Ella Cara Deloria (1889–1971)

Slice-of-life novel about Sioux people in the nineteenth century, when encroaching white men were just a rumor on the land. It is a very detailed look at their lifestyle, from the women’s perspective. Most of the story is about the duties of relationships, how the children were raised, how a woman’s life was shaped by the relatives that surrounded her, and how that shifted when she married. The narrative is rather dry in style, but not without some tenderness, humor and tragedy- though sometimes you have to read between the lines to pick it up. The central character is Waterlily- from her birth while the camp is relocating, through her years growing up, to her own marriage and finally having her first child. Her personality is contrasted by that of various other young girls- cousins and friends (some of whose behavior is frowned upon). She is conscious of always striving to honor her family by doing the right thing, giving gifts when it is expected, showing deference to men and elders. An important aspect of their society was the gift giving, so that goods did not belong to any one person for long, but made the rounds continually through the community. She listens to stories of her people’s past, watches ceremonies from the sidelines (including the Sun Dance, that was interesting as I had only vaguely heard of it before), and tends the younger children.

Then a certain young man catches her eye, but it’s not proper for a young woman to chase after a man, she has to indicate her interest subtly, if at all. Meanwhile she’s expected to accept a different young man from another group who asked for her in marriage, because it will enable her parents to honor someone else they’re indebted to. She does what is expected of her and moves to the other camp, where she doesn’t know anyone at all. They are kind and welcoming, but she always feels constricted by formalities among them. Waterlily is relatively content though, and looks forward to building a life with her new husband. Then someone brings blankets into camp, that foreign soldiers had dropped on a path. The blankets are coveted as a novelty item, and in the traditional gift-giving are passed around from family to family. Then many of them start to fall sick, with what sounds like smallpox. There are many deaths, in spite of their efforts to slow the spread of the disease (which they realized too late). Waterlily is soon bereft of her husband, afterwards feels even more alone in the camp. She finds means to travel back to her parents’ camp, where to her surprise, another man soon approaches her with thoughts of marriage. In this second match she is more at ease, and finds contentment and gradually, a secure feeling of joy.

This book has a plain tone. It’s not the easiest read, doesn’t have a lot of plot or exciting events, mainly being just a detailed account of everyday life. The author was part Sioux, she grew up on the Standing Rock reservation and became a linguist and educator, spent much of her life working to record Native American legends, oral history and language. So I trust it doesn't have any accuracy issues in depicting the culture. (Far from it!)

more at the Dogear Diary… (més)

This is one of those books for which the background as important as the work itself. Author Ella Cara Deloria was born in 1889 on the Yankton Sioux Reservation and lived as a child on the Standing Rock Reservation in South Dakota, where her father was a deacon of the Protestant Episcopalian church. Educated at Columbia University, Deloria did her most important work as a research specialist in American Indian ethnology and linguistics. Her position as a member of a prominent family, their political awareness and valuation of scholarship (her brother, Vine Deloria Jr. wrote ‘Custer Died for Your Sins’ and was prominent in the American Indian Movement of the late 1960s), the fact that she was among a dwindling number of native speakers in the first quarter of the 20th century, and the happy accident that her professional lifespan overlapped with the last of the Sioux who had lived in a culture largely untouched by white men, placed her in a truly unique position.

Drawing on all aspects of that background, Deloria produced ‘Waterlily’, a novel which chronicles the life of a Dakota Sioux woman, born probably around 1840 and coming to womanhood as the first tentacles of white culture began to invade the traditional lifestyle of the tribes. Don’t look for thrilling warpath tales here, however – ‘Waterlily’ keeps its focus strictly on the day-to-day life of a woman within this society, with particular emphasis on the relationship web that directed many of her interactions with others.

‘Waterlily’ is truly a unique work, but it is not without flaws, at least to the 21st century reader. Deloria writes adequately, but in a totally pedestrian manner. The characters are well-developed, and the everyday events she describes are a fascinating and informative look at a way of life which has long since vanished. But there is little in it to involve the emotions, even when the characters are faced with life-altering events.

It’s definitely worth a read, but don’t plan to shelve it in the “masterpiece” section.… (més)