Bill Viola
Autor/a de Reasons for Knocking at an Empty House: Writings 1973-1994
Obres de Bill Viola
Bill Viola Buried Secrets / Segreti sepolti 46th Venice Biennale, 1995 The United State Pavilion (1995) 26 exemplars
Bill Viola, images and spaces : Madison Art Center, December 11, 1994 through February 12, 1995 (1994) 9 exemplars
Bill Viola : más allá de la mirada : imágenes no vistas : Museo Nacional Centro de Arte Reina… (1993) 5 exemplars
Bill Viola 3 exemplars
Migration 1 exemplars
Hatsu-Yume: First Dream 1 exemplars
Bill Viola: Selected works 1 exemplars
Bill Viola. Vedere con la mente e con il cuore. Opere e saggi di un grande fotografo (1995) 1 exemplars
Reflecting Pool, The 1 exemplars
Bill Viola : ARC, Musée d'art moderne de la ville de Paris, 20 décembre 1983-29 janvier 1984 1 exemplars
Chott el-Djerid (A Portrait in Light and Heat) 1 exemplars
Ancient of Days 1 exemplars
Bill Viola, the moving portrait, November 18, 2016 - May 7, 2017, National Portrait Gallery 1 exemplars
Bill Viola [Exhibition Pamphlet] 1 exemplars
Bill Viola: March 19 - April 30, 2003 1 exemplars
Bill Viola : The Passing (DVD) 1 exemplars
Obres associades
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Membres
Ressenyes
Bill Viola: Buried Secrets, the exhibition organized by curator Marilyn Zeitlin for the U.S. Pavilion at the 46th Venice Biennale in 1995. Bill Viola created five new video installations for the exhibition
Catalog of an exhibition held at the United States Pavilion, 46th Venice Biennale, June 11-Oct. 15, 1995
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Autors associats
Estadístiques
- Obres
- 41
- També de
- 2
- Membres
- 289
- Popularitat
- #80,898
- Valoració
- 4.2
- Ressenyes
- 3
- ISBN
- 32
- Llengües
- 7
The high quality photographs, which are plenty, taken from each of the videos, are beautiful and combined with the texts that accompany them, manage to create an accurate description of how the videos and the overall installation, really are.
However, the most interesting part of this book, is the 30page interview with the artist. Viola talks about his influences, his view of art and the world and tackles some of the technical issues concerning his works. The interview covers some of his more known pieces, such as "The Greeting" and doesn't limit itself to the videos of "Going Forth by Day". It's a very enlightening dialogue that gives a great deal of insight into the artist's works.
The book also has some "procedural" drawings and notes, giving us a glimpse on how these videos were made, and how much work and effort was put into them.
It's a beautiful presentation of an amazing artist. If you are interested in video-art, or in Viola, I definitely recommend reading it.… (més)