It was country music that first gave Aboriginal people a voice in modern Australia, long before it was commonplace for Aboriginal dance companies to tour the world or for Central Desert #147;dot paintings” to sell for astronomical sums. Though black skin and country music might seem an unlikely pairing, Aboriginal country music has a long and rich tradition, from 1950s pioneers such as Jimmy Little, Lionel Rose, the Country Outcasts, and Auriel Andrew to Vic Simms, Roger Knox, and Troy Cassar-Daley. Telling black stories in a way white folks could understand as well, country music was not only a salve for its own dispossessed people, it offered common ground in a divided land and the possibility of grassroots reconciliation. Packed with rare photographs and memorabilia and including a detailed discography, Buried Country offers a fascinating account of the growth of this vital force in Aboriginal culture and its role in changing Australian society.