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Beautiful Ruins: A Novel de Jess Walter
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Beautiful Ruins: A Novel (2012 original; edició 2012)

de Jess Walter

MembresRessenyesPopularitatValoració mitjanaMencions
4,2252672,786 (3.78)284
A novel that spans fifty years. The Italian housekeeper and his long-lost American starlet; the producer who once brought them together, and his assistant. A glittering world filled with unforgettable characters.
Membre:slvoight
Títol:Beautiful Ruins: A Novel
Autors:Jess Walter
Informació:Harper (2012), Edition: First Edition, Hardcover, 352 pages
Col·leccions:La teva biblioteca, Llista de desitjos, Llegint actualment (inactive), Per llegir, Llegit, però no el tinc, Preferits
Valoració:
Etiquetes:Cap

Informació de l'obra

Beautiful Ruins de Jess Walter (2012)

  1. 10
    The Rocks de Peter Nichols (Usuari anònim)
  2. 00
    The Pirate's Daughter de Margaret Cezair-Thompson (BookshelfMonstrosity)
    BookshelfMonstrosity: Exotic backdrops -- Italy in Beautiful Ruins and Jamaica in The Pirate's Daughter -- combine with Hollywood glamor (and scandal) in these engaging historical novels, in which past events influence present-day situations. Both feature cameo appearances by real-life movie stars.… (més)
  3. 13
    A Visit from the Goon Squad de Jennifer Egan (wandering_star)
    wandering_star: Does what this book is trying to do; does it better.
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» Mira també 284 mencions

Es mostren 1-5 de 265 (següent | mostra-les totes)
I felt there were at least 3 different books in this novel. The episodic chapters, flashing back and forward in time, did not flow well, nor did I care for any of the several protagonists introduced (some only half way through the book).

There was definitely good writing in many places, with some excellent phrases that popped out amid the reading. The description of the caregiver's point of view of a loved one with Alzheimer's was particularly poignant. ( )
  Dorothy2012 | Apr 22, 2024 |
Here’s a perfect poolside summer read propelled by the glamour of old world Hollywood, the romanticism of the Italian Riviera, and the tragedy of fate and deeply flawed characters. This is a nonlinear story about several stories that intersect across decades and continents, highlighting our deepest desires, our most destructive demons, and “life [as] a glorious catastrophe” (275).

This character-driven novel opens in Cinque Terre, Italy, specifically in a small fishing village that’s home to a young man, Pasquale, retuning to care for his mother and the provincial family hotel, ironically named “The Hotel with the Adequate View.” In the beginning, Pasquale meets an American actress from the set of the Liz Taylor and Richard Burton film Cleopatra, and it’s through the meeting of these two characters, Pasquale and Dee, that we are introduced to an interconnected web of other characters’ stories—spanning from WWII to present day.

To me, this book is perfection: beautifully ruined characters who, while roughly imperfect, are completely endearing; gritty realism with just enough dark humor, self-awareness, and self-deprecation; and a plot that stays interesting and intriguing and surprising from its opening scene in Cinque Terre in the 1960s to its closing scene on the same rocky coast in modern day times.

✨I was fortuitous enough to be in Cinque Terre, Italy while reading this novel. Again, perfection.✨ ( )
  lizallenknapp | Apr 20, 2024 |
Love these ruins. ( )
  ben_r47 | Feb 22, 2024 |
I think this one should be a 3.5 star but since I liked more than I disliked I'll err on the high side.

The beginning is great, it gets a little slow, and the ending is rushed. Overall, it's an interesting story with many different angles. What we were given was very good, but I wanted (and still want) to know more about each person and each of the angles.

( )
  hmonkeyreads | Jan 25, 2024 |
I'm in the minority with my ratings for this book. It was just ok for me. I didn't care for the way the author portrayed most of the women in this book. Although if I think about it, the men didn't come off all that well either. There were a few too many characters and side characters across the generations bouncing back and forth from 1960s Italy to more recent times in Scotland and California. Not my cup of tea. ( )
  ellink | Jan 22, 2024 |
Es mostren 1-5 de 265 (següent | mostra-les totes)
Ruins constitutes a departure for Walter, another unplowed field, and he harrows it straight and true, turning up the fertile humus of the culture’s soiled psyche. Beautiful Ruins collides its broad range of characters in unexpected, unique ways, and the wonderful light touch of the satire makes them eminently believable. Unlike the Juvenalian satirists, whose righteous indignation sometimes results in flat, two-dimensional, cardboard characterizations, Walter’s people inspire sympathy, belief, even a little self-examination. Am I like this? Do I have any qualities that resemble the ones I’m reading about here? If I do, where do I get help?

Jess Walter has written a novel that sprawls on the lawn, looks up fondly at the achingly blue American sky and gazes into the deep humor of our collective human condition. That’s what good satire does—it reminds us who we really are. Humans.
afegit per zhejw | editaPaste, David Langness (Aug 7, 2012)
 
Walter is simply great on how we live now, and ­— in this particular book — on how we lived then and now, here and there. “Beautiful Ruins” is his Hollywood novel, his Italian novel and his Pacific Northwestern novel all braided into one: an epic romance, tragicomic, invented and reported (Walter knows his “Cleopatra” trivia), magical yet hard-boiled (think García Márquez meets Peter Biskind), with chapters that encompass not just Italy in the ’60s and present-day Hollywood, but also Seattle and Britain and Idaho, plot strands unfolding across the land mines of the last half-century — an American landscape of vice, addiction, loss and heartache, thwarted careers and broken dreams. It is also a novel about love: amorous love, filial love, parental love and the deep, sustaining love of true friendship....

His balanced mixture of pathos and comedy stirs the heart and amuses as it also rescues us from the all too human pain that is the motor of this complex and ever-evolving novel. Any reservations the reader might have about another book about Hollywood, about selling one’s soul (or someone else’s, and pocketing the change) will probably be swept aside by this high-wire feat of bravura storytelling. Walter is a talented and original writer.
afegit per zhejw | editaNew York Times, Helen Schulman (Jul 6, 2012)
 
This novel is a standout not just because of the inventiveness of its plot, but also because of its language. Jess Walter is essentially a comic writer: Sometimes he's asking readers to laugh at the human condition; sometimes he's inviting us to just plain laugh.
afegit per zhejw | editaNPR, Maureen Corrigan (Jun 18, 2012)
 

» Afegeix-hi altres autors

Nom de l'autorCàrrecTipus d'autorObra?Estat
Jess Walterautor primaritotes les edicionscalculat
Ballerini, EdoardoNarradorautor secundarialgunes edicionsconfirmat

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The ancient Romans built their greatest masterpieces of architecture for wild beasts to fight in.
-- Voltaire, The Complete Letters
Cleopatra: I will not have love as my master.
Marc Antony: Then you will not have love.
-- from the 1963 disaster film Cleopatra
[Dick] Cavett's four great interviews with Richard Burton were done in 1980...Burton, fifty-four at the time, and already a beautiful ruin, was mesmerizing.
-'Talk Story' by Louis Menand, The New Yorker, 22 November 2010
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To Anne, Brooklyn, Ava, and Alec
Primeres paraules
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The dying actress arrived in his village the only way one could come directly -- in a boat that motored into the cove, lurched past the rock jetty, and bumped against the end of the pier.
Citacions
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Pasquo, the smaller the space between your desire and what is rght, the happier you will be.(page 304)
But aren't all great quests folly? El Dorado and the Fountain of Youth and the search for intelligent life in the cosmos--we know what's out there. It's what Isn't that truly compels us....true quests aren't measured in time or distance anyway, so much as in hope. There are only two good outcomes for a quest like this, the hope of the serendipitous savant--sail for Asia and stumble on America--and the hope of scarecrows and tin men: that you find out you had the thing you sought all along. (p.428)
All we have is the story we tell. Everything we do, every decision we make, our strength, weakness, motivation, history, and character--...it's our story...Your parents don't get to tell your story. Your sisters don't....No one gets to tell you what your life means! (p.405-6)
...the more you lived the more regret and longing you suffered, that life was a glorious catastrophe... (p.416-7)
Some memories remain close; you can shut your eyes and find yourself back in them. These are first-person memories--I memories. But there are second person memories, too, distant you memories, and these are trickier: you watch yourself in disbelief... (p. 394)
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A novel that spans fifty years. The Italian housekeeper and his long-lost American starlet; the producer who once brought them together, and his assistant. A glittering world filled with unforgettable characters.

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