Imatge de l'autor

Michelangelo Antonioni (1912–2007)

Autor/a de Blow-Up [1967 film]

86+ obres 903 Membres 20 Ressenyes 1 preferits

Sobre l'autor

Michelangelo Antonioni was born in Italy in 1912, graduated from the University of Bologna, studied cinema in Rome, and started out in films as a critic and screenwriter. When he made his first feature films in the 1950s, he broke away from the neo-realism then in vogue in Italy. Rather, in a mostra'n més rigorously disciplined style, he explored the interior states of the isolated men and women in such films as La Notte (1960), L'Eclipse (1961), and The Red Desert (1964). Although Antonioni's films are usually about the prosperous classes, his only social criticism is oblique. 'Avventura (1959), his sixth film, established his fame internationally as an original artist. His English-language films are Blow-Up (1966), set in mod London, and Zabriskie Point (1970), an apocalyptic vision of contemporary American youth and its politics. His last notable film is The Passenger (1975). (Bowker Author Biography) mostra'n menys
Crèdit de la imatge: Elena Torre

Obres de Michelangelo Antonioni

Blow-Up [1967 film] (1966) — Director — 126 exemplars
L'Avventura [1960 film] (1960) — Director — 102 exemplars
The Passenger [1975 film] (1975) — Director — 72 exemplars
L'eclisse [1962 film] (1962) 61 exemplars
Red Desert [1964 film] (1964) — Director — 51 exemplars
La Notte [1961 film] (1961) — Director — 44 exemplars
Zabriskie Point [1970 film] (1970) — Director — 35 exemplars
The White Sheik [1952 film] (1952) — Screenwriter — 27 exemplars
Le Amiche [1955 film] (1955) 16 exemplars
Il Grido [1957 film] (1957) 15 exemplars
Blow-Up [1967 film] (Criterion Collection) (2017) — Director — 13 exemplars
Eros [2004 film] (2004) — Director — 11 exemplars
Blow-Up: Antonioni's Classic Film and Photography (2014) — Director of Film — 10 exemplars
Beyond the Clouds [1995 film] (1996) 9 exemplars
For Me, Making A Movie Is Life (1994) 8 exemplars
The Passenger [Screenplay] (1975) 7 exemplars
Love in the City [1953 film] (1953) — Director — 6 exemplars
La Signora Senza Camelie [1953 film] (1953) — Director — 5 exemplars
Os filmes na gaveta 3 exemplars
Antonioni (1995) 3 exemplars
Techniquement douce 3 exemplars
Il primo Antonioni 3 exemplars
Mas allá de las nubes (2000) 2 exemplars
Blow Up 2 exemplars
Fossoli 2 exemplars
Två telegram : noveller (1988) 2 exemplars
Le cri [film] 1 exemplars
L'Eclipse (1962) 1 exemplars
Las películas del Cajón (2004) 1 exemplars
N.U. 1 exemplars
Írások, beszélgetések (1999) 1 exemplars
I corti 1 exemplars
My Antonioni 1 exemplars
La nuit [film] 1 exemplars
L' Amore in Città 1 exemplars
Scenariusze (1989) 1 exemplars
Liebe 1962 [Blu-ray] (2015) 1 exemplars
Drie films 1 exemplars
Je commence à comprendre (2014) 1 exemplars
Scénarios non réalisés (2004) 1 exemplars
I Vinti 1 exemplars

Obres associades

The Event Horizon (1998) — Col·laborador — 5 exemplars
Un pilota ritorna [1942 film] (1942) — Screenplay — 1 exemplars
Elements of Landscape — Col·laborador — 1 exemplars


Coneixement comú

Nom normalitzat
Antonioni, Michelangelo
Data de naixement
Data de defunció
Lloc de naixement
Ferrara, Italy
Lloc de defunció
Rome, Italy
film director
Vitti, Monica (relationship|1960-1967)



The original French title of this film ('Profession:Reporteur') gives a better idea of what this film is about, with its suggestions of being an observer rather than participant, of always being restless and moving on, of a deep form of superficiality. Basically a story of how a man tries to disappear by adopting another man's identity and then finding that man's life even harder to live, the film has two very good performances in the leads. Jack Nicholson is deeply unlikeable but very right for the reporter, and Maria Schneider's performance as the young woman he finds en route is more multi-dimensional than in 'Last Tango in Paris' which she made only a couple of years earlier. She has changed physically too and manages to embody distance alongside sizzling heat. The ending of the film, where the surroundings seem to swallow up life, is a masterpiece of direction.

The only thing that seems unlikely is that the 1970s Spanish police would devote so much time and effort to chasing around on the basis of very vague information about someone who is not even Spanish. But the wife's involvement lends an essential extra side to the story.
… (més)
ponsonby | Hi ha 1 ressenya més | May 3, 2023 |
freixas | Hi ha 1 ressenya més | Mar 31, 2023 |
Il primo capitolo della trilogia dell'alienazione di Michelangelo Antonioni a cui faranno seguito "La notte" e "L'eclisse" (fonte: retro del dvd)
MemorialeSardoShoah | Hi ha 5 ressenyes més | Oct 3, 2022 |
The concluding chapter of Michelangelo Antonioni’s informal trilogy on contemporary malaise (following L’avventura and La Notte), L’eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon). Using the architecture of Rome as a backdrop for the doomed affair, Antonioni achieves the apotheosis of his style in this return to the theme that preoccupied him the most: the difficulty of connection in an alienating modern world. (source: The Criterion Collection)… (més)
aptrvideo | Oct 20, 2021 |



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Autors associats

Tonino Guerra Screenwriter, Screenwriter.
Tommaso Chiaretti Editor, Author
Mark Peploe Screenwriter
Ennio Flaiano Screenwriter
Tullio Pinelli Screenwriter
Carlo Lizzani Director
Dino Risi Director
Cesare Zavattini Screenwriter
Luciano Emmer Director
Monica Vitti Actor, Author
Herbie Hancock Composer (Expression)


També de
½ 3.6

Gràfics i taules