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Quant a miI was born in 1973 and grew up in Lowestoft, Suffolk before moving to Cheshire to study a degree in Creative Arts. Having worked as an electronic production editor for science and academic publishers in Oxford, I now work as a Web Designer for a top modern university. I live in Oxfordshire with my wife, Emma, our six cats, four chickens and two bunnies. My favourite authors are Alan Garner, Diana Wynne Jones, Susan Cooper and David Almond.

I can’t remember a time when I haven’t created stories, first in my head, and then, as soon as I could write, on paper. At the age of nine I was given a toy theatre and wrote an epic drama called Rome which I performed for my family and friends on long Sunday afternoons. A version of the play won me first prize in a school ‘tall story’ competition, and a second – not quite so epic – play made its way in my first attempts at a novel. I have recently had coaching for mild aspergers, and looking back, I think that the ‘friends’ I found in my stories were easier to be with than real people.

In 1989 I was highly commended in the WHSmiths Young Writers’ Competition with my short story, Gold, and in 1991 I began writing screenplays, including a new children’s television series, Dreamscholars, which received some initial interest from the makers of ITV’s Press Gang.

Whilst at university I co-edited and contributed to Moments of Cragg Vale, an anthology of short stories and poetry, and in 1993, Flat East, a poem about the landscape of East Anglia was selected for publication in Valleys of Thought, an anthology of poems by local writers.

In 1995, a project proposal and pilot script for Riverhouse was highly commended in the Meridian Broadcasting Television Ideas Competition at the Southampton University Writers’ Conference. This led to me writing a youth drama series Eurojournal, based on my own experiences studying French at Eurocentre La Rochelle. The series was to be ground-breaking in its style, with the use of rapid scene changes acting almost as metaphors for the advancement of the story – a style which has developed into my novel-writing style.

I have Icelandic family, and in 2001 made the first of three visits to their country, and I knew from the very beginning that with a country so rich in myth and folklore and with an environment unlike anything I had ever seen, I had to write a story set there. The End of All Worlds is that story – begun in August 2001 only to be halted on 21 October for one and a half years after the family home burnt down. It took six years to write and over two years of rewrites and edits to complete.

GrupsNo n'hi ha cap


Llibreries preferidesBlackwell's Oxford

Pàgina d'inicihttp://shepline.com

També aFacebook, Flickr, LiveJournal, Twitter

Nom realThomas Shepherd


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Tipus de comptepúblic

URL /profile/shepline (perfil)
/catalog/shepline (biblioteca)

Membre des deJan 7, 2007

Llegint actualmentCake: A Slice of History de
Shakespeare's Sonnets (Arden Shakespeare) de William Shakespeare
Illustrator's Guide to Law and Business Practice de Association of Illustrators
The Key to Flambards de Linda Newbery
Flora Thompson's Country: The Real Villages and Towns of "Lark Rise to Candleford" de David Watts
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