Imatge de l'autor

Peter Manseau

Autor/a de Songs for the Butcher's Daughter

13 obres 1,326 Membres 52 Ressenyes 2 preferits

Sobre l'autor

Peter Manseau is the author of eight books. He is the Lilly Endowment Curator of American Religious History at the Smithsonian Institution's National Museum of American History.

Inclou el nom: P. Manseau

Crèdit de la imatge: hinterer Buchumschlag

Obres de Peter Manseau

Etiquetat

Coneixement comú

Data de naixement
1974-11-15
Gènere
male
Nacionalitat
USA
País (per posar en el mapa)
USA
Lloc de naixement
Boston, Massachusetts, USA
Llocs de residència
Washington, D.C., USA
Educació
Georgetown University
Organitzacions
Killing The Buddha
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Membres

Ressenyes

This is a very interesting book about William Mumler, a "spirit photographer". As the title of the book suggests, he was fraudulently capturing phantom images in photographs of living people. He became a sensation in Boston and NYC. Apparently his first "spirit photograph" was produced accidentally. His wife, and the Spiritualist movement, saw these photographs as proof of their beliefs. Many famous people, including Mary Todd Lincoln, were photographed in his studio, surrounded by images that they identified as dearly departed loved ones. Eventually, he was arrested for fraud. Unfortunately, there is no clear explanation of how Mumler used his "Process" to produce phantom images. This book is a reminder that through technology, we can be fooled into seeing what we want to believe.… (més)
 
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Chrissylou62 | Hi ha 5 ressenyes més | Apr 11, 2024 |
Well done, reads very much as a product of its time. I wish I had stumbled across it at the Borders or Raven in Lawrence the first time round.

Most of the bible verse versions were excellent - I have a bias against Jonah - even as a child I could never get over fish, whale, eh, what's the difference. I _knew_ the difference, at eight. Revelations was weird, but how could it be otherwise. Our dual heretical guides come across as the young men they were.
 
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kcshankd | Hi ha 5 ressenyes més | Feb 25, 2024 |
A good read for sure, but I wish that he hadn't skipped around so much. Within each chapter there were stories of multiple religions, so I'm not sure what the chapters were dividing. In any case, very interesting book.
 
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blueskygreentrees | Hi ha 3 ressenyes més | Jul 30, 2023 |
Somewhere in midfourteenth-century England, the plague ravages the populace, as it does elsewhere in Europe. A remote convent, deliberately secluded to discourage visitors, secular or ecclesiastic, is under siege—from the threat of infection, yes, but two other forces as well. One is a snowstorm the like of which nobody can recall seeing, and which feels and looks apocalyptic. The third threat, perhaps the most serious, arrives from above in a different sense: The bishop, having heard rumors of heresy at the convent, is coming to investigate.

Nobody dares talk about the danger, and the abbess, Mother John (many of the nuns have taken masculine names, according to which religious figures inspire them), seems to deny any peril at all. But around her lurks the fear that wherever a bishop looks for heresy, he’ll find it. Moreover, he may not have far to look, for the convent, especially Mother John and those she influences most strongly, puts much faith in the sayings of the previous abbess, Ursula. For instance: “Birds see all but say nothing we can understand, which make them a perfect symbol of the divine.”

You see the problem here: Since when is a woman’s philosophy meaningful, particularly if it replaces standard (read: created by men) dogma? Mother John would object to the accusation of replacement, arguing that her beliefs coexist with those of the church. However, her outlook, though scrupulously devout, seems based on common sense — rather refreshing, if you ask me, and perhaps most modern readers would agree.

But nobody’s asking us, or anyone else, for the spirit of inquiry is precisely the problem. A good fourteenth-century Christian is supposed to obey, not think, let alone question. And the manuscripts of Ursula’s that Mother John refuses to get rid of could send her and many others to the stake.

Consequently, The Maiden of All Our Desires deals with where faith comes from, what it means, and how the earthly world gets in the way. The Department of Earthly Delights has its ambassador in Father Francis, the priest who hears the women’s confessions and performs other necessary sacraments, but who might have preferred to follow wood carving as a career, and who has known forbidden pleasures. That means he has secrets to keep and sins for which to atone.

The novel purports to unfold over the course of one day, divided into the various prayer services--matins, lauds, prime, and so forth. Umberto Eco followed a similar framework in The Name of the Rose, though at greater length and with greater coherence. In Manseau’s novel, it’s not always immediately clear when events happen, the day of the snowstorm or in the past, but bet on the latter, and you’ll be right most often.

Back story rules, which can be difficult to sort out, but stay with it. There’s much here to enjoy. A different literary conceit, from the publisher (not the author), invokes Matrix and Hamnet, among other comparisons, which proves, once again, that the publicist’s favorite game provides the surest way to minimize in glibness each book’s essence or meaning. What else would you expect from a soundbite?

That said, having loved both those other books, I see a resemblance, though not because Matrix involves an abbess. It’s the tactile prose. Throughout the novel, Manseau’s descriptions reveal inner life, setting, and conflict. It’s reason enough to read the book, but consider also the story, which, despite the occasionally confusing time frames, keeps you riveted and offers a satisfying ending. As for characters, Mother John and Ursula come through, but I would have liked more differentiation among the nuns, other than their petty rivalries.

Further, it’s curious how Father Francis commands an outsize presence in this community of women, though perhaps that results from the necessities of plot and the importance to it of earthly desire. Nevertheless, Manseau, curator of religion at the Smithsonian Institution, knows his ground thoroughly and has written a thought-provoking, engaging, and entertaining novel.
… (més)
 
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Novelhistorian | Hi ha 3 ressenyes més | Jan 24, 2023 |

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Miebeth van Horn Translator
Kimberly Glyder Cover designer
Gwenann Seznec Author photographer

Estadístiques

Obres
13
Membres
1,326
Popularitat
#19,390
Valoració
½ 3.7
Ressenyes
52
ISBN
57
Llengües
5
Preferit
2

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