The first of the Sherlock Holmes books.

The mystery in this story was okay (not mindblowingly interesting...), but the creation of the characters of Sherlock Holmes and Doctor Watson was masterful. Part 1 was good, Part 2 was not, mainly because it ruined the mystery almost immediately. Overall, a good first book, but I'm really hoping there is more to Holmes than this. ( )

I've long felt bad about never having read any of the nine books that make up the Sherlock Holmes canon, so finally I've rectified that... and what an odd little work it is.

The first half of the book is what's important, historically, but it's the least interesting. Conan Doyle doesn't write natural dialogue, and a result the discussions between Watson and Holmes come across more like a treatise on how detective work - in the real world and in novels - is evolving and progressing. While this is all very very interesting, particularly to someone like myself who has read a lot of Christie and Poe etc, it feels like an essay that has been structured in story form, rather than the other way around.

On top of this, I concede that I have a bias against this "one really smart quirky man always outdoes everyone" formula. Holmes started it, but it's returned in the last ten years or so to television, and personally I think it just weakens the narrative when every other character functions only as a sounding board for our god of a leading man. Sherlock is cunningly described by Watson as a seemingly paradoxical man who in fact has rational reasons for all of his education and activities, although even the great detective can't seem to fix his (bipolar?) moods. As their friendship is still embryonic at this stage, Watson can give us no insight into Holmes' life, and Holmes offers none, so he remains a cipher. But I'm treating this as a pilot episode, so that's okay. More immediately fascinating are the elements of contemporary life: street beggars working for Holmes, the necessary advantages and disadvantages that came from being a police officer in the era - thrilling stuff.

The second half is a mixed bag also. Conan Doyle is an admirable prose writer, and his description of the events twenty years prior to the murders is captivating and gripping. On the other hand, it is filled with amazingly anti-Mormon sentiment. I'm no religious sympathiser myself, but I couldn't take it seriously when the narrator assured us that all Mormons kill or destroy anyone who attempts to leave their faith.

An odd little novel, and I've already started the second one, since I'm very eager to see if Conan Doyle can somehow retain his marvelous leading character, whilst furthering his skills in the other required areas.

(Two and a half stars) ( )

This book is an intriguing start to the world renowned series. First, readers are introduced to Watson and learn of his background. He then explains how he made the acquaintance of Sherlock Holmes. Watson describes both his quirks and his genius.
Watson learns that inept police detectives consult with Holmes when faced with baffling crimes. Watson gets drawn in to the latest case, the murder of an American named Drebber.
Holmes uncovers the murderer by "reasoning backward", and uncovers an interesting, long-premeditated motive. ( )

Audiobook performed by Frederick Davidson

This novella introduced the reading public to Sherlock Holmes and his trusty sidekick, Dr Watson. The case hinges on a dead body found in a locked room; although the corpse shows no signs of having been attacked, Holmes is convinced it was murder.

I found it a slower read than today’s mystery novels. But I was interested in getting to know Holmes and Watson. We learn how Holmes came to his method of deduction, and begin to see the fast friendship that will develop between these two men.

I did find the interlude set in America rather jarring. I wondered if perhaps my copy of the book had inadvertently included a completely different story. But, of course, I was wrong, and this did serve to give a detailed background of the chief suspect. And, eventually, Holmes explained it all to both Scotland Yard and the reader.

Frederick Davidson did a fine job of narrating the audiobook. He set a good pace, and I did like the way he interpreted Holmes and Watson.

As is my habit when listening to an audiobook, I also had a copy of the text handy. In this case, it came with an introduction (dated 2009) by mystery writer Mark Billingham. I’m so glad I took the time to read that introduction. Gives me a whole new appreciation for Sir Arthur Conan Doyle, Holmes, Watson and their legion of fans. ( )

In questo romanzo fa il suo esordio Sherlock Holmes, una delle creazioni più geniali della letteratura gialla e non solo.
Il lettore è talmente affascinato dal carisma dell'investigatore e dai suoi metodi prodigiosi che non solo gli altri personaggi impallidiscono al confronto, ma la stessa vicenda passa in secondo piano. D'altronde Conan Doyle è più un narratore che un giallista: la sua attenzione è focalizzata sulle capacità analitiche di Holmes e sui motivi e le passioni che hanno portato al delitto, creando un background credibile e coinvolgente; non c'è suspense e l'identità dell'assassino è una curiosità quasi marginale.
La prosa è semplice, ma elegante: ulteriore conferma che è un'opera letteraria e non un semplice prodotto di intrattenimento.
Uno studio in rosso è un must per gli amanti del giallo, ma direi anche per gli amanti della buona letteratura ( )