Every Moment Holy, Volume III: The Work of the People is a book of over 100 new liturgies for daily life, drawing on a range of writers, artists, poets, songwriters, pastors, and illustrators (with Douglas Kaine McKelvey both writing and editing). With prayers by Malcolm Guite, Ellie Holcomb, Philip Yancey, Ruth Chou Simons, Sho Baraka, Andrew Peterson and more, this collection represents a community of believers engaged in the work of reminding all of us that our lives are shot through with sacred purpose and eternal hopes even in the midst of the everyday moments that make up our lives. Every Moment Holy, Volume III: The Work of the People is a book of over 100 new liturgies for daily life, drawing on a range of writers, artists, poets, songwriters, pastors, and illustrators (with Douglas Kaine McKelvey both writing and editing). With prayers by Malcolm Guite, Ellie Holcomb, Philip Yancey, Ruth Chou Simons, Sho Baraka, Andrew Peterson and more, this collection represents a community of believers engaged in the work of reminding all of us that our lives are shot through with sacred purpose and eternal hopes even in the midst of the everyday moments that make up our lives. Douglas Kaine McKelvey grew up in East Texas and moved to Nashville in 1991 to participate in the early work of Charlie Peacock's Art House Foundation, an organization dedicated to a shared exploration of faith and the arts. In the years since, he has worked as an author, song lyricist, scriptwriter, and video director. He has penned more than 350 lyrics recorded by artists including Switchfoot, Kenny Rogers, Sanctus Real, and Jason Gray. Ned Bustard is the graphic designer for World's End Images and Christians in the Visual Arts (CIVA). He has contributed to Revealed: A Storybook Bible for Grown-Ups, On Reading Well: Finding the Good Life Through Great Books, and Every Moment Holy. He is creative director for Square Halo Books, Inc., and curator of the Square Halo Gallery, and he serves on the boards of the Association of Scholars of Christianity in the History of Art (ASCHA) and The Row House, Inc.