Abū l-'Alā' al-Ma'arrī (973–1057)

> Rets d'éternité…Extraits
Sur le blog : EMMILA GITANA (http://emmila.canalblog.com/) … ; (en ligne),
URL : https://drive.google.com/file/d/1viNEdAphJxkAAZ4bVNXk1HvQQRrMNMty/

> Babelio : https://www.babelio.com/livres/Al-Maari-Rets-deternite/428202… (més)

I persevered and made it through, but it was hard work. I think there's a good reason why this book had previously been translated into English only in an abridged form: in order to fully appreciate al-Ma'arrī's grammatical and etymological musings, you would need to read Arabic, so there's little to be gained (and, presumably, much to be lost) in the translation. Even the section that most interested me, the Danté-esque journey into Hell, was punctuated with dense passages of the grammarian's lore, which I felt made it drag.

There are gleams of gold amongst the sand, but surely not eighty dinars' worth. Of course, I place the fault in myself, rather than in the text: the wrong reader for such an erudite work.… (més)

The three poets in this collection may share a common culture, but two centuries separate them and, not surprisingly therefore, they each have distinct voices. That could, of course, have more to do with their individuality rather than anything else. Anyway, Abbas ibn al-Ahnaf writes solely love poetry, Abdullah Ibn al-Mu'tazz writes love and nature poetry, whilst Abu al-Ala al-Ma'arri writes about life, death and mortality, particularly, it seems to me, the latter.

Though I much admire al-Mu'tazz's nature poetry, of the three, al-Ma'arri speaks to me most clearly (which is a revealing discovery). An atheistic vegetarian, we have that much in common. It seems the trials of his life made him of a dour frame of mind, if not to say bitter, so I hope that's not a reflection of myself I'm catching in his mirror. Perhaps a "what could have been". I wonder whether al-Ma'arri was a particular influence on Omar Khayyám? I feel they have a similarity of attitude towards the impermanence of life and the unknowable voids that stand before and after earthly existence.

Most of the verses in the collection are a few lines long, none more than a page. I like the punchiness and directness of the forms used. Some of them are haiku-like in the layers of meaning conveyed in so few words. As with the best poetry, I found more this time than I'd seen on my previous readings.… (més)