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S'està carregant… ON&BY: Christian Marclay
Informació de l'obraON&BY: Christian Marclay de Jean-Pierre Criqui
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Apunta't a LibraryThing per saber si aquest llibre et pot agradar. No hi ha cap discussió a Converses sobre aquesta obra. The second in a unique series of anthologies which collects key writings by and on the most significant artists in contemporary culture. Influencing a whole generation of artists, musicians and theorists, since the late 1970s Christian Marclay has explored the interplay between sound, audio cultures and art across a diversity of media: performance, sculpture, photography, collage, musical composition, film, video and installation. Born in 1955, Marclay first became internationally known in the 1980s for his sculptures and reassembled readymades generated from evocative materials such as fragmented vinyl records or album covers. His ambitious multi-screen installations such as Video Quartet (2002), Crossfire (2007) and The Clock (2010) have entranced audiences into contemplating the complexities of time and narrative and the role of sound in their experience and representation. Marclay has also collaborated musically with Shelley Hirsch, the Kronos Quartet, Zeena Parkins, Elliott Sharp, Sonic Youth and John Zorn, among many others. Edited by curator and critic Jean-Pierre Criqui, this volume brings together the artists statements and conversations with Bice Curiger, Jan Estep, Russell Ferguson, Kim Gordon, Douglas Kahn, Frances Richard, Philip Sherburne, Michael Snow, Lars Sderkvist, David Toop and Philip von Zweck. Writings on all aspects of Marclays work are provided by Clment Chroux, Dennis Cooper, Christoph Cox, Jean-Pierre Criqui, Noam M. Elcott, Russell Ferguson, Douglas Kahn, Rahma Khazam, Wayne Koestenbaum, Rosalind Krauss, Thomas Y. Levin, Tom Morton, Ingrid Schaffner, Olivier Schefer, Zadie Smith, David Toop and Rob Young. Sense ressenyes | afegeix-hi una ressenya
With sampling, shuffling, and montage taking centre stage, the practice of Swiss-American artist Christian Marclay (*1955) has been anchored in the universe of sound since the end of the 1970s.An eminent conceptual artist and recipient of the Golden Lion at the Venice Biennale for his landmark 24-hour video installation 'The Clock' (2010), he is equally fascinated by all aspects of popular music and avant-garde music, Hollywood cinema, and experimental film.Drawing on the Fluxus vision of art and Pop spirit, and heir to John Cage and Andy Warhol, Marclay has been exploring all the possibilities of the visual arts and the relationships between visual and sonic phenomena for more than four decades through collage, assemblage, installation, video, photography, painting, and printmaking.Also a performer, he has taken part in numerous musical projects, making the vinyl record and the turntable his favourite instruments.This volume explores in depth his consequential open and multimedia work, whose echo and popularity have continued to grow over time.From his early performances in the 1970s to his iconic 'Guitar Drag' (2000) and his most recent large-scale video installations such as 'All Together' (2018) and 'Subtitled' (2019), assemblages of records and their covers, photographs in all formats, altered musical instruments, videos, combined prints and paintings, objects, and graphic scores ensure the connective tissue of this choral and resolutely polymorphic body of work in perpetual evolution--a practice in which the auditory dimension of our existence, whether literal or silently evoked, is constantly asserted.Accompanies the exhibition 'Christian Marclay', 16 Nov 2022 - 27 Feb 2023, Centre Pompidou, Paris.Design by Zak Group. No s'han trobat descripcions de biblioteca. |
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)709.2The arts Modified subdivisions of the arts History, geographic treatment, biography Biography (artists not limited to a specific form)LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
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