E. X. Giroux (1924–2012)

Rarely do you come upon a mystery series first novel that is as good as this one. In many ways, this book was flawlessly executed and I read this in one sitting because it was good enough that I did not want to put it down.

The story hinges on a brutal murder that had occurred in 1944. Well-known artist Sebastian Calvert was found in his studio holding the dismembered corpse of the mode for his statue of Adonis, David Mersey. It snapped his brain and sent him into a mental hospital, although he was tried and convicted of the murder. Now, 25 years later, Calvert's daughter Elizabeth (who did not grow up with him, living with an uncle instead), comes to Robert (Robby) Forsyth, to persuade him to look into the case and see if there's any way possible Calvert wasn't guilty, because she doesn't want her father's shadow following her into a new relationship. Robby, who used to be an up-and-coming barrister in London until a scandal forced him into a life of seclusion, and his faithful friend and secretary Sandy dive into the case. They discover that perhaps there's more to the story than what's on the surface.

The writing is excellent; the story will keep you glued, and truly this was an incredible mystery. In parts it reminded me of the writing of Barbara Vine (whose works I admire), and I plan to continue the series. Robby's character isn't as well fleshed out as it could have been, but this is just a first novel, so I'll expect more as the series progresses. Highly recommended, especially to readers who enjoy a good, old-fashioned murder mystery in the British country house setting.… (més)