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Elizabethan songs (1970) — Lyricist — 6 exemplars

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Comedy about a soldier who's only in the army for the looting and free beer. He's willing to go to any lengths to ensure an easy life for himself. He's a bit like Shakespeare's Falstaff.
Be warned there are several torture/execution scenes in this which are truly horrific and very much at odds with the generally comedic tone.
 
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wreade1872 | Hi ha 7 ressenyes més | Nov 28, 2021 |
Nashe's [The Unfortunate Traveller] reads like pulp fiction, unfortunately for Nashe it was written at a time when there was no market for it. Thomas Nashe (1567-1601) was an Elizabethan playwright, poet and satirist who had made his name as a pamphleteer. His previous publication was Christ Tears over Jerusalem published 1593 in which he imagined that Jesus Christ is looking down on Jerusalem and weeping to see the moral corruption that will lead to his crucifixion: a moral text which comes across as a fiery sermon to the unchristian. The Unfortunate Traveller by contrast has no moral compass, but is written in the style of a picaresque novel and delights in the escapades of a rogue: Jack Wilton, who barrels around Europe, in his attempts to get rich quick and enjoy himself as much as possible along the way.

This is a radical work that hardly bears any relation to anything I have read previously in English Renaissance literature. It is radical in the sense of the readers at which it was aimed and one wonders if those readers existed at the time, because it did not sell particularly well. Nashe had already shown that he was a writer whose colourful language and striking metaphors could enliven many a dull text, but in The Unfortunate Traveller he not only throws the kitchen sink into his work, but he makes it subversive. It is rapacious, grotesque, voyeuristic and transgresses almost every known genre of popular fiction of its time. It could be compared to the carnivalistic writing of Rabelais, but by anchoring his story in an historical setting Nashe adds realism and cruelty to the mix.

The story is episodic in nature and starts with Jack Wilton loosely connected to the entourage around Henry VIII campaign in France. His merry pranks and swindles and the onset of the sweating sickness result in him leaving the campaign as quickly as he could and he arrives in Munster to witness the merciless massacre of John Leiden's Anabaptist faction. He meets Henry Howard Earl of Surrey the famous poet and courtier and they become travelling companions. They exchange identities in order that the Earl of Surrey can travel incognito and in Rotterdam they hobnob with Erasmus and Sir Thomas Moore. Henry Howard is searching for his beloved Geraldine and they travel to Italy meeting Cornelius Agrippa on the way. Various plots and subterfuge result in the two companions being imprisoned for fraud and they are only saved from execution by the intervention of the famous satirist Pietro Aretino. Jack watches Henry Howard compete and win a jousting tournament before leaving with Diamante a beautiful courtesan. In Rome Jack barricades himself in an upstairs room and watches through a gap in the floorboards the protracted and violent rape of Heraclide by the bandit Esdras. Jack is accused of the rape but escapes to search for Diamante who he finds enslaved by the Jew Zadok. He gleefully watches the horrific execution of the Jew. Jack and Diamante travel to Bologna where the violent Cutwolf catches up with Esdras and shoots him in the mouth. Jack watches yet another brutal execution of the proud Cutwolf before fleeing back to the English encampment and reflecting on the dangers of travelling.

The novel starts with Jack and his clever swindles rather in the style of Robert Greene's conny catching, but soon takes a darker turn with the descriptions of the sweating sickness. The horrific massacre of the Anabaptists and the execution of John Leiden starts the trail of violence that will eventually lead to rape and murder. Along the way we are entertained by a sort of throwback story of Knights jousting in a tournament with Nashe supplying voluminous satirical descriptions of the knights attire. He also finds time to attach a couple of sonnets supposedly written in the style of Henry Howard. The reader is never far away from the next violent incident, but the rape of Heraclide is monstrous and we are in the realms of violent pornography. The executions that follow are gruesome and it is the feel of being a voyeur through Jacks eyes that makes these scenes so evocative.

Nashe knew he was writing something different, something new and in his dedication to the Earl of Southampton he describes his work as being in a clean different vein. He goes on to address the Dapper Monsieur Pages of the Court asking them to enjoy the wit and hear Jack Wilton tell his own tales. Perhaps the satire and the realistic descriptions of the violent events did not appeal and the work was largely forgotten until the late nineteenth century. It was rediscovered and is probably as popular now as it ever was. It can be read free on the internet in glorious modern English courtesy of Nina Green at the oxford-shakespeare.com website. Perhaps not great literature but let Nashe have the last word:

All the conclusive epilogue I will make is this, that if herein I have pleased any, it shall animate me to more pains in this kind. Otherwise, I will swear upon an English chronicle never to be outlandish chronicler more while I live. Farewell, as many as wish me well. June 27, 1593.

A five star read if only for its daring to be something different.

[Terrors of the Night] is more typical of the work of a pamphleteer and while first trying to frighten the reader with the idea that spirits, fairies and other unknown beings inhabit the air all around us, it then goes on to say something about dreams. In Nashe's view dreams are the waste material circulating around our minds when we are asleep and are not significant in forecasting our future.

Perhaps Terrors of the Night could be brought on by reading his [The unfortunate Traveller] just before bedtime.
… (més)
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baswood | Hi ha 7 ressenyes més | May 22, 2021 |
Here’s a funny old book. Not very long, for which I am thankful, and possibly the only Tudor ‘novel’ on the 1001 list, for which I am also thankful.

It’s a picaresque novel and arguably one of the first and this has earned it a place on the 1001 Books list. It’s almost definitely the shortest because writers of picaresque novels never know when to shut up. It’s a genre which I’m grateful has dropped out of favour with modern readers and writers.

I can barely remember what happened, not least because my edition was a reprint of the original text complete with original spelling which, compared to modern standard spelling, requires some lateral thinking to process. Then there’s vocabulary which we simply don’t use anymore for which the Internet was essential.

Then there’s a story which isn’t as straightforward as simply a guy going on a jaunt overseas (why must picaresque novels always head overseas?) There were twists and turns of ‘plot’ and the obligatory japes and close calls. I say ‘obligatory’ but, of course, Nashe was one of the first to do this. The popularity of the form in later years testifies to his influence, at least on the English novel.

I wouldn’t bother rushing out to get a copy of this unless you are a real die-hard lit fiend. Having said that, if you are, you’ve probably already read it. What did you think?
… (més)
 
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arukiyomi | Hi ha 7 ressenyes més | Jun 5, 2016 |
A proto-novel, certainly not quite a novel as we know it. Rather, this is more like a travelogue of one "Jack Wilton". Servant to an English earl who always seems to find (or to create) trouble. Kind of jumps all over the place (at least all over continental Europe), and the "story" doesn't have a common thread, other than the presence of Jack Wilton.

Short, but the older English makes for slow going. Also rather gory, but the stiff old writing makes the gore not seem as gory. If that makes sense.… (més)
 
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Dreesie | Hi ha 7 ressenyes més | Apr 12, 2016 |

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