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The Story of the Lost Child: A Novel…
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The Story of the Lost Child: A Novel (Neapolitan Novels, 4) (2014 original; edició 2015)

de Elena Ferrante (Autor), Ann Goldstein (Traductor)

Sèrie: Neapolitan Novels (4)

MembresRessenyesPopularitatValoració mitjanaMencions
1,940896,500 (4.25)125
Here is the dazzling saga of two women: the brilliant, bookish Elena and the fiery, uncontainable Lila. Both are now adults; many of life's great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women's friendship has remained the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up-a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received novels. In this final book, she has returned to Naples. Lila, on the other hand, never succeeded in freeing herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity to the nepotism, chauvinism, and criminal violence that infect her neighborhood. Nearness to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, and unforgettable. Against the backdrop of a Naples that is as seductive as it is perilous, the story of a lifelong friendship is told with unmatched honesty and brilliance. The four volumes in this series constitute a long, remarkable story that listeners will return to again and again, and every return will bring with it new revelations.… (més)
Membre:Annievdm
Títol:The Story of the Lost Child: A Novel (Neapolitan Novels, 4)
Autors:Elena Ferrante (Autor)
Altres autors:Ann Goldstein (Traductor)
Informació:Europa Editions (2015), Edition: 1st Edition, 480 pages
Col·leccions:La teva biblioteca
Valoració:*****
Etiquetes:amazing, recommend, classic

Detalls de l'obra

The Story of the Lost Child de Elena Ferrante (2014)

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» Mira també 125 mencions

Anglès (71)  Alemany (6)  Italià (4)  Suec (2)  Francès (2)  Neerlandès (2)  Català (1)  Noruec (1)  Totes les llengües (89)
Últim volum de la tetralogia, teòricament s'acaben resolen les incògnites de la vida de les dues protagonistes i de tots els que les envolten, però el final és una mica pobre, no està a l'alçada del nivell trepidant de la narració. Ens quedem sense saber qui es va endur la filla de la LIla, i on és ara ella. Igualment voldríem saber més coses de la vida del Pasquale, dels motius que provoquen la mort dels Solara... De tota manera és una narració que no pots deixar de llegir. Tot i que està molt vinculat a Nàpols per època trobes moltes similituds amb la nostra propia evolució social . ( )
  Nuriagarciaturu | Dec 7, 2020 |
Ferrante evokes this unforgiving and opaque culture with great power. Its malevolence affects almost everyone.
afegit per ScattershotSteph | editaThe New York Review of Books, Roger Cohen (Web de pagament) (May 26, 2016)
 
Ferrante’s accomplishment in these novels is to extract an enduring masterpiece from dissolving margins, from the commingling of self and other, creator and created, new and old, real and whatever the opposite of real may be.
 
[Ferrante] has charted, as precisely as possible, the shifts in one person’s feelings and perceptions about another over time, and in so doing has made a life’s inferno recede even as she captures its roar.
 
Elena brings up every objection to the entire endeavour that a reader might have. If it is so-called auto-fiction then why is it not a mess, like life? If it is the story of a friendship then isn’t every word a betrayal to that friend? If it is sincere and authentic, why is the author’s name on the cover a lie? Borders between autobiography and fiction dissolve, just as the edges of Lila (both her sanity and her body) blur, and Elena provides a continual commentary on this process. Rather than this being annoying and meta, the effect is to make the writing feel alive.
 
Ferrante is no Balzac or Dickens or Trollope; she is not Zola or Tolstoy. Her narrator does not have the storyteller’s wider vision. Unlike War and Peace, Ferrante’s big book has a narrow lens, and her idea of friendship is more about shared experience than affection.
 

» Afegeix-hi altres autors (19 possibles)

Nom de l'autorCàrrecTipus d'autorObra?Estat
Ferrante, Elenaautor primaritotes les edicionsconfirmat
Damien, ElsaTraductorautor secundarialgunes edicionsconfirmat
Goldstein, AnnTraductorautor secundarialgunes edicionsconfirmat
Krieger, KarinÜbersetzerautor secundarialgunes edicionsconfirmat
Laake, Marieke vanTraductorautor secundarialgunes edicionsconfirmat

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A partire dall'ottobre 1976 e fino a quando, nel 1979, non tornai a vivere a Napoli, evitai di riallacciare rapporti stabili con Lila.
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Wikipedia en anglès (1)

Here is the dazzling saga of two women: the brilliant, bookish Elena and the fiery, uncontainable Lila. Both are now adults; many of life's great discoveries have been made, its vagaries and losses have been suffered. Through it all, the women's friendship has remained the gravitational center of their lives. Both women once fought to escape the neighborhood in which they grew up-a prison of conformity, violence, and inviolable taboos. Elena married, moved to Florence, started a family, and published several well-received novels. In this final book, she has returned to Naples. Lila, on the other hand, never succeeded in freeing herself from the city of her birth. She has become a successful entrepreneur, but her success draws her into closer proximity to the nepotism, chauvinism, and criminal violence that infect her neighborhood. Nearness to the world she has always rejected only brings her role as its unacknowledged leader into relief. For Lila is unstoppable, unmanageable, and unforgettable. Against the backdrop of a Naples that is as seductive as it is perilous, the story of a lifelong friendship is told with unmatched honesty and brilliance. The four volumes in this series constitute a long, remarkable story that listeners will return to again and again, and every return will bring with it new revelations.

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