Crítics MatinersCassandra Campbell

Kendra Atleework grew up in Swall Meadows, in the Owens Valley of the Eastern Sierra Nevada, where annual rainfall averages five inches and in drought years measures closer to zero. Kendra's family raised their children to thrive in this harsh landscape, forever at the mercy of wildfires, blizzards, and gale-force winds. Most of all, the Atleework children were raised on unconditional love and delight in the natural world. But it came at a price. When Kendra was six, her mother was diagnosed with a rare autoimmune disease, and she died when Kendra was sixteen. Her family fell apart, even as her father tried to keep them together. Kendra took flight from her bereft family, escaping to the enemy city of Los Angeles, and then Minneapolis, land of all trees, no deserts, no droughts, full lakes, water everywhere you look. But after years of avoiding the pain of her hometown, she realized that she had to go back, that the desert was the only place she could live. Like Wild, Miracle Country is a story of flight and return, bounty and emptiness, and the true meaning of home. But it also speaks to the ravages of climate change and its permanent destruction of the way of life in one particular town.

Vera Violet recounts the dark story of a rough group of teenagers growing up in a twisted rural logging town. There are no jobs. There is no sense of safety. But there is a small group of loyal friends, a truck waiting with the engine running, a pair of boots covered in blood, and a hot 1911 pistol with a pearl grip. Vera Violet O'Neel's home is in the Pacific Northwest—not the glamorous scene of coffee bars and craft beers, but the hardscrabble region of busted pickups and broken dreams. Vera's mother has left, her father is unstable, and her brother is deeply troubled. Against this gritty background, Vera struggles to establish a life of her own, a life fortified by her friends and her hard-won love. But the relentless poverty coupled with the twin lures of crystal meth and easy money soon shatter fragile alliances. Her world violently torn apart, Vera flees to St. Louis, Missouri. There, alone in a small apartment, she grieves for her broken family, her buried friends, and her beloved, Jimmy James Blood. In this brilliant, explosive debut, Melissa Anne Peterson establishes herself as a fresh, raw voice, a writer to be reckoned with

Stopping a tornado was the first of many strange events that seem to follow Weylyn from town to town, although he doesn't like to take credit. As amazing as these powers may appear, they tend to manifest themselves at inopportune times and places. From freak storms to trees that appear to grow over night, Weylyn's unique abilities are a curiosity at best and at worst, a danger to himself and the woman he loves. But Mary doesn't care. Since Weylyn saved her from an angry wolf on her eleventh birthday, she's known that a relationship with him isn't without its risks, but as anyone who's met Weylyn will tell you, once he wanders into your life, you'll wish he'd never leave. Beasts of Extraordinary Circumstance tells the story of Weylyn Grey's life from the perspectives of the people who knew him, loved him, and even a few who thought he was just plain weird. Although he doesn't stay in any of their lives for long, he leaves each of them with a story to tell. Stories about a boy who lives with wolves, great storms that evaporate into thin air, fireflies that make phosphorescent honey, and a house filled with spider webs and the strange man who inhabits it.

Sisters Rose and Lily Martin were inseparable when they were kids. As adults, they've been estranged for years, until circumstances force them to come together to protect Rose's daughter. Ten-year-old Antoinette has a severe form of autism that requires constant care and attention. She has never spoken a word, but she has a powerful gift that others would give anything to harness: she can heal things with her touch. She brings wilted flowers back to life, makes a neighbor's tremors disappear, and changes the normal course of nature on the Kentucky flower farm where she and her mother live. Antoinette's gift, though, puts her own life in danger, as each healing comes with an increasingly deadly price. As Rose—the center of her daughter's life—struggles with her own failing health, and Lily confronts her anguished past, they, and the men who love them, come to realize the sacrifices that must be made to keep this very special child safe.

Winner of the Pulitzer Prize for his acclaimed and bestselling novel The Orphan Master’s Son, Adam Johnson is one of America’s most provocative and powerful authors. In Fortune Smiles—his first book since Orphan Master—he continues to give voice to characters rarely heard from, while offering something we all seek from fiction: a new way of looking at our world. In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. “George Orwell Was a Friend of Mine” follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door. “Nirvana,” which won the prestigious Sunday Times short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In “Hurricanes Anonymous”—first included in the Best American Short Stories anthology—a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind. Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America’s greatest writers and an indispensable guide to our new century.