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Those Who Leave and Those Who Stay:…
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Those Who Leave and Those Who Stay: Neapolitan Novels, Book Three (2013 original; edició 2014)

de Elena Ferrante (Autor)

Sèrie: Neapolitan Novels (3)

MembresRessenyesPopularitatValoració mitjanaMencions
2,090775,705 (4.19)102
Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante's fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously. She has gained admirers among authors--Jhumpa Lahiri, Elizabeth Strout, Claire Messud, to name a few--and critics--James Wood, John Freeman, Eugenia Williamson, for example. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship. In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts of her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of mystery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to see each other by a strong, unbreakable bond.… (més)
Membre:nouraali
Títol:Those Who Leave and Those Who Stay: Neapolitan Novels, Book Three
Autors:Elena Ferrante (Autor)
Informació:Europa Editions (2014), Edition: 1st Edition, 400 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:No n'hi ha cap

Detalls de l'obra

Those Who Leave and Those Who Stay de Elena Ferrante (2013)

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» Mira també 102 mencions

Anglès (58)  Italià (5)  Alemany (5)  Neerlandès (2)  Suec (2)  Castellà (2)  Francès (2)  Català (1)  Totes les llengües (77)
Tercer lliurament de la saga: Elena Greco es casa amb el professor Airota i se'n va a viure a Florència, té dues filles i es manté allunyada de la família materna i de Nàpols, els contactes amb Lila són esporàdics. Abans del casament s'encarrega d'ella i l'ajuda a recuperar-se físicament després de la seva experiència laboral en la fàbrica de mortadel.les del Bruno Soccavo i la seva integració dins del sindicat, els contactes amb Pasquale i Nadia, la filla de la Galiani. Al cap d'uns anys Lila li demana a Elena que es faci càrrec del seu fill duarnt un estiu, ara Lila treballa a IBM som a segona de Enzo. Un dia Lila la truca i li diu que la seva germana petita està apunt de casar-se amb un dels germans Solara, Elena corre a Nàpols per veure com estan les coses. Ara Lila treballa pel Michelle Solara. Cap el final reapareix Nino, com a company de Pietro i comença a freqüentar casa seva, això desestabilitzar a Elena i provoca una explosió de passió continguda des de la infància, trenca amb el seu marit i se'n va a un congrés a Montpellier amb ell. desitjant saber que més ens depara la propera novel.la que tanca la tetralogia. ( )
  Nuriagarciaturu | Nov 26, 2020 |
...
Writing about the Brilliant Friend books has been one of the hardest assignments I’ve ever done. When I began, I thought I felt this way because I loved them so much and didn’t know where to start with all my praising. Then I had to fight a deep desire not to mention the things I most liked in the novels so I could keep them to myself. Now my view of the matter is that somehow Ferrante so thoroughly succeeds in her aim of seizing at “the evasive thing” that she has stirred up something from the depths of her mind that touches and spreads through mine.

It has to do, presumably, with femininity, with having been a girl who loved reading and was supposed to know that you have to let the boys keep winning at math. It has to do too with the less gendered but even more bodily experience of living in and through a mind. And it has to do, profoundly, with living in a mind and being touched by another one: delighted, exasperated, confused, envious, sorrowful, appalled. As the years go by, the women in these novels allow the holes in their friendship to spread, yet Elena feels the presence of Lila constantly, an almost physical pressure, a disturbance in the air. Telling her own story, she thinks, is easy enough: “the important facts slide along the thread of the years like suitcases on a conveyor belt at an airport.” But involving Lila, “the belt slows down, accelerates, swerves abruptly . . . The suitcases fall off, fly open, their contents scatter here and there. Her things end up among mine.”

“May I point out something?” Lila says to Elena in one of the women’s scarce, increasingly ill-tempered phone conversations in the Seventies. “You always use true and truthfully, when you speak and when you write. Or you say: unexpectedly. But when do people ever speak truthfully and when do things ever happen unexpectedly? You know better than I that it’s all a fraud and that one thing follows another and then another.”

This, in a nutshell, is Lila’s problem, perhaps her tragedy. She thinks so fast and with such ferocious rigor; she sees connections and discerns so many fine distinctions; she’s impossible and overwhelming — “too much for anyone” and, most of all, for herself. But Elena keeps thinking about her, putting her on the page. Great novels are intelligent far beyond the powers of any character or writer or individual reader, as are great friendships, in their way. These wonderful books sit at the heart of that mystery, with the warmth and power of both.
afegit per aileverte | editaHarper's, Jenny Turner (Web de pagament) (Oct 1, 2014)
 

» Afegeix-hi altres autors (25 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Elena Ferranteautor primaritotes les edicionscalculat
Goldstein, AnnTraductorautor secundarialgunes edicionsconfirmat
Huber, HillaryNarradorautor secundarialgunes edicionsconfirmat
Laake, Marieke vanTraductorautor secundarialgunes edicionsconfirmat

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Wikipedia en anglès (1)

Since the publication of My Brilliant Friend, the first of the Neapolitan novels, Elena Ferrante's fame as one of our most compelling, insightful, and stylish contemporary authors has grown enormously. She has gained admirers among authors--Jhumpa Lahiri, Elizabeth Strout, Claire Messud, to name a few--and critics--James Wood, John Freeman, Eugenia Williamson, for example. But her most resounding success has undoubtedly been with readers, who have discovered in Ferrante a writer who speaks with great power and beauty of the mysteries of belonging, human relationships, love, family, and friendship. In this third Neapolitan novel, Elena and Lila, the two girls whom readers first met in My Brilliant Friend, have become women. Lila married at sixteen and has a young son; she has left her husband and the comforts of her marriage brought and now works as a common laborer. Elena has left the neighborhood, earned her college degree, and published a successful novel, all of which has opened the doors to a world of learned interlocutors and richly furnished salons. Both women are pushing against the walls of a prison that would have seen them living a life of mystery, ignorance and submission. They are afloat on the great sea of opportunities that opened up during the nineteen-seventies. Yet they are still very much bound to see each other by a strong, unbreakable bond.

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