Paula Boock
Autor/a de Dare Truth or Promise
Sobre l'autor
Obres de Paula Boock
Obres associades
Out here : an anthology of Takatāpui and LGBTQIA writers from Aotearoa (2022) — Col·laborador — 9 exemplars
Etiquetat
Coneixement comú
- Data de naixement
- 1964
- Gènere
- female
- Nacionalitat
- Aotearoa / New Zealand
- Lloc de naixement
- Dunedin, New Zealand
- Llocs de residència
- Dunedin, New Zealand
- Educació
- University of Otago
Queen's High School - Professions
- novelist
scriptwriter
editor - Premis i honors
- Robert Burns Fellowship (1999)
Victoria University Writers' Fellow (2008)
Membres
Ressenyes
Llistes
Premis
Potser també t'agrada
Autors associats
Estadístiques
- Obres
- 6
- També de
- 4
- Membres
- 389
- Popularitat
- #62,204
- Valoració
- 3.7
- Ressenyes
- 7
- ISBN
- 20
- Preferit
- 1
Dare Truth or Promise is a wonderful little book, barely even 300 pages, by Paula Boock, from New Zealand. The version of the book that I have helpfully comes with a little glossary of terms in Kiwi that I might find difficulty understanding if I weren’t from there. The story revolves around Willa and Louie, two girls who attend the same school who notice that they’re very slowly falling in love with each other.
The book follows the simple rhythm of most every other LGBT-themed novel out there: two people meet, fall in love, deny it for a few pages and then decide to risk it all and be together. They start coming out – to friends and to family – and then, inevitably, comes the homophobia from somewhere. It’s a pretty predictable and set way of a story being told, and it doesn’t really differ much from anything else I’ve ever read. The main exception with this book I think – and probably one of the most important things about it – is how real the characters and their experience feels.
The problem with novels that follow a predictable pattern, like most other novels in their genre, is that sometimes characters seem to fall short of being more than just two-dimensional, 8-bit characters who could be anybody if you just imagined yourself in their shoes. Willa wants to be a chef; she’s a well-rounded character with her own insecurities and personality flaws that she acknowledges. She’s a fencer and a damn good stagehand. Louie is a brilliant actress who’s popular and has a great sense of humor (you can tell she does whenever she narrates a portion of the story herself). Louie is also very much entrenched in her family life, to the point where it can become rather toxic for her, and it is something that she learns to combat and deal with, and even grow from.
Another element I liked to this story is the way that the narration isn’t told simply through one point of view, or through an omniscient narrator. There are two narrators in this story – Will and Louie – and each one gets an almost equal amount of time telling her side of the story through her own point of view (third person, rather than first, but still). It’s a refreshing look at the often used first person narrative that we find a lot in LGBT fiction, and can get rather boring.
So why do I like this book so much? Because it somehow feels different from all the other LGBT narratives out there. Sure, there’s the formula that it follows, but it isn’t afraid to actually try and do something new with it. From a critical standpoint, I love how it attempts to tell the story through more than one point of view, and actually manages to do it. From a personal standpoint, I love how simple yet satisfying it is to read it, with great characters and brilliant one-liners.
Final rating: 4/5. It’s not a literary masterpiece but it’s worth a shot, especially if you need something to read while on a plane ride or something!… (més)