cross stirs intense feelings among Christians as well as non-Christians. Robin Jensen takes readers on an intellectual and spiritual journey through the two-thousand-year evolution of the cross as an idea and an artifact, illuminating the controversies--along with the forms of devotion--this central symbol of Christianity inspires. Jesus's death on the cross posed a dilemma for Saint Paul and the early Church fathers. Crucifixion was a humiliating form of execution reserved for slaves and criminals. How could their messiah and savior have been subjected to such an ignominious death? Wrestling with this paradox, they reimagined the cross as a triumphant expression of Christ's sacrificial love and miraculous resurrection. Over time, the symbol's transformation raised myriad doctrinal questions, particularly about the crucifix--the cross with the figure of Christ--and whether it should emphasize Jesus's suffering or his glorification. How should Jesus's body be depicted: alive or dead, naked or dressed? Should it be shown at all? Jensen's wide-ranging study focuses on the cross in painting and literature, the quest for the "true cross" in Jerusalem, and the symbol's role in conflicts from the Crusades to wars of colonial conquest. The Cross also reveals how Jews and Muslims viewed the most sacred of all Christian emblems and explains its role in public life in the West today.-- No s'han trobat descripcions de biblioteca. |
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)246.558Religions Christian Devotional Literature and Practical Theology Christian Art and Symbolism; Use of art Emblematic and cryptographic art: catacomb symbolsLCC (Clas. Bibl. Congrés EUA)ValoracióMitjana: Sense puntuar.Ets tu?Fes-te Autor del LibraryThing. |
Jensen dedicates the volume to her students who provided feedback on early drafts of the book. Each chapter is headed by a Latin title, but an English subtitle either translates the Latin or relates to it. Endnotes and suggestions for further reading follow an abbreviations list of ancient authors and works, and there is a useful, if not exhaustive, subject index. Readers will particularly appreciate the inclusion of between five and eight full-color illustrations per chapter. Jensen’s prose is clear and the occasional undefined term (i.e., apocryphal, colobium, imitatio Christi) should not deter undergraduates who, along with graduate students and academics, will find much of value in its nine chapters. This review is written in the awareness that individual chapters will work well as assigned readings in courses across the disciplines.