Foto de l'autor

Dorothy Menpes

Autor/a de Japan : a record in colour

7+ obres 35 Membres 2 Ressenyes

Sobre l'autor

Obres de Dorothy Menpes

Japan : a record in colour (1901) 18 exemplars
Brittany (1905) — Autor — 6 exemplars
Paris 4 exemplars
The Durbar (1903) 3 exemplars
World's children 1 exemplars
Brittany 1 exemplars

Obres associades

Venice (1916)algunes edicions13 exemplars

Etiquetat

Coneixement comú

Membres

Ressenyes

Twenty-one chapters for 21 painting destinations make this a thick book. It has an unbelievable number of colour plates as well as many ink drawings, all illustrating the wide world at the turn of the 20th century. The Menpeses simply did not know when to stop travelling! This book takes us around the world from England through many countries of Europe (where during their sojourn in Brittany they mock the "Spottist and Dottist" painters then appearing on the scene), with stops in various parts of Africa, the Middle East, Asia, and Mexico. There's a chapter on "Cashmere" which is particularly attractive. Very beautiful and of great historical interest, but don't expect depth of thought, or political correctness, from the commentary.… (més)
 
Marcat
muumi | Feb 4, 2017 |
Brittany
The gray and somewhat uninteresting village of Douarnénez undergoes a change when the fishing-boats come home. Even with your eyes shut, you would soon know of the advent of the fishermen by the downward clatter of myriads of sabots through the badly-paved steep streets, gathering in volume and rapidity with each succeeding minute. The village has been thoroughly wakened up. Douarnénez is the headquarters of the sardine fishery, and the home-coming of the sardine boats is a matter of no little importance. The 9,000 inhabitants of the place are all given up to this industry. Prosperity, or adversity, depends upon the faithfulness, or the fickleness, of the little silver fish in visiting their shores. Not long ago the sardines forsook Douarnénez, and great was the desolation and despair which settled upon the people. However, the season this year is good, and the people are prosperous.

As one descends the tortuous street leading to the sea, when the tide is in, everything and everyone you encounter seem to be in one way or another connected with sardines. The white-faced houses are festooned and hung with fine filmy fishing-nets of a pale cornflower hue, edged with rows of deep russet-brown corks. Occasionally they are stretched from house to house across the street, and one passes beneath triumphal arches of really glorious gray-blue fishing-nets. This same little street, which barely an hour ago was practically empty and deserted, now swarms with big bronzed fishermen coming up straight from the sea, laden with their dripping cargo of round brown baskets half filled with glistening fish. They live differently from the sleepy villagers—these strapping giants of the sea, with their deep-toned faces, their hair made tawny by exposure, their blue eyes, which somehow or other seem so very blue against the dark red-brown of their complexion, their reckless, rollicking, yet graceful, sailor's gait. A sailor always reminds me of a cat amongst a roomful of crockery: he looks as if he will knock over something or trip over something every moment as he swings along in his careless fashion; yet he never does.
… (més)
 
Marcat
amzmchaichun | Jul 20, 2013 |

Potser també t'agrada

Autors associats

Estadístiques

Obres
7
També de
1
Membres
35
Popularitat
#405,584
Valoració
½ 3.5
Ressenyes
2
ISBN
1