Aquest lloc utilitza galetes per a oferir els nostres serveis, millorar el desenvolupament, per a anàlisis i (si no has iniciat la sessió) per a publicitat. Utilitzant LibraryThing acceptes que has llegit i entès els nostres Termes de servei i política de privacitat. L'ús que facis del lloc i dels seus serveis està subjecte a aquestes polítiques i termes.
The Woman in White is credited with being the first of the sensation novels, and one of the finest examples of the genre. A young woman's husband defrauds her of her fortune, her identity and eventually her sanity. She is saved by her sister and a loyal man who loves her, and her two rescuers attempt to expose her husband. They meet a woman dressed all in white whose fate seems curiously intertwined with that of the young woman. In the tradition of the sensation novel, the story contravenes boundaries of class, identity and the private and public spheres.
aulsmith: Both novels take place in Victorian England. They have convoluted plots, many surprises and a whiff of the occult. Although Freedom and Necessity was not a Victorian novel, it reads like one, complementing the style of Collins.
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
Everyman, I will go with thee, and be thy guide, in thy most need to go by thy sided
Dedicatòria
Primeres paraules
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
This is the story of what a Woman's patience can endure, and what a Man's resolution can achieve.
T. S. Eliot, in seeking to express his admiration for Wilkie Collins's The Woman in White, together with Armadale and The Moonstone, regretted that there was no aesthetic of melodrama, a genuine art form. (Introduction)
An experiment is attempted in this novel, which has not (so far as I know) been hitherto tried in fiction. (Preface 1860)
'The Woman in White' has been received with such marked favour by a very large circle of readers, that this volume scarcely stands in need of any prefatory introduction on my part. (Preface 1861)
Citacions
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
The soft hazy twilight was just shading leaf and blossom alike into harmony with its own sober hues as we entered the room, and the sweet evening scent of the flowers met us with its fragrant welcome through the open glass doors.
There are three things that none of the young men of the present generation can do. They can't sit over their wine, they can't play at whist, and they can't pay a lady a compliment.
Any woman who is sure of her own wits, is a match, at any time, for a man who is not sure of his own temper.
Darreres paraules
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
Marian was the good angel of our lives—let Marian end our Story.
And lastly, if he tells it at all, in any way whatever, is he doing a service to the reader, by destroying, beforehand, two main elements of all stories - the interest of curiosity, and the excitement of surprise? (Preface 1860)
I hope the time is not far distant when I may meet those friends again, and when I may try, through the medium of new characters, to awaken their interest in another story. (Preface 1861)
The Woman in White is credited with being the first of the sensation novels, and one of the finest examples of the genre. A young woman's husband defrauds her of her fortune, her identity and eventually her sanity. She is saved by her sister and a loyal man who loves her, and her two rescuers attempt to expose her husband. They meet a woman dressed all in white whose fate seems curiously intertwined with that of the young woman. In the tradition of the sensation novel, the story contravenes boundaries of class, identity and the private and public spheres.