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“Lavinia’s Wood” Angela Slatter “The Head of T’la-yub” Nelly Geraldine García-Rosas “Provenance” Benjanun Sriduangkaew “Cthulhu of the Dead Sea” Inkeri Kontro “Cypress God” Rodopi Sisamis “De Deabus Minoribus Exterioris Theomagicae” Jilly Dreadful “The Eye of Juno” Eugenie Mora ( )
A mixed bag, some of which I liked, others I didn't. You may feel differently. The ones that didn't work as well for me seemed to be too short, not properly developing for a satisfactory payoff, but rushing things, or ending obscurely. ( )
The dearth of female characters in Lovecraft’s fictional world is not a secret to anyone who has extensively read his writing. The women he did include in his works are more notable for being so few in number than necessarily for their contribution to the larger scheme of the world. So the idea of taking this void, and filling it with nightmarish and strange tales of the women who undoubtedly would have occupied these stories, was an attractive concept for me. I had been let down by books I’d greatly anticipated before, but I purchased a copy of this book as soon as it became available and hoped for the best.
These texts capture all of Lovecraft’s countercultural potential while disassembling (perhaps even dismembering) Lovecraft’s sexism, homophobia, colonial attitude and racism by proposing a more complex world. These are tales that disturb easy narratives of hegemonic control, that delve into the inky darkness and pull out all of the voices that have been pushed there and silenced by a society that favours only certain voices.
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Google Books — S'està carregant…
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This collection was full of fun surprises. (