Lynn H. Nicholas

If you’ve ever watched “The Monuments Men” movie and wondered ‘How did all the art the Nazi’s looted end up in those mines?’ Well this is the book that answers that question.

But it covers so much more in its densely packed, detailed research driven pages of which The Monuments Men is just a small part.

While the Nazi art confiscation is well documented and told, this book also covers the less talked about destruction of art by both sides (the Allies being particularly destructive in Italy), the bargaining and using of art to buy things such as transit visas, the boom in the world-wide art trade as items previously held in museums or private collections came on the market. While the Nazis did steal a lot, they were also the most rapacious buyers of art and dealers, and forgers, around the world made fortunes off them.

I found it fascinating to read how certain parts of the German infrastructure would hinder the confiscation and transfer of looted art, such as the Army in Paris refusing to supply trucks, or people starting shell companies that could then claim certain collections were “German owned” and stop them from being moved.

There are also stories of ingenious methods used to hide art treasures (sometimes in plain sight), and not so clever (a member of the Rothchild family in Holland burying art under a sand-dune and not marking it or even writing down its location!)

Academic in tone it can be a bit of a slog to get through, but it’s full of interesting stories.… (més)

I liked this book a great deal. For one thing, the author remembered to include copious illustrations, which is a must for a book of this kind. For another, I thought the presentation was cogent and coherent, no easy task when you consider that the transactions involved in this matter -- the wholesale theft and destruction of artwork across Europe in World War II -- were meant to be covered up for one reason or another. A number of other books on this subject have come out ("The Book Thieves," "Nazi Plunder" and "The Lost Museum," to name three), but this one was one of the first, and deserves credit. Recommended.… (més)

An epic chronicling the atrocities committed by Hitler and the Nazi Party against the art, history, and culture of Europe. Nicholas has painstakingly recorded with impeccable detail the looting of museums, confiscation of personal collections of Jewish citizens and fleeing refugees, and the burning and systematic destruction of countless works and artifacts deemed "degenerate" by Hitler and his Nazi underlings. The Rape of Europa simultaneously highlights the triumphant resistance efforts and quiet heroism of dedicated museum curators and their assistants, publishers secreting away manuscripts marked for destruction by fire, gallery owners hosting back room exhibitions of banned works, and countless civilians dedicated to the conservation of their cultural icons. Heralded as the "true story" behind the international efforts of the now-famous Monuments Men to spare historical sites and locate hidden and missing works, this is only a single component of this expansive text. A haunting masterpiece of WWII nonfiction.… (més)