| Títols | Ordre |
| In Memoriam to Identity de Kathy Acker | disrupts/plays with form, comments on its own bookishness, plays with language, overtly references other fictional works |
| The Mezzanine de Nicholson Baker | |
| The Hundred Brothers de Donald Antrim | plays with language, includes fictional artifacts, blurs reality and fiction |
| L'Assassí cec de Margaret Atwood | self-contradicting plot, disrupts/plays with form, comments on its own bookishness, includes fictional artifacts |
| Trilogia de Nova York de Paul Auster | author is a character, self-contradicting plot, disrupts/plays with form, comments on its own bookishness, blurs reality and fiction |
| The Atrocity Exhibition de J. G. Ballard | author is a character, self-contradicting plot, disrupts/plays with form, comments on its own bookishness, plays with language, blurs reality and fiction |
| Giles Goat-Boy de John Barth | plays with language, blurs reality and fiction, includes historical falsehoods |
| Sixty Stories de Donald Barthelme | self-contradicting plot, disrupts/plays with form, comments on its own bookishness, blurs reality and fiction |
| G. de John Berger | disrupts/plays with form, comments on its own bookishness, plays with language, blurs reality and fiction |
| The Loser de Thomas Bernhard | author is a character, self-contradicting plot |
| 2666 de Roberto Bolaño | disrupts/plays with form, comments on its own bookishness, plays with language, includes fictional artifacts, blurs reality and fiction, more than 1,000 pages |
| Labyrinths: Selected Stories and Other Writings (New Directions Paperbook, 186) de Jorge Luis Borges | self-contradicting plot, disrupts/plays with form, comments on its own bookishness, plays with language, includes fictional artifacts, overtly references other fictional works |
| El almuerzo desnudo ( de William S. Burroughs | disrupts/plays with form, comments on its own bookishness, plays with language, blurs reality and fiction, postmodern progenitor |
| The Anatomy of Melancholy de Robert Burton | 14 |
| Si una nit d'hivern un viatger de Italo Calvino | 15 |
| Hopscotch de Julio Cortázar | 16 |
| The Universal Baseball Association, Inc., J. Henry Waugh, Prop. de Robert Coover | 17 |
| Log of the S.S. the Mrs Unguentine de Stanley Crawford | 18 |
| La casa de hojas de Mark Z. Danielewski | 19 |
| Great Jones Street de Don DeLillo | 20 |
| The Man in the High Castle de Philip K. Dick | 21 |
| City of God de E. L. Doctorow | 22 |
| Out of Sheer Rage: Wrestling with D. H. Lawrence de Geoff Dyer | 23 |
| La misteriosa flama de la reina Loana de Umberto Eco | 24 |
| A Heartbreaking Work Of Staggering Genius : A Memoir Based on a True Story de Dave Eggers | 25 |
| Tours of the Black Clock de Steve Erickson | 26 |
| I Am Not Sidney Poitier de Percival Everett | 27 |
| Absalom, Absalom! de William Faulkner | 28 |
| Tot està il·luminat de Jonathan Safran Foer | 29 |
| J R de William Gaddis | 30 |
| The Tunnel de William H. Gass | 31 |
| The Lime Twig de John Hawkes | 32 |
| La lletra escarlata de Nathaniel Hawthorne | 33 |
| The Lazarus Project de Aleksandar Hemon | 34 |
| Dispatches de Michael Herr | 35 |
| La transformació de Franz Kafka | 37 |
| El llibre del riure i de l'oblit de Milan Kundera | 38 |
| Motherless Brooklyn de Jonathan Lethem | 39 |
| Notable American Women de Ben Marcus | 40 |
| Wittgenstein's Mistress de David Markson | 41 |
| Remainder de Tom McCarthy | 42 |
| Women and Men de Joseph McElroy | 43 |
| Edwin Mullhouse: The Life and Death of an American Writer 1943-1954 by Jeffrey Cartwright de Steven Millhauser | 44 |
| Foc pàl·lid de Vladimir Nabokov | self-contradicting plot, disrupts/plays with form, comments on its own bookishness, plays with language, includes fictional artifacts |
| At Swim-Two-Birds de Flann O'Brien | 47 |
| The Things They Carried de Tim O'Brien | 48 |
| Best of American Splendor de Harvey Pekar | 49 |
| Gravity's Rainbow de Thomas Pynchon | 50 |
| The Counterlife de Philip Roth | 51 |
| The Rings of Saturn de W. G. Sebald | 52 |
| Hamlet de William Shakespeare | 53 |
| Mulligan Stew de Gilbert Sorrentino | 54 |
| Trance de Christopher Sorrentino | 55 |
| Maus : relat d'un supervivent de Art Spiegelman | 56 |
| Vida i opinions de Tristram Shandy, home de llinatge de Laurence Sterne | 57 |
| PopCo de Scarlett Thomas | 58 |
| Escorxador-5 de Kurt Vonnegut | disrupts/plays with form, comments on its own bookishness, plays with language, blurs reality and fiction, fewer than 200 pages |
| Infinite Jest de David Foster Wallace | 60 |
| John Henry Days de Colson Whitehead | 61 |
