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S'està carregant… Four Major Playsde Federico García Lorca
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Apunta't a LibraryThing per saber si aquest llibre et pot agradar. No hi ha cap discussió a Converses sobre aquesta obra. Re-read Bodas de Sangre, La Casa de Bernarda Alba, Yerma, and Dona Rosita. I remembered the first two better than the second two; I'd forgotten the Housekeeper's mini-monologue in Act III, and Rosita's following. ( ) Sense ressenyes | afegeix-hi una ressenya
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`I have made a terrible discovery ... I have not yet been born ... I live off borrowed substance; what I have within me is not mine.' In his four last plays Federico Garcia Lorca offered his disturbed and disturbing personal vision to Spanish audiences of the 1930s - unready, as he thought them, for the sexual frankness and surreal expression of his more experimental work. The ill-fated lovers of Blood Wedding, the desolateYerma, the fading spinster Rosita, and Bernarda Alba's abused household of women all inhabit a familiar Andalusia. Their predicaments are starkly plotted, with a stagecraft rooted in classical theatrical tradition. In such figures Lorca addresses the cultural and political ferment of his time with afiercely libertarian assault on 'old and wrong moralities', fusing the personal and the political through his virtuoso mastery of images. Yet all that mastery can barely keep at bay the anguished contradictions of these doomed human lives. Hence the authentic sense of danger - the duende, to use his own word of Lorca's theatre, finely conveyed here in John Edmunds's fluent and rhythmic new translations that lend themselves admirablyto performance. No s'han trobat descripcions de biblioteca. |
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)862.62Literature Spanish and Portuguese Spanish drama 20th Century 1900-1945LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
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