James Mollison (1) (1973–)
Autor/a de Where Children Sleep
Per altres autors anomenats James Mollison, vegeu la pàgina de desambiguació.
Sobre l'autor
Crèdit de la imatge: Untitled Flow
Obres de James Mollison
Etiquetat
Coneixement comú
- Data de naixement
- 1973
- Gènere
- male
- Lloc de naixement
- Kenya
- Llocs de residència
- England, UK
Italy
Venice, Italy - Educació
- Oxford Brookes University
Newport School of Art and Design - Professions
- photographer
- Biografia breu
- James Mollison was born in Kenya in 1973 and grew up in England. After studying Art and Design at Oxford Brookes University, and later film and photography at Newport School of Art and Design, he moved to Italy to work at Benetton’s creative lab, Fabrica. Since August 2011 Mollison has been working as a creative editor on Colors Magazine with Patrick Waterhouse. In 2009 he won the Royal Photographic Society’s Vic Odden Award, for notable achievement in the art of photography by a British photographer aged 35 or under. His work has been widely published throughout the world including by Colors, The New York Times Magazine, the Guardian magazine, The Paris Review, GQ, New York Magazine and Le Monde. His latest book Where Children Sleep was published in November 2010- stories of diverse children around the world, told through portraits and pictures of their bedroom. His third book, The Disciples was published in 2008 – panoramic format portraits of music fans photographed before and after concerts. In 2007 he published The Memory of Pablo Escobar- the extraordinary story of ‘the richest and most violent gangster in history’ told by hundreds of photographs gathered by Mollison. It was the follow-up to his work on the great apes – widely seen as an exhibition including at the Natural History Museum, London, and in the book James and Other Apes (Chris Boot, 2004). Mollison lives in Venice with his wife and two sons.
Membres
Ressenyes
A stark visual essay of a wide-ranging sample of children from the 4-year-old Thai orphan, to the 8-year-old sports-crazed uniformed boy from New Jersey, to the 17-year-old Brazilian gang member who lives in a favela near the airport in Rio de Janeiro.
Supported by Fabrica, "Benetton's communication research center," the images and text are spare and severe, not unlike the company's ads from the 1980s. While the book is informative, much like the d'Alusio and Menzel books like "What We Eat," this work feels more overtly political.
I'm curious to read what students take from it. There is much struggle, with the very young working in a quarry or trash-picking all day, but there is also pride in these faces, regardless of where they sleep.… (més)
Supported by Fabrica, "Benetton's communication research center," the images and text are spare and severe, not unlike the company's ads from the 1980s. While the book is informative, much like the d'Alusio and Menzel books like "What We Eat," this work feels more overtly political.
I'm curious to read what students take from it. There is much struggle, with the very young working in a quarry or trash-picking all day, but there is also pride in these faces, regardless of where they sleep.… (més)
Libro de fotografías de dormitorios de niños de diferentes paises-culturas.
I wanted to like this book a lot more than I did. Certainly the photographs were good, showing the children and their bedrooms (or what passed for their bedrooms) and describing their lives in short but emotional vignettes. Many of the stories were sad, and I'm not just talking about the children who lived in poverty either. One child, an American only four or five, was shown wearing heavy makeup and dressed in clothes better suited for a woman in her twenties. Her biography explained that she participated in beauty pageants and had won a lot of trophies, and almost all her spare time was spent preparing for one pageant or another. It sounds like she never has time to just be a kid. A fourteen-year-old girl from a shantytown in Brazil was pregnant (out of wedlock, for what's it worth) for the third time; her previous two babies had died.
However, the diversity in the book was lacking. There were I think twelve American children featured. Mostly they were from families that were at least middle-class if not very wealthy, and all but four came from the New York City metro area. The whole of Africa had only four children, and Europe only five, three of them from Italy and two from the UK. South America had seven, six of them from Brazil. The tiny country of Nepal had eight children featured. Of Canada, Central America, the Caribbean, the South Pacific and Australia, there were no kids featured at all. I don't know if this was the author/photographer's fault or not -- perhaps there were budget or travel constraints -- but the lopsidedness was a definite drawback.
Several of the children who were featured also had lives that were quite unusual for the country they represented. For instance, the youngest geisha in all of Japan got a page, as well a ten-year-old champion sumo wrestler from Tokyo. In fact there are hardly any geisha at all in Japan anymore, and using a geisha in full regalia and a beachball-shaped sumo wrestler as two of the four Japanese kids seems to be catering to stereotypes. (And speaking of fat kids, in America they also had a boy who was very overweight and living at a boarding school for obese children -- the only one of its kind in the country.)
The commentary to the photographs also occasionally seemed to pass judgment on the children, or more so their families. With one quite obese six-year-old (not the boarding school student previously mentioned), the author makes a point of saying the boy visits McDonald's often and there are four televisions in his apartment and he learned how to use the PlayStation by age three. There's an Italian teenager who, it says, doesn't have to do any chores at all because his mother does everything for him, and plans to marry his girlfriend "who -- he expects -- will take over the job of looking after him."
I'd still say the book was worth reading/looking at. I just wish they had covered more countries and more children.… (més)
However, the diversity in the book was lacking. There were I think twelve American children featured. Mostly they were from families that were at least middle-class if not very wealthy, and all but four came from the New York City metro area. The whole of Africa had only four children, and Europe only five, three of them from Italy and two from the UK. South America had seven, six of them from Brazil. The tiny country of Nepal had eight children featured. Of Canada, Central America, the Caribbean, the South Pacific and Australia, there were no kids featured at all. I don't know if this was the author/photographer's fault or not -- perhaps there were budget or travel constraints -- but the lopsidedness was a definite drawback.
Several of the children who were featured also had lives that were quite unusual for the country they represented. For instance, the youngest geisha in all of Japan got a page, as well a ten-year-old champion sumo wrestler from Tokyo. In fact there are hardly any geisha at all in Japan anymore, and using a geisha in full regalia and a beachball-shaped sumo wrestler as two of the four Japanese kids seems to be catering to stereotypes. (And speaking of fat kids, in America they also had a boy who was very overweight and living at a boarding school for obese children -- the only one of its kind in the country.)
The commentary to the photographs also occasionally seemed to pass judgment on the children, or more so their families. With one quite obese six-year-old (not the boarding school student previously mentioned), the author makes a point of saying the boy visits McDonald's often and there are four televisions in his apartment and he learned how to use the PlayStation by age three. There's an Italian teenager who, it says, doesn't have to do any chores at all because his mother does everything for him, and plans to marry his girlfriend "who -- he expects -- will take over the job of looking after him."
I'd still say the book was worth reading/looking at. I just wish they had covered more countries and more children.… (més)
1 
meggyweg | Hi ha 5 ressenyes més | Jul 25, 2013 |
meggyweg | Hi ha 5 ressenyes més | Jul 25, 2013 | Llistes
Potser també t'agrada
Autors associats
Estadístiques
- Obres
- 4
- Membres
- 184
- Popularitat
- #117,736
- Valoració
- 4.4
- Ressenyes
- 7
- ISBN
- 23
- Llengües
- 1
Supported by Fabrica, "Benetton's communication research center," the images and text are spare and severe, not unlike the company's ads from the 1980s. While the book is informative, much like the d'Alusio and Menzel books like "What We Eat," this work feels more overtly political.
I'm curious to read what students take from it. There is much struggle, with the very young working in a quarry or trash-picking all day, but there is also pride in these faces, regardless of where they sleep.… (més)