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Roll With It: Brass Bands in the Streets of New Orleans (2013)

de Matt Sakakeeny

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Roll With It is a firsthand account of the precarious lives of musicians in the Rebirth, Soul Rebels, and Hot 8 brass bands of New Orleans. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. Some achieve a degree of social mobility while many more encounter aggressive policing, exploitative economies, and a political infrastructure that creates insecurities in healthcare, housing, education, and criminal justice. The gripping narrative moves with the band members from back street to backstage, before and after Hurricane Katrina, always in step with the tap of the snare drum, the thud of the bass drum, and the boom of the tuba.… (més)
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Perhaps one of the best known cultural products of New Orleans outside of beignets and Mardi Gras is the jazz ensemble. Countless aspiring musicians gather there to truly understand the music and their craft. Matt Sakakeeny’s Roll With It travels alongside these ensembles in Post-Katrina New Orleans and tries to get inside the culture that pervades the city. He follows three different bands—Hot 8, Rebirth, and The Soul Rebels—as they deal with everyday issues and continue to raise the caliber of jazz music. A lot of the narrative focuses on jazz funeral processions and their impact on the social landscape, and while death forms an unnerving backdrop to the story, it’s the lives of the artists that make it interesting. Sakakeeny has quite bit to say about race relations in Louisiana and jazz culture, but mostly it’s the music and the stories that kept me reading on. You can actually find a lot of videos of the three bands online and occasionally I lifted my head from the text to indulge in the music. Also, throughout the book are art pieces by Willie Birch depicting his perspective on the musicians and the city. The book as a whole feels like a field report from an embedded journalist, but I think it helps bring the reader closer to the stories. A very well done book. ( )
1 vota NielsenGW | Oct 18, 2013 |
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On a sunny Sunday afternoon in November 2006 I stand with a few hundred others outside a New Orleans barroom, waiting for the Prince of Wales Social Aid and Pleasure Club to start their annual second line parade.
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Roll With It is a firsthand account of the precarious lives of musicians in the Rebirth, Soul Rebels, and Hot 8 brass bands of New Orleans. These young men are celebrated as cultural icons for upholding the proud traditions of the jazz funeral and the second line parade, yet they remain subject to the perils of poverty, racial marginalization, and urban violence that characterize life for many black Americans. Some achieve a degree of social mobility while many more encounter aggressive policing, exploitative economies, and a political infrastructure that creates insecurities in healthcare, housing, education, and criminal justice. The gripping narrative moves with the band members from back street to backstage, before and after Hurricane Katrina, always in step with the tap of the snare drum, the thud of the bass drum, and the boom of the tuba.

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