Elizabeth Stuart Phelps (1844–1911)
Autor/a de The Silent Partner: Including "The Tenth of January"
Sobre l'autor
Nota de desambiguació:
(eng) Please do not delete CK content again unless it is in error! Do not combine or confuse this author with her mother, Elizabeth Wooster Stuart Phelps (1815-1852).
Crèdit de la imatge: See below.
Sèrie
Obres de Elizabeth Stuart Phelps
Our Famous Women : An Authorized Record of The Lives and Deeds of Distinguished American Women of Our Times (2009) 6 exemplars
Friends: a duet 3 exemplars
The Man in the Case 3 exemplars
Though life us do part 2 exemplars
Fourteen to one 2 exemplars
Hedged in 2 exemplars
Come forth 2 exemplars
Donald Marcy 2 exemplars
The oath of allegiance, and other stories 2 exemplars
Our famous women 1 exemplars
Short Ghost and Horror Collection 068 1 exemplars
Through Life Us Do Part 1 exemplars
The Story of Jesus Christ, An Interpretation 1 exemplars
The Empty House and Other Stories 1 exemplars
Lille Alf 1 exemplars
Phelps, Elizabeth Stuart Archive 1 exemplars
Since I died 1 exemplars
Im Jenseits (On the Other Side) 1 exemplars
The boys of Brimstone Court 1 exemplars
Old maid's paradise 1 exemplars
The True Story of Guenever 1 exemplars
Obres associades
What Did Miss Darrington See? : An Anthology of Feminist Supernatural Fiction (1989) — Col·laborador — 117 exemplars
Weird Women: Classic Supernatural Fiction by Groundbreaking Female Writers: 1852-1923 (2020) — Col·laborador — 83 exemplars
Scribbling Women: Short Stories by 19th-Century American Women (1997) — Col·laborador — 50 exemplars
The Darker Sex: Tales of the Supernatural and Macabre by Victorian Women Writers (2009) — Col·laborador — 48 exemplars
The Lifted Veil: The Book of Fantastic Literature by Women 1800-World War II (1806) — Col·laborador — 42 exemplars
Women in the Trees: U.S. Women's Short Stories About Battering and Resistance, 1839-1994 (1996) — Col·laborador — 39 exemplars
Daring to Dream: Utopian Fiction by Nineteenth Century Women Writers (1984) — Col·laborador — 38 exemplars
More Deadly than the Male: Masterpieces from the Queens of Horror (2019) — Col·laborador — 30 exemplars
Ghostly Gentlewomen: Two Centuries of Spectral Stories by the Gentle Sex (1900) — Col·laborador — 22 exemplars
Old Maids: Short Stories by Nineteenth Century U.S. Women Writers (1984) — Col·laborador — 17 exemplars
Haunted Women: The Best Supernatural Tales by American Women Writers (1985) — Col·laborador — 15 exemplars
Etiquetat
Coneixement comú
- Altres noms
- Phelps, Mary Gray (birth name)
Phelps, Lily
Adams, Mary
Ward, Elizabeth Stuart Phelps - Data de naixement
- 1844-08-31
- Data de defunció
- 1911-01-28
- Gènere
- female
- Nacionalitat
- USA
- Lloc de naixement
- Andover, Massachusetts, USA
- Lloc de defunció
- Newton Center, Massachusetts, USA
- Educació
- Abbot Academy
- Professions
- novelist
essayist
social reformer
feminist - Relacions
- Phelps, Austin (father)
Trusta, H. (mother) - Biografia breu
- Elizabeth Stuart Phelps, later Ward, was born Mary Gray Phelps in Andover, Massachusetts. Her parents were Austin Phelps, a Congregational minister and educator, and his wife Elizabeth Wooster Stuart Phelps, author of the Kitty Brown series of books for girls under the pen name H. Trusta. After her mother died when she was eight years old, she asked to be renamed in her honor. Elizabeth received an excellent education, attending the Abbot Academy and Mrs. Edwards' School for Young Ladies. She began writing as a child and published a story in the magazine Youth's Companion at age 13. A couple of years later, she won recognition from prominent literary figures such as John Greenleaf Whittier when her story "The Tenth of January" appeared in The Atlantic Monthly. In 1868, she published The Gates Ajar, a bestselling fantasy novel about the afterlife that won her national fame and popularity. It was followed by Beyond the Gates (1883) and The Gates Between (1887). During her lifetime, she published 57 volumes of fiction, poetry and essays, all of which challenged the conventional view that a woman's place was in the home and often portrayed women in careers. She also wrote several poems and three short stories on Arthurian themes. In 1888, she married Herbert D. Ward, a journalist 17 years her junior, in another break with the norms of the time. She became an advocate through her writing, lectures and other work for social reform, temperance, and the women's emancipation. She was also involved in clothing reform for women, and in 1874 urged them to burn their corsets.
- Nota de desambiguació
- Please do not delete CK content again unless it is in error! Do not combine or confuse this author with her mother, Elizabeth Wooster Stuart Phelps (1815-1852).
Membres
Ressenyes
Llistes
Must-Read Maine (1)
Premis
Potser també t'agrada
Autors associats
Estadístiques
- Obres
- 59
- També de
- 29
- Membres
- 445
- Valoració
- 3.6
- Ressenyes
- 7
- ISBN
- 140
- Llengües
- 2
Trixy is of a piece with other antivivisection novels of the era, pitting a sympathetic female protagonist against a harsh male vivisector and strongly emphasizing dogs in particular as a victim of vivisection. In this case, the sympathetic Miriam Lauriat is wooed by the accomplished young doctor Olin Steele, who, unbeknownst to her, is a vivisector. At the same time, Miriam makes the acquaintance of a young man named Dan and his performing dog, Trixy, who is snatched in order to be made an experimental subject in Steele's laboratory.
Like many other antivivisection novels Trixy associates the danger of vivisection with a danger to women. The threat Steele poses to Miriam is not physical danger but, rather, his possessive attitude toward women. Although as a young trainee he could not bear to see an animal experimented upon, he has by the novel's present time dissected the brains of fifty dogs in his search for the physiological cause of love and concluded that love doesn't exist. He believes that the weak must be sacrificed to the strong and that women must therefore be gained by force. Steele loves Miriam, but his clinical training has destroyed his capacity to understand his feelings. Phelps's novel thus argues that vivisection is dangerous because of the harm it causes not only to innocent animals but also to the vivisector. While this argument is not uncommon, Phelps's emphasis on misogyny and her exploration of the continuity between the animal and the human distinguish her approach within the convention. As a result, the republication of Trixy will be of interest to scholars of feminist activism as well as scientific ethics.
You can read the rest of this review at Legacy: A Journal of American Woman Writers, though only if you have access to Project MUSE, alas.… (més)