Diana Sudyka
Autor/a de When Sue found Sue : Sue Hendrickson discovers her T. rex
Obres de Diana Sudyka
Obres associades
The Mysterious Benedict Society and the Perilous Journey (2008) — Il·lustrador, algunes edicions — 4,027 exemplars
The Mysterious Benedict Society and the Prisoner's Dilemma (2009) — Il·lustrador, algunes edicions — 3,041 exemplars
The Mysterious Benedict Society: Mr. Benedict's Book of Perplexing Puzzles, Elusive Enigmas, and Curious Conundrums (2011) — Il·lustrador, algunes edicions — 527 exemplars
Scribbles, Sorrows, and Russet Leather Boots: The Life of Louisa May Alcott (2021) — Il·lustrador — 12 exemplars
Etiquetat
Coneixement comú
- Nom normalitzat
- Sudyka, Diana
- Gènere
- female
- Nacionalitat
- USA
- País (per posar en el mapa)
- USA
- Llocs de residència
- Chicago, Illinois, USA
- Professions
- Illustrator
- Biografia breu
- DIANA SUDYKA (pronounced soo-dee-kah, it’s Slavic) is a Chicago based illustrator. As a child she was the one always looking under logs for snails and bugs, and not much has changed since. Early in her career she created screenprinted posters for musicians including Andrew Bird, St. Vincent, and The Black Keys. She moved into the publishing world by illustrating several volumes of the best-selling series The Mysterious Benedict Society and The Secret Keepers by Trenton Lee Stewart. Working mainly in gouache, watercolor, and ink, subject matter and aesthetic choices for her paintings are inspired by a passion for nature and science, as well as a love for various folk art traditions.
Membres
Ressenyes
Llistes
Premis
Potser també t'agrada
Autors associats
Estadístiques
- Obres
- 2
- També de
- 7
- Membres
- 91
- Popularitat
- #204,136
- Valoració
- 3.9
- Ressenyes
- 3
- ISBN
- 3
Readers will definitely come away knowing at least two things about Sue Hendrickson (or three, counting the long blonde mane that makes her instantly locatable in Sudyka’s outdoorsy scenes): first, that as a child she was shy—Buzzeo uses the word seven times in her short narrative—and second, that she was born to, as the author repeatedly puts it, “find things.” As tantalizing references in both the main account and the afterword note, that curiosity has turned up a number of lost and hidden treasures, from amber to shipwrecks, but it is for Sue that she is best known. That discovery begins with four summers spent “digging for duckbills” in South Dakota, climaxed by the dramatic moment she spots “three enormous backbones” protruding from a cliff. The narrative continues through the painstaking process of removing the fossils bone by bone, then seeing the dinosaur at last reconstructed (after a long brangle over ownership) at Chicago’s Field Museum. The prehistoric Sue poses regally at the close in both a painted portrait and a tailpiece photograph; though often seen alone, in group scenes, the white, human one works with a racially diverse set of colleagues.
Tendentious role modeling commingled with an exciting tale of dino discovery. (source lists) (Informational picture book. 6-8)
-Kirkus Review… (més)