Banksy
Autor/a de Banksy: Wall and Piece
Sobre l'autor
Crèdit de la imatge: Paolo Redwings from London, UK
Sèrie
Obres de Banksy
Existencilism, Vol. 1 19 exemplars
Exit Through The Gift Shop (DVD) 2 exemplars
Cut & Run. 25 years card labour 2 exemplars
Banksy calendar 2019 : an independent publication : an unofficial 2019 tribute calendar — Il·lustrador — 1 exemplars
Ou est Banksy ? 1 exemplars
The World og Banksy 1 exemplars
[No title] 1 exemplars
Laugh Now 1 exemplars
Obres associades
Sprayer im White Cube: Streetart zwischen Alltagskultur und kommerzieller Kunst (2010) — Artist — 1 exemplars
Etiquetat
Coneixement comú
- Altres noms
- Robin Banksy
Robin Banks - Data de naixement
- 1974
- Gènere
- male
- Nacionalitat
- UK
- País (per posar en el mapa)
- UK
- Llocs de residència
- Bristol, England (probably)
- Professions
- artist
graffiti artist
Membres
Ressenyes
GOMA 30 July 2023. Kate wanted to go and we were heading up to Dundee so we dropped in. Well presented selections from the ants through rats/ chimps up to the ballerina from Ukraine/ current day. Very enjoyable and the book is a good presentation of the show as experienced.
Added later: I found it quite moving, his description of being drawn to graffiti the outside of the walls imprisoning the Palestinians and being told off in no uncertain terms by the inhabitants. To beautify the walls is to insult them. Of course. Obvious when you think of it.
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I'm loving this, of course. And it's not that I disagree, exactly, with his messages, but a dominant one is this idea that
Well, okay, but. There is lots of really clever, funny, aesthetically pleasing advertising out there and lots of crap graffiti.
I like the following pictures, taken recently near where I live. I don't find the advertising displeasing juxtaposed with the graffiti. In fact, I don't understand why I'm supposed to find the graffiti pleasing either absolutely or relatively. Banksy's stuff is pictures which either contain words or read like words. I don't see why it is comparable to the first three of these pictures and nor do I see why these three are supposed to represent something more acceptable than the last.
I think blank space is as important as silence. I don't understand why we have a desperate need to fill them up.
Later: and I'm not very happy about this either:
Sorry, Banksy, but this is bull. There is a literary canon. There is a notion of 'classical music', both of which are exclusive in exactly the same way you complain about Art.
Just as there is popular music and popular writing, both looked down upon by their respective canons, so too in Art. There is a vast amount of popular art, including graffiti, including cartoons, including street art. People do that, they buy pictures being sold on the side of the road and they love them. They think they have purchased art. The mere fact that the governors of the Tate do not think so is neither here nor there.
… (més)
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I'm loving this, of course. And it's not that I disagree, exactly, with his messages, but a dominant one is this idea that
The people who truly deface our neighbourhoods are the companies that scrawl their giant slogans across buildings and buses trying to make us feel inadequate unless we buy their stuff.
Well, okay, but. There is lots of really clever, funny, aesthetically pleasing advertising out there and lots of crap graffiti.
I like the following pictures, taken recently near where I live. I don't find the advertising displeasing juxtaposed with the graffiti. In fact, I don't understand why I'm supposed to find the graffiti pleasing either absolutely or relatively. Banksy's stuff is pictures which either contain words or read like words. I don't see why it is comparable to the first three of these pictures and nor do I see why these three are supposed to represent something more acceptable than the last.
I think blank space is as important as silence. I don't understand why we have a desperate need to fill them up.
Later: and I'm not very happy about this either:
Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions and buy records by the billions. We the people, affect the making and the quality of most of our culture, but not our art.
The Art we look at is made by only a select few. A small group create, promote, purchase, exhibit and decide the success fo Art. Only a few hundred people in the world have any real say. When you go to an Art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires.
Sorry, Banksy, but this is bull. There is a literary canon. There is a notion of 'classical music', both of which are exclusive in exactly the same way you complain about Art.
Just as there is popular music and popular writing, both looked down upon by their respective canons, so too in Art. There is a vast amount of popular art, including graffiti, including cartoons, including street art. People do that, they buy pictures being sold on the side of the road and they love them. They think they have purchased art. The mere fact that the governors of the Tate do not think so is neither here nor there.
… (més)
Added later: I found it quite moving, his description of being drawn to graffiti the outside of the walls imprisoning the Palestinians and being told off in no uncertain terms by the inhabitants. To beautify the walls is to insult them. Of course. Obvious when you think of it.
----------------------------------------
I'm loving this, of course. And it's not that I disagree, exactly, with his messages, but a dominant one is this idea that
Well, okay, but. There is lots of really clever, funny, aesthetically pleasing advertising out there and lots of crap graffiti.
I like the following pictures, taken recently near where I live. I don't find the advertising displeasing juxtaposed with the graffiti. In fact, I don't understand why I'm supposed to find the graffiti pleasing either absolutely or relatively. Banksy's stuff is pictures which either contain words or read like words. I don't see why it is comparable to the first three of these pictures and nor do I see why these three are supposed to represent something more acceptable than the last.
I think blank space is as important as silence. I don't understand why we have a desperate need to fill them up.
Later: and I'm not very happy about this either:
Sorry, Banksy, but this is bull. There is a literary canon. There is a notion of 'classical music', both of which are exclusive in exactly the same way you complain about Art.
Just as there is popular music and popular writing, both looked down upon by their respective canons, so too in Art. There is a vast amount of popular art, including graffiti, including cartoons, including street art. People do that, they buy pictures being sold on the side of the road and they love them. They think they have purchased art. The mere fact that the governors of the Tate do not think so is neither here nor there.
… (més)
----------------------------------------
I'm loving this, of course. And it's not that I disagree, exactly, with his messages, but a dominant one is this idea that
The people who truly deface our neighbourhoods are the companies that scrawl their giant slogans across buildings and buses trying to make us feel inadequate unless we buy their stuff.
Well, okay, but. There is lots of really clever, funny, aesthetically pleasing advertising out there and lots of crap graffiti.
I like the following pictures, taken recently near where I live. I don't find the advertising displeasing juxtaposed with the graffiti. In fact, I don't understand why I'm supposed to find the graffiti pleasing either absolutely or relatively. Banksy's stuff is pictures which either contain words or read like words. I don't see why it is comparable to the first three of these pictures and nor do I see why these three are supposed to represent something more acceptable than the last.
I think blank space is as important as silence. I don't understand why we have a desperate need to fill them up.
Later: and I'm not very happy about this either:
Art is not like other culture because its success is not made by its audience. The public fill concert halls and cinemas every day, we read novels by the millions and buy records by the billions. We the people, affect the making and the quality of most of our culture, but not our art.
The Art we look at is made by only a select few. A small group create, promote, purchase, exhibit and decide the success fo Art. Only a few hundred people in the world have any real say. When you go to an Art gallery you are simply a tourist looking at the trophy cabinet of a few millionaires.
Sorry, Banksy, but this is bull. There is a literary canon. There is a notion of 'classical music', both of which are exclusive in exactly the same way you complain about Art.
Just as there is popular music and popular writing, both looked down upon by their respective canons, so too in Art. There is a vast amount of popular art, including graffiti, including cartoons, including street art. People do that, they buy pictures being sold on the side of the road and they love them. They think they have purchased art. The mere fact that the governors of the Tate do not think so is neither here nor there.
… (més)
Llistes
Potser també t'agrada
Autors associats
Estadístiques
- Obres
- 24
- També de
- 10
- Membres
- 2,456
- Popularitat
- #10,436
- Valoració
- 4.2
- Ressenyes
- 37
- ISBN
- 38
- Llengües
- 11
- Preferit
- 2
His work.
Photographed.
With comments by Banksy.
In a book.
This is that book.