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S'està carregant… The Beet Fields: Memories of a Sixteenth Summerde Gary Paulsen
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Apunta't a LibraryThing per saber si aquest llibre et pot agradar. No hi ha cap discussió a Converses sobre aquesta obra. Known only in the book as “the boy,” a 16-year-old escapes his broken home and drunken parents to survive on his own. He starts out as a migrant worker laboring in beet fields alongside the more adept Mexicans. A farmer later hires him to drive a tractor to work his fields. After being arrested by the sheriff for being a suspected runaway, the boy escapes and ends up hitching a ride with an older woman who takes him in for awhile and has him help repair machinery. Next he joins a traveling carnival where he helps set up rides, rounds up audiences for the acts, and learns the way of the carny. It is also there that he loses his virginity to Ruby, the exotic dancer and wife of the carnival owner. Raw and graphic, but honest all the way through. Sense ressenyes | afegeix-hi una ressenya
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Young Adult Fiction.
Young Adult Literature.
For a 16-year-old boy out in the world alone for the first time, every day??s an education in the hard work and boredom of migrant labor; every day teaches him something more about friendship, or hunger, or profanity, or lust??always lust. He learns how a poker game, or hitching a ride, can turn deadly. He discovers the secret sadness and generosity to be found on a lonely farm in the middle of nowhere. Then he joins up with a carnival and becomes a grunt, running a ride and shilling for the geek show. He??s living the hard carny life and beginning to see the world through carny eyes. He??s tough. Cynical. By the end of the summer he??s pretty sure he knows it all. Until No s'han trobat descripcions de biblioteca. |
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
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"But here it is now, as real as I can write it, and as real as I can remember it happening."
And it does seem pretty damn real - at times even raw - as he tells how he ran away, the summer he turned sixteen, from a home with abusive, alcoholic parents. The central character - presumably the author himself - is unnamed, called only "the boy."
"He was only half awake, fighting sleep, half dreaming, half knowing. His mother was there beside him. She had come to his bed many times drunk, to sleep with him ... But tonight, even half dreaming, he knew something was different, wrong, about her need for him, and he rolled and pushed and stood away in lonely horror, while she lay there moaning ... And he ran ..."
Such a suggestive and shocking introduction immediately brought to mind Earl Thompson's classic and notorious autobiographical novel, A GARDEN OF SAND. And because the protagonist is known only as "the boy," I thought too of Tony Earley's sweetly innocent Depression era novel, JIM THE BOY. But there is more of Thompson's gritty feel to Paulsen's story than there is of Earley's innocence.
Because THE BEET FIELDS is, more than anything, a coming-of-age story, which follows the boy through his various adventures across the flatness of North Dakota, working with Mexican migrants hoeing beets, followed by more dawn-to-dusk labor on a farm, an escape from an unscrupulous deputy sheriff, a harrowing night ride west with a Hungarian immigrant, a short stay with a lonely widow on a barren farm and, finally, a stint as a "carny," with a traveling carnival, where he meets the beautiful and exotic Ruby, who is, to the boy, "simply, everything."
There were things in this book that took me back to my own adolescence, even down to midway burlesque shows in traveling carnivals, something I experienced my fifteenth summer. Even the back-breaking labor of hoeing, the farm work, and the mind-numbing fatigue that follows all felt familiar. Paulsen succeeded in his aim. He made it "real."
At Barely 150 pages, THE BEET FIELDS is a quick read, but its essence will linger. It's a powerful little book about growing up. It may be aimed at a young adult audience, but it will resonate equally with adults. Very highly recommended.
- Tim Bazzett, author of the memoir, BOOKLOVER ( )