Premis literaris: New York Drama Critics' Circle AwardLes cobertes dels títols premiatsObres (138)Títols | Ordre | High Tor de Maxwell Anderson | American Play, 1936-37 | Winterset de Maxwell Anderson | American Play, 1935-1936 | Of Mice and Men: A Play in Three Acts de John Steinbeck | American Play, 1937-1938 | Shadow and Substance de Paul Vincent Carroll | Foreign Play, 1937-1938 | The White Steed and Coggerers de paulvincentcarroll | Foreign Play, 1938-1939 | The Time of Your Life: A Comedy in Three Acts de William Saroyan | American Play, 1939-1940 | The Corn is Green de Emlyn Williams | Foreign Play, 1940-1941 | Watch on the Rhine de Lillian Hellman | American Play, 1940-1941 | Blithe Spirit de Noël Coward | Foreign Play, 1941-1942 | Jacobowsky and the Colonel de Franz Werfel | Foreign Play, 1943-1944 | The Glass Menagerie de Tennessee Williams | American Play, 1944-1945 | All My Sons de Arthur Miller | American Play, 1946-1947 | No Exit / Dirty Hands / The Flies / The Respectful Prostitute de Jean-Paul Sartre | Foreign Play, 1946-1947 | Un tramvia anomenat Desig de Tennessee Williams | American Play, 1947-1948 | The Winslow Boy de Terence Rattigan | Foreign Play, 1947-1948 | Death of a Salesman de Arthur Miller | American Play, 1948-1949 | The Madwoman of Chaillot de Jean Giraudoux | Foreign Play, 1948-1949 | The Cocktail Party de T. S. Eliot | Foreign Play, 1949-1950 | Frankie Addams de Carson McCullers | American Play, 1949-1950 | Darkness at Noon de Sidney Kingsley | American Play, 1950-1951 | The Lady's Not for Burning de Christopher Fry | Foreign Play, 1950-1951 | I Am a Camera de John Van Druten | American Play, 1951-1952 | Don Juan in Hell de George Bernard Shaw | Special Citation, 1951-1952 | Venus Observed de Christopher Fry | Foreign Play, 1951-1952 | Picnic de William Inge | American Play, 1952-1953 | Ondine de Jean Giraudoux | Foreign Play, 1953-1954 | The Teahouse of the August Moon: A Play de John Patrick | American Play, 1953-1954 | Cat on a Hot Tin Roof de Tennessee Williams | American Play, 1954-1955 | Witness for the Prosecution: A Play in Three Acts de Agatha Christie | Foreign Play, 1954-1955 | Tiger at the Gates de Jean Giraudoux | Foreign Play, 1955-1956 | Long Day's Journey into Night de Eugene O'Neill | American Play, 1956-1957 | The Waltz of the Toreadors de Jean Anouilh | Foreign Play, 1956-1957 | Look Back in Anger de John Osborne | Foreign Play, 1957-1958 | Look Homeward, Angel de Ketti Frings | American Play, 1957-1958 | A Raisin in the Sun de Lorraine Hansberry | 1958-1959 | The Visit de Friedrich Dürrenmatt | Foreign Play, 1958-1959 | Five Finger Exercise de Peter Shaffer | Foreign Play, 1959-1960 | Toys in the Attic de Lillian Hellman | American Play, 1959-1960 | All the Way Home de Tad Mosel | American Play, 1960-1961 | A Taste of Honey: A Play de Shelagh Delaney | Foreign Play, 1960-1961 | A Man for All Seasons de Robert Bolt | Foreign Play, 1961-1962 | The Night of the Iguana de Tennessee Williams | American Play, 1961-1962 | Beyond the Fringe de Alan Bennett | Special Citation, 1962-1963 | Who's Afraid of Virginia Woolf? de Edward Albee | Play, 1962-1963 | Luther de John Osborne | Play, 1963-1964 | The Subject Was Roses de Frank D. Gilroy | Play, 1964-1965 | Hal Holbrook: Mark Twain Tonight! [1967 TV special] de Paul Bogart | Special Citation, 1965-1966 | The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade de Peter Weiss | Play, 1965-1966 | Qui a casa torna de Harold Pinter | Play, 1966-1967 | Rosencrantz and Guildenstern Are Dead de Tom Stoppard | Play, 1968 | The Great White Hope: A Drama in Three Acts de Howard Sackler | Play, 1968-1969 | Brendan Behan's Borstal Boy; adapted for the stage by Frank McMahon de Brendan Behan | Play, 1969-1970 | The Effect of Gamma Rays on Man-in-the-Moon Marigolds de Paul Zindel | American Play, 1969-1970 | Home de David Storey | Play, 1970-1971 | The House of Blue Leaves de John Guare | American Play, 1970-1971 | Old Times de Harold Pinter | Special Citation, 1971-1972 | The Screens de Jean Genet | Foreign Play, 1971-1972 | Sticks and bones: A play in two acts de David Rabe | Special Citation, 1971-1972 | That Championship Season de Jason Miller | Play, 1971-1972 | The Changing Room de David Storey | Play, 1972-1973 | The Hot L Baltimore de Lanford Wilson | American Play, 1972-1973 | The Contractor (A Play) de David Storey | Play, 1973-1974 | Short Eyes de Miguel Piñero | American Play, 1973-1974 | Equus de Peter Shaffer | Play, 1974-1975 | A Chorus Line: The Complete Book of the Musical de James Kirkwood | 1976 | Streamers de David Rabe | American Play, 1975-1976 | Travesties de Tom Stoppard | Play, 1975-1976 | American Buffalo de David Mamet | American Play, 1976-1977 | Otherwise Engaged de Simon Gray | Play, 1976-1977 | Da de Hugh Leonard | Play, 1978 | The Elephant Man de Bernard Pomerance | Play, 1978-1979 | ENGANY de Harold Pinter | Foreign Play, 1979-1980 | Talley's Folly de Lanford Wilson | Play, 1979-1980 | Crimes of the Heart de Beth Henley | American Play, 1980-1981 | A Lesson from Aloes de Athol Fugard | Play, 1980-1981 | The Life and Adventures of Nicholas Nickelby: A Play de David Edgar | Play, 1981-1982 | A Soldier's Play de Charles Fuller | American Play, 1981-1982 | Brighton Beach Memoirs de Neil Simon | Play, 1982-1983 | Plenty de David Hare | American Play, 1982-1983 | Glengarry Glen Ross: A Play de David Mamet | Foreign Play, 1983-1984 | The Real Thing de Tom Stoppard | Play, 1983-1984 | Ma Rainey's Black Bottom de August Wilson | Play, 1984-1985 | Benefactors: A Play in Two Acts de Michael Frayn | American Play, 1985-1986 | A Lie of the Mind de Sam Shepard | Play, 1985-1986 | The Search for Signs of Intelligent Life in the Universe de Jane Wagner | Special Citation, 1985-1986 | Fences de August Wilson | Play, 1986-1987 | Les Liaisons Dangereuses de Christopher Hampton | Foreign Play, 1986-1987 | Joe Turner's Come and Gone de August Wilson | Play, 1987-1988 | The Road to Mecca de Athol Fugard | Foreign Play, 1987-1988 | Aristocrats de Brian Friel | Foreign Play, 1988-1989 | The Heidi Chronicles de Wendy Wasserstein | Play, 1988-1989 | The Piano Lesson de August Wilson | Play, 1989-1990 | Privates on Parade de Peter Nichols | Foreign Play, 1989-1990 | Our Country's Good de Timberlake Wertenbaker | Foreign Play, 1990-1991 | Six Degrees of Separation de John Guare | Play, 1990-1991 | Dansa d'agost de Brian Friel | Play, 1991-1992 | Two Trains Running de August Wilson | American Play, 1991-1992 | Someone Who'll Watch Over Me: A Play de Frank McGuinness | Foreign Play, 1992-1993 | Àngels a Amèrica : El mil·leni s'acosta de Tony Kushner | Play, 1992-1993 | Three Tall Women de Edward Albee | Play, 1993-1994 | Twilight: Los Angeles, 1992 de Anna Deavere Smith | Special Citation, 1993-1994 | Arcàdia de Tom Stoppard | Play, 1994-1995 | Love! Valour! Compassion! de Terrence McNally | American Play, 1994-1995 | Molly Sweeney de Brian Friel | Foreign Play, 1995-1996 | Seven Guitars de August Wilson | Play, 1995-1996 | How I Learned to Drive de Paula Vogel | Play, 1996-1997 | Skylight de David Hare | Foreign Play, 1996-1997 | Art de Yasmina Reza | Play, 1997-1998 | Pride's Crossing de Tina Howe | American Play, 1997-1998 | Amy's View: A Play de David Hare | Special Citation, 1998-1999 | The Blue Room: A Play in Ten Intimate Acts de David Hare | Special Citation, 1998-1999 | Closer de Patrick Marber | Foreign Play, 1998-1999 | Via Dolorosa and When Shall We Live de David Hare | Special Citation, 1998-1999 | Wit: A Play de Margaret Edson | Play, 1998-1999 | Copenhagen de Michael Frayn | Foreign Play, 1999-2000 | Jitney de August Wilson | Play, 1999-2000 | The Invention of Love de Tom Stoppard | Play, 2000-2001 | Proof: A Play de David Auburn | American Play, 2000-2001 | The Goat, or Who is Sylvia? de Edward Albee | Play, 2001-2002 | Take Me Out: A Play de Richard Greenberg | Play, 2002-2003 | Talking Heads de Alan Bennett | Foreign Play, 2002-2003 | Intimate Apparel de Lynn Nottage | Play, 2003-2004 | Doubt: A Parable de John Patrick Shanley | Play, 2004-2005 | The Pillowman de Martin McDonagh | Foreign Play, 2004-2005 | The History Boys: A Play de Alan Bennett | Play, 2005-2006 | The Coast of Utopia: Voyage, Shipwreck, Salvage de Tom Stoppard | Play, 2006-2007 | Radio Golf de August Wilson | American Play, 2006-2007 | Agost de Tracy Letts | Play, 2007-2008 | Black Watch de Gregory Burke | Foreign Play, 2008-2009 | Ruined de Lynn Nottage | Play, 2008-2009 | The orphans' home cycle de Horton Foote | Play, 2009-2010 | Good People de David Lindsay-Abaire | Play, 2010-2011 | Jerusalem de Jez Butterworth | Foreign Play, 2010-2011 | Sons of the Prophet de Stephen Karam | Play, 2011-2012 | Tribes de Nina Raine | Foreign Play, 2011-2012 | Vanya and Sonia and Masha and Spike de Christopher Durang | Play, 2012-2013 | All the Way: A Play de Robert Schenkkan | American Play, 2013-2014 | The Night Alive de Conor McPherson | Play, 2013-2014 |
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