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Lempad : a timeless Balinese master

de Ana Gaspar (Editor and Author), Antonio Casanovas (Editor and Author), Jean Couteau (Autor), I Gusti Nyoman Lempad (Artist)

Altres autors: Orly Even (Fotògraf), Tjokorda Raka Kerthyasa (Col·laborador), Mangku Pastika (Col·laborador)

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The deeper you go in understanding his art works, the more the passion becomes febrile. What a complete artist he was, everything he touched, architecture, sculpture, drawings, reliefs, had that magic or divine inspiration called Taksu among the Balinese which gave all his work a very special dimension. The geniality of the artist is reflected in his drawings in very particular features: the purity of line, the distribution of the space, the expression of the characters or the living plants and trees which seem to vibrate with real life. Everything spans with life and magic and the observer is immediately captured by the talent and spirit behind. Whatever he made, he caught the soul of the theme, weather an action, a creature, a cloud, the mud in the rice fields or even an inanimate object such as the sarongs, the traditional Balinese garment which he makes them look almost palpable, reflecting the animist principle that everything has a soul or ethos. When one observes the family shrine sculpture portraying the different generations (Il. n.) with his self portrait in the right bottom corner, one perceives the love he put into it, the piece shines in front of our eyes!It is full of beauty and positive energy transmitting accurately the way he felt about his family. This work could stand next to the Mona Lisa and they would be smiling in harmony. Or the young soul mask he created while watching his grand daughter which is in itself the description of beauty and youth but also the representation of the fine half Yin of the Balinese microcosm .This mask can be considered one of the most touching works by the Master. Likewise the perfect rhythm found in the dancers in the Dance Lesson where harmony, movement and teaching skill are fully achieved at the same time that technical perfection thus making out of it an outstanding masterpiece.… (més)
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Nom de l'autorCàrrecTipus d'autorObra?Estat
Gaspar, AnaEditor and Authorautor primaritotes les edicionsconfirmat
Casanovas, AntonioEditor and Authorautor principaltotes les edicionsconfirmat
Couteau, JeanAutorautor principaltotes les edicionsconfirmat
Lempad, I Gusti NyomanArtistautor principaltotes les edicionsconfirmat
Even, OrlyFotògrafautor secundaritotes les edicionsconfirmat
Kerthyasa, Tjokorda RakaCol·laboradorautor secundaritotes les edicionsconfirmat
Pastika, MangkuCol·laboradorautor secundaritotes les edicionsconfirmat
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The deeper you go in understanding his art works, the more the passion becomes febrile. What a complete artist he was, everything he touched, architecture, sculpture, drawings, reliefs, had that magic or divine inspiration called Taksu among the Balinese which gave all his work a very special dimension. The geniality of the artist is reflected in his drawings in very particular features: the purity of line, the distribution of the space, the expression of the characters or the living plants and trees which seem to vibrate with real life. Everything spans with life and magic and the observer is immediately captured by the talent and spirit behind. Whatever he made, he caught the soul of the theme, weather an action, a creature, a cloud, the mud in the rice fields or even an inanimate object such as the sarongs, the traditional Balinese garment which he makes them look almost palpable, reflecting the animist principle that everything has a soul or ethos. When one observes the family shrine sculpture portraying the different generations (Il. n.) with his self portrait in the right bottom corner, one perceives the love he put into it, the piece shines in front of our eyes!It is full of beauty and positive energy transmitting accurately the way he felt about his family. This work could stand next to the Mona Lisa and they would be smiling in harmony. Or the young soul mask he created while watching his grand daughter which is in itself the description of beauty and youth but also the representation of the fine half Yin of the Balinese microcosm .This mask can be considered one of the most touching works by the Master. Likewise the perfect rhythm found in the dancers in the Dance Lesson where harmony, movement and teaching skill are fully achieved at the same time that technical perfection thus making out of it an outstanding masterpiece.

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