Crítics MatinersNorman Lock

Ralph Waldo Emerson battles dementia while debating whether to intercede in a Black soldier’s unjust arrest

In 1879, toward the end of his life, the Sage of Concord has lost his words. Beset by aphasia and grief, Ralph Waldo Emerson is scarcely recognizable as America’s foremost essayist and orator. To the dismay of his wife, he frequently entertains the specters of his fellow transcendentalists, including Whitman, Thoreau, John Muir, and Margaret Fuller, and frets about the future of humankind and the natural world. Does the present displace the past? Do ideas always precede actions? What responsibility does each of us bear for the downtrodden, the preservation of liberty, and the Earth itself? These metaphysical concerns become concrete when Emerson meets a Black soldier accused of killing a white man who abused him. The soldier’s presence demands a response from Emerson, an action outside the parlors of philosophy and beyond the realm where language and logic hold sway.

The Ice Harp, the tenth stand-alone book in The American Novels series, is a poignant portrayal of a literary luminary coming to terms with the loss of memory, the cost of inaction, and the end of life.

“In The Ice Harp, Norman Lock deftly takes us into the polyphonic swirl of Emerson’s mind at the end of his life, inviting us to meet the man anew even as the philosopher fights to stop forgetting himself... [A] remarkably empathetic and deeply moral novel.” —Matt Bell, author of Appleseed

“Lock’s latest in his luminous American Novels series... provides countless memorable turns of phrase, and it is the rare paragraph that does not inspire underlining as Lock explores memory, mortality, and the passage of time.” —Booklist (starred review)

Walt Whitman and Louisa May Alcott meet the horrors of the Civil War as they minister to its casualties

After the Union Army’s defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to nurse the sick, wounded, and dying. Whitman was a man of many contradictions: egocentric yet compassionate, impatient with religiosity yet moved by the spiritual in all humankind, bigoted yet soon to become known as the great poet of democracy. Alcott was an intense, intellectual, independent woman, an abolitionist and suffragist, who was compelled by financial circumstance to publish saccharine magazine stories yet would go on to write the enduring and beloved Little Women. As Lock captures the musicality of their unique voices and their encounters with luminaries ranging from Lincoln to battlefield photographer Mathew Brady to reformer Dorothea Dix, he deftly renders the war’s impact on their personal and artistic development.

Inspired by Whitman’s poem The Wound-Dresser and Alcott’s Hospital Sketches, the ninth stand-alone book in The American Novels series is a masterful dual portrait of two iconic authors who took different paths toward chronicling a country beset by prejudice and at war with itself.

“Gripping... Distinctive... A haunting novel that offers candid portraits of literary legends.” —Kirkus Reviews (starred review)

“Lock captures the strong personalities of Whitman and Alcott without glossing over their flaws in this fascinating snapshot of history.” —Library Journal

Nathaniel Hawthorne pens a new tale to exact revenge on his ancestor, a notorious judge of the Salem witch trials Best known for his novel The Scarlet Letter, Nathaniel Hawthorne was burdened by familial shame, which began with his great-great-grandfather John Hathorne, the infamously unrepentant Salem witch trial judge. In this, the eighth stand-alone book in The American Novels series, we witness Hawthorne writing a tale entitled Tooth of the Covenant, in which he sends his fictional surrogate, Isaac Page, back to the year 1692 to save Bridget Bishop, the first person executed for witchcraft, and rescue the other victims from execution. But when Page puts on Hathorne’s spectacles, his worldview is transformed and he loses his resolve. As he battles his conscience, he finds that it is his own life hanging in the balance. An ingenious and profound investigation into the very notion of universal truth and morality, Tooth of the Covenant probes storytelling’s depths to raise history’s dead and assuage the persistent ghost of guilt. “A distinctive and ambitious foray into literary history.” —Kirkus Reviews

A young woman joins Susan B. Anthony, Elizabeth Cady Stanton, and Barnum’s circus to rescue her infant from the KKK In the seventh stand-alone book of The American Novels series, Ellen Finch, former stenographer to Henry James, recalls her time as an assistant to Susan B. Anthony and Elizabeth Cady Stanton, heroes of America’s woman suffrage movement, and her friendship with the diminutive Margaret, one of P. T. Barnum’s circus “eccentrics.” When her infant son is kidnapped by the Klan, Ellen, Margaret, and the two formidable suffragists travel aboard Barnum’s train from New York to Memphis to rescue the baby from certain death at the fiery cross. A savage yet farcical tale, American Follies explores the roots of the women’s rights movement, its relationship to the fight for racial justice, and its reverberations in the politics of today. “A thrilling, unnerving portrait of 19th-century America. . . . One part novel of ideas, one part madcap adventure.” —Kirkus Reviews “Dark, carnivalesque. . . . American Follies features lavish period details and unsettling alternative world building, warping expectations and standing out for its rapier wit.” —Foreword Reviews

A bankrupt merchant encounters Herman Melville and is pursued through the depths of Gilded Age Manhattan by a brutal antagonist In the sixth stand-alone book in The American Novels series, Shelby Ross, a merchant ruined by the depression of 1873–79, is hired as a New York City Custom House appraiser under inspector Herman Melville, the embittered, forgotten author of Moby-Dick. On the docks, Ross befriends a genial young man and makes an enemy of a despicable one, who attempts to destroy them by insinuating that Ross and the young man share an unnatural affection. Ross narrates his story to his childhood friend Washington Roebling, chief engineer of the soon-to-be-completed Brooklyn Bridge. As he is harried toward a fate reminiscent of Ahab’s, he encounters Ulysses S. Grant, dying in a brownstone on the Upper East Side; Samuel Clemens, who will publish Grant’s Memoirs; and Thomas Edison, at the dawn of the electrification of the city. Feast Day of the Cannibals charts the harrowing journey of a tormented heart during America’s transformative age. “This spectacular work will delight and awe readers with Lock’s magisterial wordsmithing.” —Library Journal (starred review) “Transfixing. . . . This historically authentic novel raises potent questions about sexuality during an unsettling era in American history past and is another impressive entry in Lock’s dissection of America’s past.” —Publishers Weekly “While Moby-Dick is often referenced by the characters, it’s Billy Budd, a later work of Melville’s, that's alluded to thematically, as Lock addresses questions of desire and repression, both personal and societal. . . . [Feast Day of the Cannibals] memorably provides a window into old New York and its narrator’s conflicted mind.” —Kirkus Reviews

A nineteenth-century army chaplain confesses his loss of faith in God and country to his first love, poet Emily Dickinson. When U.S. Army chaplain Robert Winter first meets Emily Dickinson, he is fascinated by the brilliance of the strange girl immersed in her botany lessons. She will become his confidante, obsession, and muse over the years as he writes to her of his friendship with the aspiring politician Abraham Lincoln, his encounter with the young newspaperman Samuel Clemens, and his crisis of conscience concerning the radical abolitionist John Brown. Bearing the standard of God and country through the Mexican War and the Mormon Rebellion, Robert seeks to lessen his loneliness while his faith is eroded by the violence he observes and ultimately commits. Emily, however, remains as elusive as her verse on his rare visits to Amherst and denies him solace, a rejection that will culminate in a startling epiphany at the very heart of his despair. Powerfully evocative of Emily Dickinson’s life, times, and artistry, this fifth, stand-alone volume in The American Novels series captures a nation riven by conflicts that continue to this day. “Perceptive and contemplative. . . . Bring[s] the 1840–60s to life with shimmering prose.” —Library Journal (starred review) “The lively passages of Emily’s letters are so evocative of her poetry that it becomes easy to see why Robert finds her so captivating. The book also expands and deepens themes of moral hypocrisy around racism and slavery. . . . Lyrically written but unafraid of the ugliness of the time, Lock’s thought-provoking series continues to impress.” —Publishers Weekly

Henry David Thoreau’s principles are tested when a young man escapes from slavery into Walden Woods “A Fugitive in Walden Woods manages that special magic of making Thoreau’s time in Walden Woods seem fresh and surprising and necessary right now. . . . This is a patient and perceptive novel, a pleasure to read even as it grapples with issues that affect the United States to this day.” —Victor LaValle “Bold and enlightening. . . . An important novel that creates a vivid social context for the masterpieces of such writers as Thoreau, Emerson, and Hawthorne and also offers valuable insights about our current conscious and unconscious racism.” —Sena Jeter Naslund “Offer[s] profound insights that sharpen our understanding of American history.” —Booklist (starred review) Samuel Long escapes slavery in Virginia, traveling the Underground Railroad to Walden Woods where he encounters Henry David Thoreau, Ralph Waldo Emerson, Nathaniel Hawthorne, William Lloyd Garrison, and other transcendentalists and abolitionists. Against this historical backdrop, Norman Lock’s powerful narrative examines issues that continue to divide the United States: racism, privilege, and what it means to be free in America.

A young surgical assistant faces his doppelgänger in a chilling tale featuring Edgar Allan Poe and a “lost” Poe story. “This chilling and layered story of obsession succeeds both as a moody period piece and as an effective and memorable homage to the works of Edgar Allan Poe.” —Kirkus Reviews “As lyrical and alluring as Poe’s own original work, The Port-Wine Stain captures the magic, mystery, and madness of the great American author while weaving an eerie and original tale in homage to him.” —Foreword Reviews This gothic psychological thriller recounts the story of a young Philadelphian, Edward Fenzil, who, in the winter of 1844, falls under the sway of two luminaries of the nineteenth-century grotesque imagination: Thomas Dent Mütter, a surgeon and collector of medical “curiosities,” and Edgar Allan Poe. As Fenzil struggles against the powerful wills that would usurp his identity, including that of his own malevolent doppelgänger, he loses his mind and his story to another.

A scrappy Brooklyn orphan turned vengeful assassin narrates a visionary tale of the American West. “[American Meteor] feels like a campfire story, an old-fashioned yarn full of rich historical detail about hard-earned lessons and learning to do right.” —Publishers Weekly (“Pick of the Week” starred review) In this panoramic tale of Manifest Destiny, Stephen Moran comes of age with the young country that he crosses on the Union Pacific, just as the railroad unites the continent. Propelled westward from his Brooklyn neighborhood and the killing fields of the Civil War to the Battle of Little Big Horn, he befriends Walt Whitman, receives a medal from General Grant, becomes a bugler on President Lincoln’s funeral train, goes to work for railroad mogul Thomas Durant, apprentices with frontier photographer William Henry Jackson, and stalks General George Custer. When he comes face-to-face with Crazy Horse, his life will be spared but his dreams haunted for the rest of his days. By turns elegiac and comic, American Meteor is a novel of adventure, ideas, and mourning: a unique vision of America’s fabulous and murderous history.

Launched into existence by Mark Twain in 1835, Huck Finn and Jim have now been transported by Norman Lock through three vital, violent, and transformative centuries of American history. As time unfurls on the river’s banks, they witness decisive battles of the Civil War, the betrayal of Reconstruction’s promises to the freed slaves, the crushing of the Native American nations, and the electrification of a continent. Huck, who finally comes of age when he’s washed up on shore during Hurricane Katrina, narrates a classic tale for our own time as an older and wiser man in 2077. Early praise for The Boy in His Winter “Lock plays profound tricks, with language—his is crystalline and underline-worthy—and with time, the perfect metaphor for which is the mighty Mississippi itself.” —Publishers Weekly (starred review) “In this surreal and otherworldly river journey through time, Norman Lock transports Huck Finn down the Mississippi and deep into America’s history—and future. Elegant and imaginative, The Boy in His Winter is a tale that’s as hypnotic as it is profound.” —GILBERT KING, Pulitzer Prize-winning author of Devil in the Grove: Thurgood Marshall, the Groveland Boys, and the Dawn of a New America “I read Norman Lock’s The Boy in His Winter with delight and amazement. Styled in the vernacular of a rapidly changing America, it stays true to the themes of Mark Twain’s original: class relations, race and slavery, childhood innocence, moral hypocrisy—and, of course, the stark beauty and unforgiving nature of America’s greatest river. I finished this absolutely elegant narrative feeling that Huck Finn has never been more alive.” —DAVID OSHINSKY, Pulitzer Prize-winning author of Polio: An American Story and Worse Than Slavery: Parchman Farm and the Ordeal of Jim Crow Justice

Mr. Hyde finally reveals his secrets to an ambitious journalist, unleashing unforeseen horrors. An ancient Egyptian mummy is revived in 1935 New York to consult on his Hollywood biopic. A Brooklynite suddenly dematerializes and passes through the internet, in search of true love… Love Among the Particles is virtuosic storytelling, at once a poignant critique of our romance with technology and a love letter to language. In a whirlwind tour of space, time, and history, Norman Lock creates worlds that veer wildly from the natural to the supernatural via the pre-modern, mechanical, and digital ages. Whether reintroducing characters from the pages of Robert Louis Stevenson, Mark Twain, Franz Kafka, and Gaston Leroux, or performing dizzying displays of literary pyrotechnics, these stories are nothing less than a compendium of the marvelous. Praise for Norman Lock “Our finest modern fabulist.” —Bookslut “One could spend forever worming through [Lock’s] magicked words, their worlds.” —The Believer “No other writer in recent memory, lives up to [Whitman’s] declaration that behind every book there is a hand reaching out to us, a hand to be held onto, a hand that has the power to touch us, to make us feel.” —Detroit Metro Times “All hail Lock, whose narrative soul sings fairy tales, whose language is glass.” —KATE BERNHEIMER, editor of My Mother She Killed Me, My Father He Ate Me and Fairy Tale Review “[Lock] has an impressive ability to create a unique and original world.” —BRIAN EVENSON, author of Immobility and Windeye