Snow Crash (1992)

I cannot tell you how many times I have listened to Snow Crash. I love this book. I can never think of a katana without immediately thinking of Hiro. This book was my introduction to Neal Stephenson and I have been a fan ever since.

10/10/2021

I think what makes this book a classic is that you cannot predict what will come next.

On the serious side, Snow Crash and Steven King's Cell both play at the idea of a technological way of controlling the human race. Unfortunately, it has already happened with Social Media. Check out https://www.humanetech.com/. ( )

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Written in 1992 with incredible foresight of the digital dystopia which seems to be coming into being today. A very long listen, though. Goes a bit off the deep end towards the end of the novel. But still good overall. ( )

So cyber ( )

Narrated by Jonathan Davis

I really enjoyed the quality of the narration; Mr. Davis does an excellent job rendering the voices of the various characters within the story.

This was a fun read for the most part ... although the heavy exploitation of various stereo-types might be offensive to some, it really is the key to most of the humor in the story; at least Mr. Stephenson is an equal opportunity satirist in creating his dystopian society. The story pokes fun at corporate franchises, Christians (Orthodox Russians, Catholics and evangelists), the feds, the mafia, Columbian drug cartels, pizza delivery drivers, skateboard couriers, gated communities (burbclaves), apartheid, Alaskan red-necks, and a host of others. The characters themselves are very shallow and underdeveloped, though most are still memorable none the less.

This central plot merges ancient Sumerian mythology as alternate history with computer technology to construct an idea that humans have a basic or innate language ability that was 'hard coded' into our brain. This direct neural wiring left humans vulnerable to a memetic or 'meta virus' that basically turns humans into automatons. Stephenson uses a series of interactions (info-dumps) with a database AI (The Librarian) to introduce reader to the concepts needed to fully appreciate the plot climax. Unfortunately this is where Stephenson starts to lose his way (and a star) while the satire becomes less skillful and the story displays more violence (needlessly so in some cases). The strange introduction of teenage sex with a much older and very violent male antagonist toward the end of the book really detracted from the story as a whole. Finally, the conclusion seemed confused and somewhat aimless and unsatisfying by the end (Where was Raven's kaboom!). ( )