Imatge de l'autor

Victoria Mas

Autor/a de The Mad Women's Ball

6 obres 505 Membres 29 Ressenyes

Sobre l'autor

Crèdit de la imatge: Le Point

Obres de Victoria Mas

Etiquetat

Coneixement comú

Nom normalitzat
Het bal der gekken
Data de naixement
1987
Gènere
female
Nacionalitat
France
Educació
Sorbonne

Membres

Ressenyes

The Salpêtrière asylum, Paris,1885. This is a women's asylum, housing the insane and also those who inconvenient-to-their-families or the inconvenient-to-society. It's here that Genevieve has found her life's calling as senior nurse, and Eugenie, daughter of a bourgeois family is suddenly incarcerated having admitted to having contact with the dead. Over a ten day period during which the inmates are preparing for the spectacle of their annual ball, when they will be paraded for the amusement of Parisian citizens, these two women develop an understanding of one another and Genevieve agrees to help Eugenie. As an over-view of a shocking system, presided over by Doctor Charcot and his treatments involving hypnotism, this is an interesting and eye-opening account. As a story for a reader cynical about contact with other worlds, it didn't do much for me. But it's an interesting read, and quickly finished.… (més)
 
Marcat
Margaret09 | Hi ha 25 ressenyes més | Apr 15, 2024 |
After receiving a sign that she was to witness the appearance of the Virgin Mary, Sister Anne travels to an island off the coast of Brittany to await her vision. However it is not Sister Anne who is visited but Isaac, a young motherless boy. As news of Isaac's visions spreads there is belief and also scepticism wich leads to tragic events.
This is a very short novel but a very powerful one. The claustrophobic nature of society on a small island is explored as well as human tragedy. It is beautifully written and the last sections are both shocking and deep.… (més)
 
Marcat
pluckedhighbrow | Mar 26, 2024 |
“The Salpêtrière is a dumping ground for women who disturb the peace. An asylum for those whose sensitivities do not tally with what is expected of them. A prison for women guilty of possessing an opinion.”

In 1885 Paris, nineteen-year-old Eugenie Clery, a strong-willed young woman, is committed to the Salpêtrière Hospital for the mentally -ill by her father after her grandmother betrays her secret about her spiritualistic leanings that she had shared in confidence . Here she meets Genevieve the senior nurse of the facility – a practical woman who believes in science, doesn't believe in God (after a personal tragedy) and has faith in renowned neurologist Dr. Charcot’s methods for treatment of those suffering from mental illness. Dr. Charcot’s methods include hypnosis and every week he holds a practical demonstration of his methods for an audience of male doctors and interns. Louise, one of the patients Eugenie meets (the origins of her illness are discussed later on in the narrative) is the current case study. Louise is also romantically involved with one of the younger doctors who has promised to marry her. Eugenie knows that Genevieve is the only person who can help her but to do so would mean convincing her that she is not mentally ill. To do so she must use her gifts to make a connection with someone from Genevieve’s past – her younger sister Blandine whose death she still mourns- and she must do this before The Madwomen’s Ball. The Lenten Ball, The Madwomen’s Ball is an annual event wherein select members of the Parisian bourgeoisie are invited to interact with the patients of the asylum – a bright event that the women of Salpêtrière look forward for the festivities and the potential opportunity to meet someone sympathetic to their plight and an opportunity for the invitees to openly observe these women and satisfy their curiosity.

“Madwomen fascinate and horrify.”

The Mad Women’s Ball by Victoria Mas (translated by Frank Wynne) is an atmospheric, insightful and thought-provoking story that paints a heartbreaking picture of the plight of women banished from their homes and families and society in general on the whims of those whom they should have been able to trust. The story not only looks at the stigma associated with mental–illness during that period but also sheds a light on the practice of dubbing those not conforming to societal /patriarchal expectations as mentally ill. Not only were these women denied agency but were treated like experiments by their doctors and theater by those who were "curious” about what went on behind the closed doors of the institution.

“No woman can be certain that her words, her aspirations, her personality will not lead to her
being shut away behind the fearsome walls of the hospital in the thirteenth arrondissement.”


The narrative is shared from the perspectives of Genevieve, Louise, and Eugenie. Given the short length of this novel, there isn’t much much scope for in-depth character development or exploring the relationships between the characters beyond a certain point. On that note, I thought Eugenie’s story was left somewhat incomplete. The Author's Note only provides a glossary for real people from that era who make an appearance/ are referred to in this story. I did feel the need for an Author’s Note on the historical context of this novel and the different themes that have been explored in the novel including the spiritualist movement of that era and some background on the Salpêtrière asylum , which unfortunately was missing.

Overall, while I truly appreciate the premise of this novel, I wasn’t completely satisfied with the execution.

“Unswerving faith in any idea inevitably leads to prejudice. Have I told you how calm I feel since I began to doubt? What is important is not to have beliefs, but to be able to doubt, to question anything, everything, even oneself. To doubt.”
… (més)
 
Marcat
srms.reads | Hi ha 25 ressenyes més | Sep 4, 2023 |

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Estadístiques

Obres
6
Membres
505
Popularitat
#49,063
Valoració
3.8
Ressenyes
29
ISBN
33
Llengües
9

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