Premis literaris: New York Drama Critics' Circle AwardLes cobertes dels títols premiatsObres (138)| Títols | Ordre | | High Tor de Maxwell Anderson | American Play, 1936-37 | | Winterset de Maxwell Anderson | American Play, 1935-1936 | | Of Mice and Men: A Play in Three Acts de John Steinbeck | American Play, 1937-1938 | | Shadow and Substance de Paul Vincent Carroll | Foreign Play, 1937-1938 | | The White Steed and Coggerers de paulvincentcarroll | Foreign Play, 1938-1939 | | The Time of Your Life: A Comedy in Three Acts de William Saroyan | American Play, 1939-1940 | | The Corn is Green de Emlyn Williams | Foreign Play, 1940-1941 | | Watch on the Rhine de Lillian Hellman | American Play, 1940-1941 | | Blithe Spirit de Noël Coward | Foreign Play, 1941-1942 | | Jacobowsky and the Colonel de Franz Werfel | Foreign Play, 1943-1944 | | The Glass Menagerie de Tennessee Williams | American Play, 1944-1945 | | All My Sons de Arthur Miller | American Play, 1946-1947 | | No Exit / Dirty Hands / The Flies / The Respectful Prostitute de Jean-Paul Sartre | Foreign Play, 1946-1947 | | Un tramvia anomenat Desig de Tennessee Williams | American Play, 1947-1948 | | The Winslow Boy de Terence Rattigan | Foreign Play, 1947-1948 | | Death of a Salesman de Arthur Miller | American Play, 1948-1949 | | The Madwoman of Chaillot de Jean Giraudoux | Foreign Play, 1948-1949 | | The Cocktail Party de T. S. Eliot | Foreign Play, 1949-1950 | | Frankie Addams de Carson McCullers | American Play, 1949-1950 | | Darkness at Noon de Sidney Kingsley | American Play, 1950-1951 | | The Lady's Not for Burning de Christopher Fry | Foreign Play, 1950-1951 | | I Am a Camera de John Van Druten | American Play, 1951-1952 | | Don Juan in Hell de George Bernard Shaw | Special Citation, 1951-1952 | | Venus Observed de Christopher Fry | Foreign Play, 1951-1952 | | Picnic de William Inge | American Play, 1952-1953 | | Ondine de Jean Giraudoux | Foreign Play, 1953-1954 | | The Teahouse of the August Moon: A Play de John Patrick | American Play, 1953-1954 | | Cat on a Hot Tin Roof de Tennessee Williams | American Play, 1954-1955 | | Witness for the Prosecution: A Play in Three Acts de Agatha Christie | Foreign Play, 1954-1955 | | Tiger at the Gates de Jean Giraudoux | Foreign Play, 1955-1956 | | Long Day's Journey into Night de Eugene O'Neill | American Play, 1956-1957 | | The Waltz of the Toreadors de Jean Anouilh | Foreign Play, 1956-1957 | | Look Back in Anger de John Osborne | Foreign Play, 1957-1958 | | Look Homeward, Angel de Ketti Frings | American Play, 1957-1958 | | A Raisin in the Sun de Lorraine Hansberry | 1958-1959 | | The Visit de Friedrich Dürrenmatt | Foreign Play, 1958-1959 | | Five Finger Exercise de Peter Shaffer | Foreign Play, 1959-1960 | | Toys in the Attic de Lillian Hellman | American Play, 1959-1960 | | All the Way Home de Tad Mosel | American Play, 1960-1961 | | A Taste of Honey: A Play de Shelagh Delaney | Foreign Play, 1960-1961 | | A Man for All Seasons de Robert Bolt | Foreign Play, 1961-1962 | | The Night of the Iguana de Tennessee Williams | American Play, 1961-1962 | | Beyond the Fringe de Alan Bennett | Special Citation, 1962-1963 | | Who's Afraid of Virginia Woolf? de Edward Albee | Play, 1962-1963 | | Luther de John Osborne | Play, 1963-1964 | | The Subject Was Roses de Frank D. Gilroy | Play, 1964-1965 | | Hal Holbrook: Mark Twain Tonight! [1967 TV special] de Paul Bogart | Special Citation, 1965-1966 | | The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade de Peter Weiss | Play, 1965-1966 | | Qui a casa torna de Harold Pinter | Play, 1966-1967 | | Rosencrantz and Guildenstern Are Dead de Tom Stoppard | Play, 1968 | | The Great White Hope: A Drama in Three Acts de Howard Sackler | Play, 1968-1969 | | Brendan Behan's Borstal Boy; adapted for the stage by Frank McMahon de Brendan Behan | Play, 1969-1970 | | The Effect of Gamma Rays on Man-in-the-Moon Marigolds de Paul Zindel | American Play, 1969-1970 | | Home de David Storey | Play, 1970-1971 | | The House of Blue Leaves de John Guare | American Play, 1970-1971 | | Old Times de Harold Pinter | Special Citation, 1971-1972 | | The Screens de Jean Genet | Foreign Play, 1971-1972 | | Sticks and bones: A play in two acts de David Rabe | Special Citation, 1971-1972 | | That Championship Season de Jason Miller | Play, 1971-1972 | | The Changing Room de David Storey | Play, 1972-1973 | | The Hot L Baltimore de Lanford Wilson | American Play, 1972-1973 | | The Contractor (A Play) de David Storey | Play, 1973-1974 | | Short Eyes de Miguel Piñero | American Play, 1973-1974 | | Equus de Peter Shaffer | Play, 1974-1975 | | A Chorus Line: The Complete Book of the Musical de James Kirkwood | 1976 | | Streamers de David Rabe | American Play, 1975-1976 | | Travesties de Tom Stoppard | Play, 1975-1976 | | American Buffalo de David Mamet | American Play, 1976-1977 | | Otherwise Engaged de Simon Gray | Play, 1976-1977 | | Da de Hugh Leonard | Play, 1978 | | The Elephant Man de Bernard Pomerance | Play, 1978-1979 | | ENGANY de Harold Pinter | Foreign Play, 1979-1980 | | Talley's Folly de Lanford Wilson | Play, 1979-1980 | | Crimes of the Heart de Beth Henley | American Play, 1980-1981 | | A Lesson from Aloes de Athol Fugard | Play, 1980-1981 | | The Life and Adventures of Nicholas Nickelby: A Play de David Edgar | Play, 1981-1982 | | A Soldier's Play de Charles Fuller | American Play, 1981-1982 | | Brighton Beach Memoirs de Neil Simon | Play, 1982-1983 | | Plenty de David Hare | American Play, 1982-1983 | | Glengarry Glen Ross: A Play de David Mamet | Foreign Play, 1983-1984 | | The Real Thing de Tom Stoppard | Play, 1983-1984 | | Ma Rainey's Black Bottom de August Wilson | Play, 1984-1985 | | Benefactors: A Play in Two Acts de Michael Frayn | American Play, 1985-1986 | | A Lie of the Mind de Sam Shepard | Play, 1985-1986 | | The Search for Signs of Intelligent Life in the Universe de Jane Wagner | Special Citation, 1985-1986 | | Fences de August Wilson | Play, 1986-1987 | | Les Liaisons Dangereuses de Christopher Hampton | Foreign Play, 1986-1987 | | Joe Turner's Come and Gone de August Wilson | Play, 1987-1988 | | The Road to Mecca de Athol Fugard | Foreign Play, 1987-1988 | | Aristocrats de Brian Friel | Foreign Play, 1988-1989 | | The Heidi Chronicles de Wendy Wasserstein | Play, 1988-1989 | | The Piano Lesson de August Wilson | Play, 1989-1990 | | Privates on Parade de Peter Nichols | Foreign Play, 1989-1990 | | Our Country's Good de Timberlake Wertenbaker | Foreign Play, 1990-1991 | | Six Degrees of Separation de John Guare | Play, 1990-1991 | | Dansa d'agost de Brian Friel | Play, 1991-1992 | | Two Trains Running de August Wilson | American Play, 1991-1992 | | Someone Who'll Watch Over Me: A Play de Frank McGuinness | Foreign Play, 1992-1993 | | Àngels a Amèrica : El mil·leni s'acosta de Tony Kushner | Play, 1992-1993 | | Three Tall Women de Edward Albee | Play, 1993-1994 | | Twilight: Los Angeles, 1992 de Anna Deavere Smith | Special Citation, 1993-1994 | | Arcàdia de Tom Stoppard | Play, 1994-1995 | | Love! Valour! Compassion! de Terrence McNally | American Play, 1994-1995 | | Molly Sweeney de Brian Friel | Foreign Play, 1995-1996 | | Seven Guitars de August Wilson | Play, 1995-1996 | | How I Learned to Drive de Paula Vogel | Play, 1996-1997 | | Skylight de David Hare | Foreign Play, 1996-1997 | | Art de Yasmina Reza | Play, 1997-1998 | | Pride's Crossing de Tina Howe | American Play, 1997-1998 | | Amy's View: A Play de David Hare | Special Citation, 1998-1999 | | The Blue Room: A Play in Ten Intimate Acts de David Hare | Special Citation, 1998-1999 | | Closer de Patrick Marber | Foreign Play, 1998-1999 | | Via Dolorosa and When Shall We Live de David Hare | Special Citation, 1998-1999 | | Wit: A Play de Margaret Edson | Play, 1998-1999 | | Copenhagen de Michael Frayn | Foreign Play, 1999-2000 | | Jitney de August Wilson | Play, 1999-2000 | | The Invention of Love de Tom Stoppard | Play, 2000-2001 | | Proof: A Play de David Auburn | American Play, 2000-2001 | | The Goat, or Who is Sylvia? de Edward Albee | Play, 2001-2002 | | Take Me Out: A Play de Richard Greenberg | Play, 2002-2003 | | Talking Heads de Alan Bennett | Foreign Play, 2002-2003 | | Intimate Apparel de Lynn Nottage | Play, 2003-2004 | | Doubt: A Parable de John Patrick Shanley | Play, 2004-2005 | | The Pillowman de Martin McDonagh | Foreign Play, 2004-2005 | | The History Boys: A Play de Alan Bennett | Play, 2005-2006 | | The Coast of Utopia: Voyage, Shipwreck, Salvage de Tom Stoppard | Play, 2006-2007 | | Radio Golf de August Wilson | American Play, 2006-2007 | | Agost de Tracy Letts | Play, 2007-2008 | | Black Watch de Gregory Burke | Foreign Play, 2008-2009 | | Ruined de Lynn Nottage | Play, 2008-2009 | | The orphans' home cycle de Horton Foote | Play, 2009-2010 | | Good People de David Lindsay-Abaire | Play, 2010-2011 | | Jerusalem de Jez Butterworth | Foreign Play, 2010-2011 | | Sons of the Prophet de Stephen Karam | Play, 2011-2012 | | Tribes de Nina Raine | Foreign Play, 2011-2012 | | Vanya and Sonia and Masha and Spike de Christopher Durang | Play, 2012-2013 | | All the Way: A Play de Robert Schenkkan | American Play, 2013-2014 | | The Night Alive de Conor McPherson | Play, 2013-2014 |
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