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Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the twentieth century. Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after. Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art. Finally available for a new generation, this classic work has an urgent message for readers and writers today.… (més)
I was moved with both recognition, and with fear, again, at Audre Lorde's comment that "it's scary because we've been through that before. It was called the fifties. Then I was moved with that stirring to act, upon reading in print what I have known and been told in different words since Dunbar (High School): "My responsibility is to speak the truth... with as much precision and beauty as possible. ... We've been taught that silence would save us, but it won't." And we must not remain silent while the blood of our sisters/brothers/neighbors/communities/fellow human beings is shed.
Sherley Anne Williams reiterates this responsibility of a writer to write as well as one can and to "say as much of the truth as I can see at any given time."
Although this book is dated, and does not include my favorite author (Octavia Butler), I am so glad that I read this book in spite of my initial misgivings. From Bambara's hope that "We care too much ... to negotiate a bogus peace," to DeVeaux's "responsibility to see," I find my own compulsion to write validated by the responsibility of a writer to render individual expression into a universal expression, and to give voice to the voiceless/unseen/erased. To show the unspoken and to "empathize with the general human condition."
Society needs all perspectives because without those perspectives, we are missing vast parts of what our society actually looks like, which leads to deep problems. Writing, as was pointed out, must transcend individual experience, but it also comes from and is filtered through individual experience, so we desperately need every point of view. ( )
Long out of print, Black Women Writers at Work is a vital contribution to Black literature in the twentieth century. Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after. Responding to questions about why and for whom they write, and how they perceive their responsibility to their work, to others, and to society, the featured playwrights, poets, novelists, and essayists provide a window into the connections between their lives and their art. Finally available for a new generation, this classic work has an urgent message for readers and writers today.
Google Books — S'està carregant…
(4.08)
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And we must not remain silent while the blood of our sisters/brothers/neighbors/communities/fellow human beings is shed.
Sherley Anne Williams reiterates this responsibility of a writer to write as well as one can and to "say as much of the truth as I can see at any given time."
Although this book is dated, and does not include my favorite author (Octavia Butler), I am so glad that I read this book in spite of my initial misgivings. From Bambara's hope that "We care too much ... to negotiate a bogus peace," to DeVeaux's "responsibility to see," I find my own compulsion to write validated by the responsibility of a writer to render individual expression into a universal expression, and to give voice to the voiceless/unseen/erased. To show the unspoken and to "empathize with the general human condition."
Society needs all perspectives because without those perspectives, we are missing vast parts of what our society actually looks like, which leads to deep problems. Writing, as was pointed out, must transcend individual experience, but it also comes from and is filtered through individual experience, so we desperately need every point of view. (