Steve Moore (1) (1949–2014)
Autor/a de Tom Strong's Terrific Tales: Book 1
Per altres autors anomenats Steve Moore, vegeu la pàgina de desambiguació.
Sèrie
Obres de Steve Moore
ABC: A-Z - Greyshirt & Cobweb 2 exemplars
Marvel Comics Super Special #26: Octopussy 1 exemplars
Doctor Who Classics Series 2 #1 1 exemplars
Obres associades
John Bolton's Halls of Horror no. 2 — Col·laborador — 2 exemplars
John Bolton's Halls of Horror no. 1 — Autor — 1 exemplars
Etiquetat
Coneixement comú
- Nom oficial
- Moore, Steve James
- Altres noms
- Henry, Pedro
- Data de naixement
- 1949-06-11
- Data de defunció
- 2014-03-16
- Gènere
- male
- Nacionalitat
- England
UK - Llocs de residència
- Shooter's Hill, Kent, England, UK
- Educació
- John Roan Grammar School, Greenwich
- Biografia breu
- Alan Moore (1) was a frequent collaborator with Steve, and was unrelated. Steve was quoted as saying that they would put "Steve Moore - no relation" on his gravestone.
Membres
Ressenyes
Access a version of the below that includes illustrations on my blog.
This collects every Dalek story from DWM and adjacent publications from 1979 to 1993. Most of it was previously collected, but it does contain one story not collected elsewhere.
The Dogs of Doom
Previously reviewed as part of The Iron Legion here.
The Return of the Daleks
This is a back-up strip focusing on the Daleks reinvading a planet where they were defeated centuries ago... coincidentally doing so right when someone is making a movie about the original invasion. It's fine; I found it hard to care about or even keep track of the protagonists. To be honest, I expected the movie stuff to be more significant, with fake Daleks versus real Daleks or something, but it's mostly there to explain why the characters have researched the history of the first invasion
Abslom Daak… Dalek Killer! / Star Tigers / Nemesis of the Daleks
Previously reviewed as part of Nemesis of the Daleks here.
Metamorphosis
Previously reviewed as part of The Age of Chaos here.
Stray Observations:
This collects every Dalek story from DWM and adjacent publications from 1979 to 1993. Most of it was previously collected, but it does contain one story not collected elsewhere.
The Dogs of Doom
Previously reviewed as part of The Iron Legion here.
The Return of the Daleks
This is a back-up strip focusing on the Daleks reinvading a planet where they were defeated centuries ago... coincidentally doing so right when someone is making a movie about the original invasion. It's fine; I found it hard to care about or even keep track of the protagonists. To be honest, I expected the movie stuff to be more significant, with fake Daleks versus real Daleks or something, but it's mostly there to explain why the characters have researched the history of the first invasion
Abslom Daak… Dalek Killer! / Star Tigers / Nemesis of the Daleks
Previously reviewed as part of Nemesis of the Daleks here.
Metamorphosis
Previously reviewed as part of The Age of Chaos here.
Stray Observations:
- Did I buy this whole volume for just sixteen pages of new-to-me content? Well... kind of. One benefit it does have is that the original graphic novel appearances of Abslom Daak, Star Tigers, and The Dogs of Doom didn't have any commentary. Paul Scoones provides commentary for The Return of the Daleks and The Dogs of Doom, John Freeman for Abslom Daak and Star Tigers, so I did take the time to read that material, which was nice of them to include.
- Found it a bit weird Richard Starkings and John Tomlinson are credited by their pseudonyms on the cover, when in the Nemesis of the Daleks collection their real names were given on the cover. People have heard of Richard Starkings, less so Richard Alan!
This was an anthology series set in the Miracleman universe. And though it's nice to dip into that universe again, these stories really can't hold a candle to Alan Moore's original series.
Access a version of the below that includes illustrations on my blog.
This volume transitions us out Mills & Wagner era into that of first Steve Moore and then Steven Parkhouse; at the same time, the Doctor Who magazine goes from a weekly to a monthly, and the stories decrease in length. I'm guessing this is because it's one thing to serialize a story in eight parts when that means it takes eight weeks, and another when when that means it takes eight months! Later the mag would reverse this decision-- which I think was the right call, based on this volume.
Dragon's Claw
This is the last of the big fourth Doctor comic stories; in a way, it feels like Steve Moore's attempt to do a Mills & Wagner, so to speak. Interesting setting, big enemy, long-form storytelling... yet this never clicked for me. I'm not sure I could say why. (Dave Gibbons actually says something similar in the intro to Iron Legion.) Maybe it's because the Doctor and Sharon and K-9 spend most of the story sitting around? For a story about ninja warrior monks (there's your RTD connection again!) and Sontarans, it's surprisingly light on action; compare this to The Iron Legion or The Dogs of Doom, which are constantly moving moving moving. The stakes feel very abstract too. I guess the emperor is threatened, but so what? Anyway it seems to me that this story marks the beginning of a slump for the strip. The Time Witch was a wobble, but could have been an aberration; this story confirms it.
The Collector
This one starts out pretty good: the Doctor and Sharon land in Blackcastle, but get sucked to an asteroid by a guy who's been kidnapping humans and putting them on display for centuries. Trying to get him free from a deranged computer, the Doctor accidentally gets him and K-9 killed... so he just goes back in time and undoes it, the end. Sure, there's some bafflegab to justify why he can't always do this, but it's a big cheat regardless. Plus he never actually sets the victims of the Collector free! (The bit of bafflegab is lettered in a slightly different hand, which makes me think it was added at the last minute when someone objected that the Doctor would do this all the time if it were possible.) I think it debuts a formula we'll see through the rest of Steve Moore's time on the strip: more on that later.
Dreamers of Death
The TARDIS lands on an Earth colony planet where the Doctor has some old friends; the use of alien creatures to create shared dream experiences has become all the rage since his last visit. Well, it turns out the alien creatures are evil. You probably could write an interesting story about this concept, but this isn't it; the dream stuff is abandoned in favor of the creatures merging into a giant devil-shaped gestalt creature and stomping through the city. The Doctor defeats it with a hose.
This is Sharon's last story; suddenly she's decided to start a new life with a guy she meets in the story, even more sudden than Leela falling in love with Andred, which is saying something. It's disappointing but not too disappointing because introductory story and maybe Dogs of Doom aside she's never really had much to do except stand there while the Doctor explains things. She feels a very RTD companion, like I've said, but without storytelling actually focused on her as a character, she quickly becomes generic. The idea that she could go straight from 14 to 18 raises more problems than it solves... and now she's settling down!? It's all a bit weird. (Sharon says there's nothing for her in Blackcastle now that she's grown up... yet in one of these stories, she mentioned having a father! I am pretty sure Big Finish made her into an
orphan.)
The Life Bringer! / War of the Words / Spider-God
Here we settle into the Steve Parkhouse pattern (into which you could also insert The Collector and, to a lesser extent, Dreamers of Death): mediocre sci-fi adventures that feel like rejected Twilight Zone scripts with some kind of sting in the tail. In The Life Bringer!, the Doctor meets and liberates Prometheus. Is he the real god? At the end, Prometheus heads to Earth to make life. Is this the origin of humanity in the distant past, or its resurrection in the distant future? I feel like the end wants you to go "spooky..." but frankly I didn't
care.
War of the Words is about aliens fighting over a library; it has a pretty dumb resolution. Spider-God is about a weird alien biology, where the whole story is built around a twist ending that feels like it comes from a mediocre American sf story of the 1930s. At least Dave Gibbons draws the hell out of everything!
The Deal / End of the Line
Here is the debut of Steve Parkhouse as strip writer, who quickly makes his style known: bleak stories of an ineffective Doctor. In The Deal, the TARDIS and an alien soldier get stuck on a battlefield, and team up to get off, but the Doctor ditches the soldier and he dies when the Doctor realizes he's a monster. In End of the Line, the Doctor faces zombies in a ruined cityscape; he helps some survivors escape but the story ends with him realizing there's no place for them to escape to... and they all die en route anyway! Ouch, geeze, way to cheer me up, New Steve. The dark brooding cityscapes of End of the Line are pretty neat, though.
By this point, things that remind me of the RTD years have largely vanished from the strip... with the exception of the fact that End of the Line is about a bunch of people trapped in a dystopian urban center yearning to get out to an edenic countryside, but who need the Doctor to repair their transport system. So, yeah, "Gridlock" again!
The Free-Fall Warriors
This is like one of those episodes of a tv show where the main cast does little except meet some people who are clearly being set up for a spin-off. The Doctor's on vacation, where he meets a science fiction writer named Ivan Asimoff (!). The two of them then meet a group of stunt pilots called the Freefall Warriors (that's how it's always written in the story, though part one is called "the Free-Fall Warriors" and part two "the Free Fall Warriors"). One is a big tiger and is named "Big Cat"; another has a machine head and is called "Machine Head"; one is named "Bruce." You can tell Parkhouse put a lot of work into this. The Doctor and Asimoff mostly sit there while the Freefall Warriors thwart a raider attack in contrived circumstances. I barely get why the Doctor is in this story; the purpose of the Asimoff character is even less clear!
Like I said, it feels like the Freefall Warriors are being set up for bigger things, but if so, they didn't amount to much; Big Cat reappeared solo in the Doctor Who Summer Special for 1982, and there was a four-issue back-up strip in Captain Britain in 1985 showing how they all met. None of this material has been collected as far as I know.
Junk-Yard Demon
For the first time in my DWM journey, we have a strip not drawn by Dave Gibbons. (I know he didn't draw #17-18, but I haven't got there yet!) Mike McMahon and Adolfo Buylla have a drastically different style: lots of dark, distorted proportions, sparse backgrounds, detailed mechanics. I love their boggle-eyed Tom Baker. The story is fun, probably the best Parkhouse-written tale in this volume. Actually, the best-written tale in this volume full stop. The Doctor meets some scavengers who repurpose Cybermen as servants; one is accidentally reactivated and it steals the TARDIS, along with one of the scavengers. It's a neat, atmospheric story, slightly injured by some unclear storytelling from McMahon and Buylla; there are times I didn't follow the action right away.
The Neutron Knights
The fourth Doctor departs DWM at his most ineffectual in Steve Parkhouse's most depressing tale yet: the Doctor stands and watches as barbaric space knights invade a castle; everyone dies when Merlin overloads an atomic reactor! Wow, Steve Parkhouse really hates happy endings, huh? This one foreshadows The Tides of Time but I didn't think it really worked on its own. Which, to be fair, it's not meant to be read on its own. I might be pausing a bit before picking up my next volume, but back in the day, it was straight from this to part one of The Tides of Time in Feb. 1982!
Stray Observations:
This volume transitions us out Mills & Wagner era into that of first Steve Moore and then Steven Parkhouse; at the same time, the Doctor Who magazine goes from a weekly to a monthly, and the stories decrease in length. I'm guessing this is because it's one thing to serialize a story in eight parts when that means it takes eight weeks, and another when when that means it takes eight months! Later the mag would reverse this decision-- which I think was the right call, based on this volume.
Dragon's Claw
This is the last of the big fourth Doctor comic stories; in a way, it feels like Steve Moore's attempt to do a Mills & Wagner, so to speak. Interesting setting, big enemy, long-form storytelling... yet this never clicked for me. I'm not sure I could say why. (Dave Gibbons actually says something similar in the intro to Iron Legion.) Maybe it's because the Doctor and Sharon and K-9 spend most of the story sitting around? For a story about ninja warrior monks (there's your RTD connection again!) and Sontarans, it's surprisingly light on action; compare this to The Iron Legion or The Dogs of Doom, which are constantly moving moving moving. The stakes feel very abstract too. I guess the emperor is threatened, but so what? Anyway it seems to me that this story marks the beginning of a slump for the strip. The Time Witch was a wobble, but could have been an aberration; this story confirms it.
The Collector
This one starts out pretty good: the Doctor and Sharon land in Blackcastle, but get sucked to an asteroid by a guy who's been kidnapping humans and putting them on display for centuries. Trying to get him free from a deranged computer, the Doctor accidentally gets him and K-9 killed... so he just goes back in time and undoes it, the end. Sure, there's some bafflegab to justify why he can't always do this, but it's a big cheat regardless. Plus he never actually sets the victims of the Collector free! (The bit of bafflegab is lettered in a slightly different hand, which makes me think it was added at the last minute when someone objected that the Doctor would do this all the time if it were possible.) I think it debuts a formula we'll see through the rest of Steve Moore's time on the strip: more on that later.
Dreamers of Death
The TARDIS lands on an Earth colony planet where the Doctor has some old friends; the use of alien creatures to create shared dream experiences has become all the rage since his last visit. Well, it turns out the alien creatures are evil. You probably could write an interesting story about this concept, but this isn't it; the dream stuff is abandoned in favor of the creatures merging into a giant devil-shaped gestalt creature and stomping through the city. The Doctor defeats it with a hose.
This is Sharon's last story; suddenly she's decided to start a new life with a guy she meets in the story, even more sudden than Leela falling in love with Andred, which is saying something. It's disappointing but not too disappointing because introductory story and maybe Dogs of Doom aside she's never really had much to do except stand there while the Doctor explains things. She feels a very RTD companion, like I've said, but without storytelling actually focused on her as a character, she quickly becomes generic. The idea that she could go straight from 14 to 18 raises more problems than it solves... and now she's settling down!? It's all a bit weird. (Sharon says there's nothing for her in Blackcastle now that she's grown up... yet in one of these stories, she mentioned having a father! I am pretty sure Big Finish made her into an
orphan.)
The Life Bringer! / War of the Words / Spider-God
Here we settle into the Steve Parkhouse pattern (into which you could also insert The Collector and, to a lesser extent, Dreamers of Death): mediocre sci-fi adventures that feel like rejected Twilight Zone scripts with some kind of sting in the tail. In The Life Bringer!, the Doctor meets and liberates Prometheus. Is he the real god? At the end, Prometheus heads to Earth to make life. Is this the origin of humanity in the distant past, or its resurrection in the distant future? I feel like the end wants you to go "spooky..." but frankly I didn't
care.
War of the Words is about aliens fighting over a library; it has a pretty dumb resolution. Spider-God is about a weird alien biology, where the whole story is built around a twist ending that feels like it comes from a mediocre American sf story of the 1930s. At least Dave Gibbons draws the hell out of everything!
The Deal / End of the Line
Here is the debut of Steve Parkhouse as strip writer, who quickly makes his style known: bleak stories of an ineffective Doctor. In The Deal, the TARDIS and an alien soldier get stuck on a battlefield, and team up to get off, but the Doctor ditches the soldier and he dies when the Doctor realizes he's a monster. In End of the Line, the Doctor faces zombies in a ruined cityscape; he helps some survivors escape but the story ends with him realizing there's no place for them to escape to... and they all die en route anyway! Ouch, geeze, way to cheer me up, New Steve. The dark brooding cityscapes of End of the Line are pretty neat, though.
By this point, things that remind me of the RTD years have largely vanished from the strip... with the exception of the fact that End of the Line is about a bunch of people trapped in a dystopian urban center yearning to get out to an edenic countryside, but who need the Doctor to repair their transport system. So, yeah, "Gridlock" again!
The Free-Fall Warriors
This is like one of those episodes of a tv show where the main cast does little except meet some people who are clearly being set up for a spin-off. The Doctor's on vacation, where he meets a science fiction writer named Ivan Asimoff (!). The two of them then meet a group of stunt pilots called the Freefall Warriors (that's how it's always written in the story, though part one is called "the Free-Fall Warriors" and part two "the Free Fall Warriors"). One is a big tiger and is named "Big Cat"; another has a machine head and is called "Machine Head"; one is named "Bruce." You can tell Parkhouse put a lot of work into this. The Doctor and Asimoff mostly sit there while the Freefall Warriors thwart a raider attack in contrived circumstances. I barely get why the Doctor is in this story; the purpose of the Asimoff character is even less clear!
Like I said, it feels like the Freefall Warriors are being set up for bigger things, but if so, they didn't amount to much; Big Cat reappeared solo in the Doctor Who Summer Special for 1982, and there was a four-issue back-up strip in Captain Britain in 1985 showing how they all met. None of this material has been collected as far as I know.
Junk-Yard Demon
For the first time in my DWM journey, we have a strip not drawn by Dave Gibbons. (I know he didn't draw #17-18, but I haven't got there yet!) Mike McMahon and Adolfo Buylla have a drastically different style: lots of dark, distorted proportions, sparse backgrounds, detailed mechanics. I love their boggle-eyed Tom Baker. The story is fun, probably the best Parkhouse-written tale in this volume. Actually, the best-written tale in this volume full stop. The Doctor meets some scavengers who repurpose Cybermen as servants; one is accidentally reactivated and it steals the TARDIS, along with one of the scavengers. It's a neat, atmospheric story, slightly injured by some unclear storytelling from McMahon and Buylla; there are times I didn't follow the action right away.
The Neutron Knights
The fourth Doctor departs DWM at his most ineffectual in Steve Parkhouse's most depressing tale yet: the Doctor stands and watches as barbaric space knights invade a castle; everyone dies when Merlin overloads an atomic reactor! Wow, Steve Parkhouse really hates happy endings, huh? This one foreshadows The Tides of Time but I didn't think it really worked on its own. Which, to be fair, it's not meant to be read on its own. I might be pausing a bit before picking up my next volume, but back in the day, it was straight from this to part one of The Tides of Time in Feb. 1982!
Stray Observations:
- I am reliably informed that The Collector features the introduction of that old Doctor Who comics convention, the use of "VWORP! VWORP!" to represent the sound of the TARDIS materializing. This is a surprisingly hard thing to research on the Internet; I found one article on BuzzFeed that clarified it dates back years... all the way to the Matt Smith era! Wow.
- The Free-Fall Warriors features, I believe, the debut of the long-running DWM future space currency, the mazuma.
- Weirdly, The Neutron Knights's narration captions are in the past tense. I feel like this almost never happens in comic stories (unless there's some kind of retrospective frame). I found it jarring, but I think it's just a Steve Parkhouse thing, as I noticed he did this in some of his Transformers strips as well.
Potser també t'agrada
Autors associats
Estadístiques
- Obres
- 42
- També de
- 10
- Membres
- 649
- Popularitat
- #38,891
- Valoració
- 3.6
- Ressenyes
- 16
- ISBN
- 104
- Llengües
- 2
This collects every Cyberman story ever published in DWM, most of which were also included in previous collections from Panini.
Deathworld
Some Ice Warriors get attacked by some Cybermen. David Lloyd draws the hell out of an Ice Warrior for the most part (somewhat less convinced by his spindly Cybermen), but this—like a lot of monster-focused Doctor Who Weekly back-up strips to be honest—reads to me like the kind of thing that would be thrilling if you were ten, but is more of an interesting curiosity if you come to it as an adult.
Black Legacy
Look, okay, maybe it's by Alan Moore, but I just can't take a Cyberman story where one shouts "What? Who... No! Blood of my ancestors, NOOOOOOOOO...." seriously. Like, this just isn't how it works.
Junk-Yard Demon
Previously reviewed as part of Dragon's Claw here.
Exodus / Revelation / Genesis! / The World Shapers
Previously reviewed as part of The World Shapers here.
The Good Soldier
Previously reviewed as part of The Good Soldier here.
Throwback: The Soul of a Cyberman / Ship of Fools / Unnatural Born Killers / The Company of Thieves / The Glorious Dead
Previously reviewed as part of The Glorious Dead here.
The Flood
Previously reviewed as part of The Flood here.
The Cybermen / Junk-Yard Demon II
Previously reviewed as part of The Clockwise War here.
Stray Observations:
- New-to-me strip content: a whole sixteen pages! But also we get some new commentary by Paul Scoones on Junk-Yard Demon, Exodus/Revelation!/Genesis!, and The World Shapers. I particularly liked getting to hear from Grant Morrison about The World Shapers (in an archival interview from 1987), and David Lloyd is always interesting. Kind of funny they can't even say "Alan Moore" in the commentaries. Does he appear like Voldemort if you say his name?
- As a complete package, though, it's fairly attractive; I like getting one bumper volume better than the two slim Dalek ones. And there have been some great Cyberman strips in DWM history. I'm not sure I would count The Glorious Dead as a Cyberman strip even though it's got Kroton in it, but I guess it would be odd to leave it out of a book containing literally every other Kroton strip. The best one remains, of course, The Flood.
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