Aquest lloc utilitza galetes per a oferir els nostres serveis, millorar el desenvolupament, per a anàlisis i (si no has iniciat la sessió) per a publicitat. Utilitzant LibraryThing acceptes que has llegit i entès els nostres Termes de servei i política de privacitat. L'ús que facis del lloc i dels seus serveis està subjecte a aquestes polítiques i termes.
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
She developed an interest in theatre at an early age, and embarked upon her theatrical career under the auspices of The Workmen’s Circle, a Jewish socialist fraternal organization. From 1938 to 1956, she demonstrated her penchant for socially committed theatre, participating in such groups as The Newark Jack London Club, The Newark Collective Theatre, The New Theatre League School, and the Federal Theatre Project. She also served as assistant to the producer on Broadway productions of Counterattack and Finian’s Rainbow, and as producer for Children’s Holiday Theatre in New York.
Cole established an actor’s agency in 1957, operating from an office in the Sardi Building. Zero Mostel, whom she represented for many years, was her first “star.” With the founding of the Toby Cole Actors and Authors Agency, Cole added playwrights and translators to her clientele. She concentrated on playwrights whose works appealed to the Off-Broadway producers. That is, she promoted plays that she considered high quality and socially/politically relevant, thereby introducing to the U.S. such seminal playwrights as Sam Shepard, Edward Bond, and Simon Gray. She also brought to the New York stage translations of foreign plays by Brecht, Pirandello, and Witkiewicz, among others. Moreover, Cole circulated plays outside of New York and acted as agent for amateur as well as professional rights.