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S'està carregant… Driving Alone: A Love Storyde Kevin Lynn Helmick
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Premis
A gritty, Southern Gothic morality tale, this novel reveals that the high cost of hard living is brutally hard dying. Billy Keyhoe's luck just ran out: after beating his girl to a bloody pulp and being shot by the clerk at Earl's 66, he takes off in his daddy's beat-up '65 Caddy, leaving all his troubles in the rearview. At a crossroads on the way toward West Texas from Georgia, he picks up Feather, a beautiful hitchhiker who seems to know more about Billy than he knows about himself. The farther they go, the more he is drawn to Feather; but he unfortunately discovers that even true love cannot save him and he may have gone too far to ever make it back. No s'han trobat descripcions de biblioteca. |
Debats actualsCap
Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)813.6Literature English (North America) American fiction 21st CenturyValoracióMitjana:
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Billy Keyhoe is in his late 20s and on the run, only the way he sees it, he's cutting town for something better. But not without making more of a mess -- robbing a gas station and getting shot at -- and as he races out of town for Texas, he picks up a gorgeous young hitchhiker named Feather.
Feather provokes him in more than one way, bringing out the best and the worst in him over the duration of a few nights. Despite his vow to leave Waycross, his childhood hometown, he returns with Feather -- ostensibly just to pass through on his way to Savannah -- and has to face up a few hard truths.
I zipped through this book in a matter of hours, sucked into the sticky, hot world of south Georgia, unable to look away from Billy and his very bad business.
Billy is an unlikeable character -- he's done horrible things -- but he's experienced equally horrible things, and Helmick shares both without apology or emotion. Gorgeous Feather, unreasonably sexy and able to tease out the things that bother Billy the most, is a foil or a reflection of everything Billy fails at, giving the reader a chance to see into Billy and his psyche.
It's up to the reader to decide if he can be saved; Helmick doesn't make it easy for one to fall into sympathy with Billy. There's an allegorical feel to the book, a kind of cinematic twist that approaches steadily, and I found myself unsure if I wanted a 'happy' end for Billy. But like all good noir, it left me feeling a bit uneasy, unsettled, and that made me happy. ( )