High Fantasy often faces the criticism that it is a poor reflection of the works that have gone before it, most notably Tolkien. By employing the same basic mythos with a highly Western European (and generally, British) composition, many chide that too much of fantasy falls into this trap and needs to be refreshed with something edgier, or something more original. The end result is generally a poor facsimile that inevitably fails to shine in comparison.

"A Guile of Dragons" is not some mere copy.

Yes, it employs many of the elements that we might quickly label a High Fantasy trope - dwarves, dragons, ancient terrors, and the name Merlin (or at least his son, Morlock). Its important to remember that it is not what elements a writer uses, but how they use them, that brings distinction. Enge does not treat these elements lightly - the history and culture of the dwarves alone are an integral part of this story, hinting at a depth we never see a bottom to. The shortness of the work (@300 pages) is belied by the depth and fullness of the characters that populate it. These are thick characters, populating the pages not because they fill a need but because it is their story to tell.

Set as a prequel for Enge's character, Ambrosius, aka Morlock syr Theorn, "A Guile of Dragons" introduces us to a small cast of recurring characters, each of whom demonstrates a depth and fullness usually reserved for the titular character. Not having read the other books in this milieu proved to not be a problem - as a prequel, it is a well contained volume, beginning with the birth of Morlock, son of Merlin, and the circumstances that place young Morlock in the care of the dwarves of Thrymhaiam to the north. This is also the story of Morlock's first real adventure (other feats are alluded to, but nothing so grand), following a metre and pace that is reminiscent of a classic saga even when the story telling is modern.

For in the Northold, the dwarves find themselves cut off from the Graith of Guardians as a guile of dragons invades, reigniting the Longest War from before the dawn of history. Morlock, a thaen of the Graith, adopted son of the dwarves, trapped between both worlds, faces the failings of each as he is thrust into battling the dragons themselves.

Enge, who's unsecret real world identity is a classics professor, demonstrates that a writer is influenced by the books and life you lead. "A Guile of Dragons" is a worthy epic for any fantasy reader, containing a surprising depth and fullness that is rarely found in so short a book. I cannot say more about this book without spoiling it, so I will just say that I wholly and heartily recommend that it be read. ( )

James Enge's A Guile of Dragons is actually the first book of a "prequel" series called A Tournament of Shadows featuring his celebrated character Morlock Ambrosius. Not having read the original books, I'm sure my experience is probably going to differ wildly from that of a reader who is already familiar with the world and character, but knowing beforehand that I was going into an origins-type story was good preparation for what to expect.

Most of the book covers the life of young Morlock. We begin at a point before he is even born, then watch as he is given to the dwarves as an infant. Morlock's real father is Merlin -- yes, that Merlin -- though he is raised among the dwarven folk; as such things go, the character's struggles with his birthright and mixed feelings about his heritage eventually emerge as one of the overarching themes of the story.

But on top of that, the book is also an adventure, with an ancient war between dwarves and dragons at its heart. When the dwarven territories are invaded, their defenders taken prisoner or placed under the corrupted influence of dragonspells, it falls to Morlock to protect his surrogate family and the people who raised him.

This was a good story, well told in its complexity and showing of relationships between different characters, but I have a feeling I'm not clicking with it as much as I should. I'm sure a lot of it had to do with the book and I getting off on the wrong foot, with the introductory chapters throwing me off with its pacing. The sections that take place before Morlock's birth and up to the brief scenes of his childhood with the dwarves feel like they should have been a prologue, separated from the rest of the book.

I understand the importance of including this time of his life as part of his backstory, but I don't know if it meshes that well with everything that comes afterward. The first part of the book felt like a running commentary on the circumstances behind Morlock's birth, resulting in a disconnect between myself and the character. Fortunately, the book really gets going once he reaches adulthood and we get into the meat of the story, when we encounter the dragons and their violent confrontations with the dwarves.

What follows is a very intriguing take on the history behind the dwarven-dragon conflict, and the intricacies in the nature of the two societies. The character dynamics also pick up, and as factors like bitter resentment or shifting loyalties start to come into play, things get a lot more interesting. The author throws in a lot of surprising twists, and I have to say one of my favorite aspects of this book is how Enge incorporates elements from legend and Arthurian fantasy into the world lore.

My overall feeling is that you can definitely read A Guile of Dragons on its own, but I have no doubt I'm also missing out on a lot of the subtleties. Yet despite delving into this one without any context, I was on the whole impressed. After seeing how the events of this book has shaped Morlock as a character, I admit I find myself curious about him and his future exploits. ( )

http://beauty-in-ruins.blogspot.ca/2013/08/dwarves-dragons-and-danger-with-james... ( )