Imatge de l'autor

Hilton Als

Autor/a de White Girls

33+ obres 851 Membres 13 Ressenyes

Sobre l'autor

Hilton Als is an American writer and theater critic born in New York City, New York in 1960. He began contributing pieces to The New Yorker magazine in 1989 and later worked as a staff writer and theater critic. He worked as a staff writer for The Village Voice, an Editor-at-large at Vibe and wrote mostra'n més articles for The Nation. He collaborated on film scripts for "Swoon" and "Looking for Langston." He edited the exhibition catalog for The Whitney Museum of American Art, "Black Male: Representations of Masculinity in Contemporary American Art," His first book, The Women, was published in 1996. His awards included, the New York Association of Black Journalists first prize in both Magazine Critique/Review and Magazine Arts and Entertainment. He was awarded a Guggenheim for Creative Writing in 2000 and the George Jean Nathan Award for Dramatic Criticism for 2002-03. He won the 2016 Windham-Campbell Literature Prize in nonfiction for White Girls (2013) and The Women (1996). The 2016 Lambda literary awards presented him The Trustee Award for Excellence in Literature He has taught at Yale University, Wesleyan, and Smith College. (Bowker Author Biography) mostra'n menys

Inclou aquests noms: Hilton Als -, ed. Hilton Als

Crèdit de la imatge: Columbia University

Obres de Hilton Als

White Girls (2013) 400 exemplars
The Women (1734) 103 exemplars
My Pinup (2022) 33 exemplars
Peter Doig: No Foreign Lands (2013) 27 exemplars
Alice Neel: Uptown (2017) 23 exemplars
Joan Didion: What She Means (2022) — Editor — 19 exemplars
Elizabeth Peyton: Ghost (2011) 14 exemplars
Lorna Simpson: Works on Paper (2013) 9 exemplars
(Nothing but) Flowers (2022) 8 exemplars
Christopher Knowles: In a Word (2018) 7 exemplars
T.J. Wilcox: Films (2007) 6 exemplars

Obres associades

If He Hollers, Let Him Go (1945) — Pròleg, algunes edicions585 exemplars
Let Me Tell You What I Mean (2021) — Pròleg — 476 exemplars
Life Stories: Profiles from the New Yorker (2000) — Col·laborador — 299 exemplars
The 40s: The Story of a Decade (2014) — Col·laborador — 277 exemplars
Without Sanctuary: Lynching Photography in America (1600) — Reaction — 264 exemplars
The Best American Essays 2011 (2011) — Col·laborador — 227 exemplars
Fashion Climbing: A Memoir with Photographs (2018) — Prefaci — 157 exemplars
The Best American Essays 1997 (1997) — Col·laborador — 156 exemplars
McSweeney's Issue 35 (McSweeney's Quarterly Concern) (2010) — Col·laborador — 115 exemplars
The Matter of Black Lives: Writing from The New Yorker (2021) — Col·laborador — 92 exemplars
My Favorite Plant: Writers and Gardeners on the Plants They Love (1998) — Col·laborador — 70 exemplars
Hokum: An Anthology of African-American Humor (2006) — Col·laborador — 66 exemplars
The Warhol Look: Glamour, Style, Fashion (1997) — Col·laborador — 61 exemplars
Lorna Simpson (2006) — Col·laborador — 46 exemplars
Satchmo: The Wonderful World and Art of Louis Armstrong (2009) — Pròleg — 38 exemplars
Nothing Personal {2017 reprint} (2017) — Introducció — 33 exemplars
Robert Gober: The Heart Is Not a Metaphor (2014) — Col·laborador — 32 exemplars
Kara Walker: Dust Jackets for the Niggerati (2013) — Col·laborador — 19 exemplars
Peter Schlesinger: A Photographic Memory 1968-1989 (2015) — Introducció — 11 exemplars
Glenn Ligon: Stranger (2001) — Col·laborador — 10 exemplars
David Salle: Bears/Interiors (1999) — Col·laborador — 8 exemplars
Grand Street 63: Crossing the Line (Winter 1998) (1998) — Col·laborador — 7 exemplars
Lynette Yiadom-Boakye: Verses After Dusk (2015) — Col·laborador — 7 exemplars
Kara Walker: The Black Road (2010) — Col·laborador — 4 exemplars
Andy Warhol at Christie's: Photographs (2012) — Col·laborador — 3 exemplars


Coneixement comú



Exquisite writing, abrupt ending.
monicaberger | Hi ha 2 ressenyes més | Jan 22, 2024 |
This is such an incredibly curious two-part essay on, yes, Als on Prince—but also the so-much-more behind and beyond that fascination. Maybe I'd just describe it as strange and wonderful in the way that love, or at least infatuation and wanting to be loved or even to be absorbed by someone, and if you're lucky, being self-reflective about it, often is.
KatrinkaV | Hi ha 2 ressenyes més | Sep 21, 2023 |
The best I could really hope for - horny, desperate, haughty and vain.
1 vota
adaorhell | Hi ha 2 ressenyes més | Apr 19, 2023 |
The artistic career of Christopher Knowles (born 1959) began at the age of 13, when his writings and recordings came to the notice of avant-garde theater director Robert Wilson. Still a teenager, Knowles went on to write the libretto for Wilson and Philip Glass’ opera Einstein on the Beach, and his collaborations with Wilson would continue for decades. His practice spans many mediums―text, sound, painting, sculpture and performance―and exhibits a fascination with the materiality of language. In a Word is the most comprehensive look at Knowles’ work to date, published for his exhibition of the same name, organized by Anthony Elms and Hilton Als. Containing an autobiographical text by the artist himself, new texts by Elms and curator Lauren Digiulio and a personal reflection by Als, this is an essential resource on an under-recognized artist.… (més)
petervanbeveren | Aug 5, 2021 |



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