George W. M. Reynolds (1814–1879)
Autor/a de Wagner the Werewolf
Sobre l'autor
Obres de George W. M. Reynolds
Venetia Trelawney; Or, the "Fourth Series" "And Final Conclusion" of the Mysteries of the Court of London (1881) 3 exemplars
The bronze statue; or, The virgin's kiss 2 exemplars
The Tribunal of the Inquisition 1 exemplars
Mary Price : or the Memoirs of a servant-maid 1 exemplars
Agnes; or, Beauty and pleasure 1 exemplars
The Story of the Book of Mormon (Illustrated) 1 exemplars
The coral island; or, The hereditary curse 1 exemplars
The Mysteries of London, v.4 1 exemplars
Faust: A Romance of the Secret Tribunals 1 exemplars
The Mysteries of London, v.1 1 exemplars
The Mysteries of London, v.2 1 exemplars
The Mysteries of London, v.3 1 exemplars
Obres associades
Great British Tales of Terror: Gothic Stories of Horror and Romance 1765-1840 (1972) — Col·laborador — 81 exemplars
Doré's London: All 180 Images from the Original London Series with Selected Writings (2008) — Col·laborador — 55 exemplars
Terrifying Transformations: An Anthology of Victorian Werewolf Fiction, 1838-1896 (2012) — Col·laborador — 18 exemplars
Etiquetat
Coneixement comú
- Nom oficial
- Reynolds, George William MacArthur
- Data de naixement
- 1814-07-23
- Data de defunció
- 1879-06-19
- Gènere
- male
- Nacionalitat
- UK
- Lloc de naixement
- Sandwich, Kent, England, UK
- Professions
- author
journalist
Membres
Ressenyes
Llistes
Potser també t'agrada
Autors associats
Estadístiques
- Obres
- 32
- També de
- 3
- Membres
- 261
- Popularitat
- #88,099
- Valoració
- 3.5
- Ressenyes
- 4
- ISBN
- 31
- Preferit
- 1
The night was dark and tempestuous – the thunder growled around – the lightning flashed at short intervals – and the wind swept furiously along, in sudden fitful gusts.
The streams of the great Black Forest of Germany bubbled in playful melody no more, but rushed on with deafening din, mingling their torrent-roar with the wild creaking of the huge oaks, the rustling of the firs, the howling of the affrighted wolves, and the hollow voices of the storm.
The dense black clouds were driven restlessly athwart the sky; and when the vivid lightning gleamed forth with rapid and eccentric glare, it seemed as if the dark jaws of some hideous monster, floating high above, opened to vomit flame.
And as the abrupt but furious gusts of wind swept through the forest they raised strange echoes – as if the impervious mazes of that mighty wood were the above of hideous fiends and evil spirits, who responded in shrieks, moans, and lamentations, to the fearful din of the tempest.
It was indeed an appalling sight!
Sure, it's Gothic, so naturally some parts are a little exaggeratedly over-the-top, and there's a few right-place-right-time moments that are a little too excessively convenient. And I did also notice a couple times where Reynolds apparently forgot a (very minor) thing he'd written (e.g. at one point there's an abduction, a weapon was on the person but unable to get at before being grabbed and obviously removed after - it would have been lost, but later in the book they are getting prepared, and lo, this weapon is part of the attire), but since it was written as a serial first I can imagine it's easy for small details to slip by. In any case none of this little stuff is enough to take away from the intriguing story and vivid characters.
Also of note, Reynolds was very anti-Christian (basically for the same reason many are today, the hypocrisy, judgment etc) and was a confirmed atheist. He included a Jew, which at first mention made me wince, money-lending Jews in old stories is normally BADBADBAD!, however, I was happily astonished to see him represented as a good kind man, and he even gives a wonderful speech at one point, which was, it turns out, because Reynolds very pro-Jew. He was also apparently an admirer of the Muslim empire, which given some of the things in this story isn't quite as clearly painted, however, he did include a lot dealing with them and it wasn't negative, just, more ambiguous. He also wrote strong independent women characters, and about the plight of the poor - placing the blame where it actually belonged. All this in the 1800s! Amusingly, while being a voice for the underdogs, he was seemingly incredibly arrogant and unpleasant and pretty much got along with no one for very long. But hey, you can't win 'em all! ;) I am definitely a fan.… (més)