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Perdido Street Station (Bas-Lag) de China…
S'està carregant…

Perdido Street Station (Bas-Lag) (2000 original; edició 2001)

de China Mieville (Autor)

Sèrie: Bas-Lag (1)

MembresRessenyesPopularitatValoració mitjanaMencions
8,333288733 (4.05)660
Beneath the towering bleached ribs of a dead, ancient beast lies New Crobuzon, a squalid city where humans, Re-mades, and arcane races live in perpetual fear of Parliament and its brutal militia. The air and rivers are thick with factory pollutants and the strange effluents of alchemy, and the ghettos contain a vast mix of workers, artists, spies, junkies, and whores. In New Crobuzon, the unsavory deal is stranger to none -- not even to Isaac, a brilliant scientist with a penchant for Crisis Theory. Isaac has spent a lifetime quietly carrying out his unique research. But when a half-bird, half-human creature known as the Garuda comes to him from afar, Isaac is faced with challenges he has never before fathomed. Though the Garuda's request is scientifically daunting, Isaac is sparked by his own curiosity and an uncanny reverence for this curious stranger. While Isaac's experiments for the Garuda turn into an obsession, one of his lab specimens demands attention: a brilliantly colored caterpillar that feeds on nothing but a hallucinatory drug and grows larger -- and more consuming -- by the day. What finally emerges from the silken cocoon will permeate every fiber of New Crobuzon -- and not even the Ambassador of Hell will challenge the malignant terror it invokes ...… (més)
Membre:navalgaysir
Títol:Perdido Street Station (Bas-Lag)
Autors:China Mieville (Autor)
Informació:Del Rey (2001), 710 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:No n'hi ha cap

Detalls de l'obra

Perdido Street Station de China Miéville (2000)

  1. 80
    Embassytown de China Miéville (mclewe)
    mclewe: For Miéville's ability to create a complete world, incomprehensible, fascinating, intelligent.
  2. 70
    City of Saints and Madmen de Jeff VanderMeer (bertilak)
  3. 96
    The Windup Girl de Paolo Bacigalupi (souloftherose)
    souloftherose: Although The Windup Girl is more science fiction than steampunk/fantasy, I felt there were similarities in the exoticness of the world-building and readers who enjoyed Perdido Street Station may also enjoy The Windup Girl.
  4. 30
    Iron Council de China Miéville (kaipakartik)
    kaipakartik: Same universe, a lot of the same creatures. Brilliantly done as well
  5. 53
    Geek Love de Katherine Dunn (fyrefly98)
  6. 21
    The Etched City de K. J. Bishop (Jarandel)
    Jarandel: Similar dark, steampunk-ish urban environments that sometime veer into the horrific and fantastical.
  7. 10
    This Alien Shore de C. S. Friedman (MyriadBooks)
    MyriadBooks: For the world building, for the heft of the plot.
  8. 32
    Dhalgren de Samuel R. Delany (aaronius)
    aaronius: Another dystopian dream-city to get lost in with weird sex and fantastic writing.
  9. 00
    Viriconium: "The Pastel City", "A Storm of Wings", "In Viriconium", "Viriconium Nights" de M. John Harrison (g33kgrrl)
    g33kgrrl: "Weird cities" staples.
  10. 00
    The Last City de Nina D'Aleo (GuyMontag)
  11. 00
    Ciutat de Bohane de Kevin Barry (Macon)
  12. 00
    The Dervish House de Ian McDonald (majkia)
    majkia: no idea why exactly, but the two seem similar to me.
  13. 11
    God's War de Kameron Hurley (electronicmemory)
    electronicmemory: Two excellent examples of twisted, dark and brutal stories with unexpected sci-fi/fantasy elements and engrossing worlds.
  14. 00
    Sea of Ghosts de Alan Campbell (iftyzaidi)
  15. 13
    Earth de David Brin (freddlerabbit)
  16. 02
    Santa Olivia de Jacqueline Carey (Aerrin99)
    Aerrin99: An interesting world filled with unexpected people.
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» Mira també 660 mencions

Anglès (282)  Italià (2)  Castellà (1)  Finès (1)  Totes les llengües (286)
Es mostren 1-5 de 286 (següent | mostra-les totes)
Couldn't get into this book at all. I gave up after 30%. It just seems like every minute detail of the world was being described for 20 pages before we got 1 page worth of story. ( )
  Shauns1988 | Apr 20, 2021 |
As I read it I kept thinking that Mieville’s writing reminded me of some other author, and then it hit me: this is what J.K. Rowling would write if she was on drugs! Seriously, they both share an amazing capability to create other realms; worlds that you start to envision and feel transported into the moment they begin telling you about it. But while Hogwarts was fantastical, New Crobuzon is psychedelic.

And, if Perdito Street was a painting, it would be The Garden of Earthly Delights by Hieronymus Bosch - although I might be giving too much credit to Mieville with this metaphor. What I mean is that I was entranced and disgusted by this book in the same proportions. There was something about it that was fun and cartoonist, but at close look revealed itself to be nauseating and soiled. In Bosh, and in J.K. Rowling, I perceived a message of some kind though. In Mielville’s writing I didn’t as much. He was just having too much fun at showing off to me, the reader, what he as the writer could make come to life.



I really, really wanted to love this book. As it is, I liked it fair enough, but it came miles from “I loved” .

Do I recommend it? Well, I don’t “not recommend it”. There are all kinds of tastes in books, he is just not mine - at this moment.
( )
  RosanaDR | Apr 15, 2021 |
Maybe it was just me, maybe I missed something important somewhere along the way, but I couldn't keep track of what was going on half the time even when I tried going back over sections. It felt to me more like a series of short stories haphazardly strapped together and roughly attached to a central plot than a cohesive book. The characters were good, and the writing itself was beautifully prosaic at times, which was something of a saving grace for the story for me at least, but there just was something missing for me and the whole thing was just foggy. ( )
  TCLinrow | Mar 17, 2021 |
Maybe it was just me, maybe I missed something important somewhere along the way, but I couldn't keep track of what was going on half the time even when I tried going back over sections. It felt to me more like a series of short stories haphazardly strapped together and roughly attached to a central plot than a cohesive book. The characters were good, and the writing itself was beautifully prosaic at times, which was something of a saving grace for the story for me at least, but there just was something missing for me and the whole thing was just foggy. ( )
  TCLinrow | Mar 17, 2021 |
Originally posted at Full of Words.

After reading Perdido Street Station, I can't decide what China Miéville loves more: feverish world-building or the sheer impenetrability of his prose, and I say that as someone who (occasionally) enjoyed the book. It took me a good six months to make it through that dense little tome, mostly because I only managed to read it in 30-50 page chunks about once or twice a month, and I have to admit that in the end I only finished out of sheer bloody-mindedness.

This was actually my second attempt at Perdido Street Station. I first bought it in 2003 and only made it about 50 pages in before putting it down for more than a decade. This time around, I gave it a bit more persistence, but it was never an easy book to pick up. Each of those 30-page sessions was hard-fought over the course of several hours, and I oftentimes found myself reading and re-reading passages just to make sure I'd fully comprehended their contents and meaning. I enjoyed many parts of the book, but I can't help feeling a certain amount of exhaustion and relief after struggling to finish it for so long.

In broad strokes, Perdido Street Station tells the story of Isaac Dan der Grimnebulin, inventor and disgraced academic, and what happens when a disfigured garuda – a sort of half-man, half-bird creature – named Yagharek comes to his laboratory in New Crobuzon and asks Isaac to help him fly again. Yagharek is flightless, his wings removed as part of a brutal judicial punishment, and he's travelled hundreds if not thousands of miles just to ask Isaac for his help. Yagharek's gold is plentiful and Isaac is in need of a patron, so he soon sets off on a quest to restore the garuda's flight. What Isaac does not know – cannot know – is that he will inadvertently set into motion a series of events that bring only nightmare, catastrophe and death to his city and everyone he knows and loves.

However, before the novel gets to the point where the plot kicks in, Miéville spends several hundred pages on setup, character development and a huge amount of world-building. If one of the characters visits a new neighborhood, Miéville includes a minimum of a few paragraphs describing how it looks, smells, sounds, pulses with life and interacts with the city around it. These passages are oftentimes beautiful, carefully drawn and incredibly dense, but over the course of the 600 page novel, it becomes hard not to react with impatience when Miéville's attention strays yet again to the architecture of his imagined city.

The idea is, of course, that New Crobuzon is another character in the story, but the problem is that Miéville seems intent on including too much of everything; the kitchen sink, a few bathtubs and maybe a swimming pool for good measure. Every new neighborhood has enough detail to support an entire storyline, but Miéville barely takes a breath before introducing even more obscure and bizarre details. What seems magical and fascinating for maybe a hundred pages or so becomes overkill when it just keeps happening past the halfway point of the novel.

Also, it doesn't help that Miéville seems to delight in writing incredibly dense prose. I'm sure a large part of why I took so long to finish the book is that it felt like I was barely making any progress even though I would sit down and read for hours at a time. I was finally able to increase my pace a bit once the actual plot became clear, but at the same time I was a little disappointed to discover that all of Miéville's baroque wordplay leads up to a relatively straightforward man versus monster story.

Ultimately, Perdido Street Station was a difficult book that I respected and sometimes liked but can't help finding fault with as I think more about it. I'm glad I finally finished it so that I can mark it off my near-infinite list of unread books, but it will be a good long while before I pick up another one of Miéville's books. Of course, there are at least three others on my shelves, waiting for me to read them. ( )
  unsquare | Feb 16, 2021 |
Es mostren 1-5 de 286 (següent | mostra-les totes)
Perdido Street Station is a well written and absorbing story aimed at breaking the rules for a number of different fantasy concepts.
 

» Afegeix-hi altres autors (15 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Miéville, Chinaautor primaritotes les edicionsconfirmat
Bauche-Eppers, EvaTraductorautor secundarialgunes edicionsconfirmat
Lee, JohnNarradorautor secundarialgunes edicionsconfirmat
Miller, EdwardAutor de la cobertaautor secundarialgunes edicionsconfirmat
Oliver, JonathanNarradorautor secundarialgunes edicionsconfirmat
Stevenson, DavidAutor de la cobertaautor secundarialgunes edicionsconfirmat
Villa, ElisaTraductorautor secundarialgunes edicionsconfirmat
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'I even gave up, for a while, stopping by the window of the room to look out at the lights and deep, illuminated streets. That's a form of dying, that losing contact with the city like that.'

Philip K. Dick , We Can Build You
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Do not combine with either Die Falter or Der Weber. Perdido Street Station was split into two volumes for publication in Germany.
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Wikipedia en anglès (1)

Beneath the towering bleached ribs of a dead, ancient beast lies New Crobuzon, a squalid city where humans, Re-mades, and arcane races live in perpetual fear of Parliament and its brutal militia. The air and rivers are thick with factory pollutants and the strange effluents of alchemy, and the ghettos contain a vast mix of workers, artists, spies, junkies, and whores. In New Crobuzon, the unsavory deal is stranger to none -- not even to Isaac, a brilliant scientist with a penchant for Crisis Theory. Isaac has spent a lifetime quietly carrying out his unique research. But when a half-bird, half-human creature known as the Garuda comes to him from afar, Isaac is faced with challenges he has never before fathomed. Though the Garuda's request is scientifically daunting, Isaac is sparked by his own curiosity and an uncanny reverence for this curious stranger. While Isaac's experiments for the Garuda turn into an obsession, one of his lab specimens demands attention: a brilliantly colored caterpillar that feeds on nothing but a hallucinatory drug and grows larger -- and more consuming -- by the day. What finally emerges from the silken cocoon will permeate every fiber of New Crobuzon -- and not even the Ambassador of Hell will challenge the malignant terror it invokes ...

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