Waverely; or, 'Tis sixty years since, (Waverly novels. Large type border… (1814 original; edició 1898)

Hrdinou románu je mladý Angličan, přicházející do Skotska jako důstojník britské armády, který kolísá mezi věrností k hannoverské dynastii a romantickým obdivem pro skotské Stuartovce. Děj zachycuje významnou událost skotských dějin, jakobitské povstání roku 1745. ( )

Sett genom historiens ögon ter sig Walter Scotts författarskap märkligt: idag vilar hans rykte främst på Ivanhoe, i andra hand möjligen på Rob Roy. I sin samtid var han först känd som poet; hans romaner utgavs inledningsvis anonymt, och, efter den första, med förklaringen "Av författaren till Waverley". Denna första roman har även senare fått ge namn åt hela sviten med historiska romaner, oavsett hur mycket gemensamt de har med den i övrigt. I fallet Rob Roy är det faktiskt en hel del: där Rob Roy behandlar upproret 1715 som syftade att återinföra familjen Stewart på tronen handlar Waverely om det 1745, lett av Bonnie Prince Charles, som också får en del scentid här och tämligen god press. I båda är huvudpersonen också en ung engelsman som reser norrut och dras in i händelserna.

Huvudperson är Edward Waverley, siste avkomman i en gammal, rik, familj med Tory-sympatier, även om Edwards far gått och blivit Whig-politiker, vilket hans bror, familjens vördnadsvärde överhuvud, ogillar. En ung Edward lyckas dock närma bröderna till varandra, och blir en sorts fosterson hos sin farbror. När handlingen drar igång på allvar har han fått en post som officer i ett regemente stationerat i Skottland, och drar dit, försedd med introduktionsbrev till en gammal vän till farbrodern, en låglandsbaron konstituerad av lika delar värdighet och smålöjligt pedanteri. Efter vissa möten med högländare, än mer hängivna familjen Stuart, drar så handlingen igång på allvar när upprorsfanan plötsligt höjs.

Fortsatta jämförelser med Rob Roy är givande. Waverley berättas på ett distinkt förmodernt maner, med en författare som aktivt kliver in och urskuldar sig för olika episoder, eller någon gång glider i väg åt det essäistiska. Det finns ett par övergripande handlingar, eller snarare mysterier som bidrar med viss spänning, men kompositionen är mer lös i kanterna, och utvecklas inte ur en enda grundläggande konflikt som senare kompliceras: efter 200 sidor har man ännu inte fått se det som kommer driva resten av handlingen. Edward Waverley är också en enklare figur än Frank Osbaldistone: något impulsiv och romantiskt lagd, men annars lite väl mycket av svärmorsdröm.

Det som däremot redan här finns är en idé om historisk upprättelse och rättvisa åt de förlorande. Skottarna, och i synnerhet högländarna, framställs som människor med flera goda sidor att ta efter (liksom i några fall som mindre förebildliga). Den enda riktigt artikulerade företrädaren för de Hannover-trogna engelsmännen framstår som hedervärd och bra, men i vissa stycken trångsynt. Det är kanske svårt att ta in idag, men Scott var en av de som skapade den lätt romantiska, i grunden positiva bilden av skottarna, i synnerhet högländarna. Även om de representeras av boskapstjuvar och utpressare, så fördjupas bilden med mer tilltalande drag som generositet och hederlig patriotism.

Som roman är Waverley inte heltigenom lyckad, men som försök att ärerädda ett folk, så är den en förebild. ( )

Sir Walter Scott's first novel, although published anonymously - none of his novels were acknowledged until late in his life.
Tells the story of an Englishman who comes to Scotland with an English regiment but ends up fighting on the side of the Jacobites against the crown. As a novel, it is most interesting for the background of the Scots and highlanders of the time. The edition I read had extensive introductions and prefaces which helped putting the book and its contents into context. ( )

Waverley was Walter Scott's his first novel, and indeed is normally regarded as the first example of historical fiction in our modern conception of it – that being a story based on real historical events, with accurate details of customs, behaviours, and language of that time, but peopled with some fictitious characters and plot events to set the main historical ones in a more compelling context.
Waverley was published around sixty years after the events it purports to describe, which centre on the Jacobite Rebellion of 1745. This was an important period in British history in which the last battle was fought on British soil - primarly between the Highland clans who would return the exiled Bonnie Prince Charlie to the throne of his ancestors, and the government supporting the reigning monarch. Our hero of the novel – Edward Waverley, is caught up in these events, and torn betwen his loyalties to these two sides. Most of the novel is set in Scotland, and provides a romantic and detailed vision of the Highland way of life, customs, and characters, which were largely obliterated following the historical events of the novel. Scott himself was a keen historian of Scotland, and this novel benefits from his extensive research into the lost Scottish culture which it so richly here preserves. Indeed, these novels (Waverley, and the following novels by Scott) set off something of a craze during their days for all things Scottish, and are in large part resonsible for the image of Scotland held this day in the popular mind.
But this alone is not why Waverley deserves to be read more than it currently is. This book might face criticism of being over-detailed and not getting on with the story in places, but what we gain is more valuable. The characters here are not only memorable and individual, but they are well developed in their personalities, motivations, and show good observation and understanding of the wide range of human behaviours, personal ways of thinking, and outlooks on life. Balzac, also a master in this sort of characterisation, was a fan of Scott for this reason. Together with the appreciation of the beauty of the Scottish landscape, romantic adventures, and the inherent interest in the historical events of this time, this makes Waverley a fascinating novel for the reader if they can bear with Scott's sometimes digressional style. ( )

This review is written with a GPL 3.0 license and the rights contained therein shall supersede all TOS by any and all websites in regards to copying and sharing without proper authorization and permissions. Crossposted at Bookstooge.booklikes.blogspot.wordpress.com by express permission of this reviewer     Synopsis I have thought about this, trying to make it short, to no avail. So bear with me please, as I try to pour forth the essence of this book for your perusal in such a time as will not bore you to tears nor drive you senseless with pointless words.   Edward Waverly, young lord, is alive during the 1745 uprising of the Highland Scot's, instigated by the Line of Stuart, to drive out the Line of Hanover from England and replace them with the Line of Stuart. You know, old school politics.   Edward has a father and an uncle, who each fall on one side of the political spectrum. They both decide, for varying reasons that young Edward must join the military. He does, takes a tour of the Highlands and promptly gets embroiled on the side of the Scots. Women are involved. Of course.   The Line of Stuart loses, Edward hides, lots of his Scottish acquaintances are killed and Edward ends up back in the good graces of the Line of Hanover and protects a young Stuart-supporting woman by marrying her and saving her, her father and their estate.   So Edward accidentally gets involved in a war, marries a cute girl and ends up richer and more powerful than when he started.   My Thoughts I know that that synopsis is longer than some of my whole reviews. But I couldn't figure out a way to cut it down. Scott was a poet before he was a novelist, and it shows. His prose is dense, rhythmic and full of the rules of poetry instead of prose. Many things are described, multiple times, to get the point across. Bleh.   The story is so simple that once you parse it down, you wonder why the book is as long as it is. A spoiled young man has an adventure, gets the girl and the treasure. And done. But Scott drags us through the Highland dialect, their customs and makes the hero Edward simply sail through it all. At no point did I ever think that Edward was in danger of life, limb or even fortune.   I enjoyed reading this more than Ivanhoe or even The Heart of Mid-Lothian, mainly because Scott is simply trying tell a story here, albeit in a lyrical, round about kind of way. He hadn't fallen victim to his own success didn't use the Highland dialect for its own sake,nor was he moralizing to pad the word count.   It is History and I think that is partly why I enjoyed it as much as I did. Not a vastly distant history [from the author's viewpoint], but one that he could have researched and fictionalized by the generation that lived it.   So to abruptly end, I highly recommend this as a wonderful introduction to Sir Walter Scott. It is not as meaty as his successive books but it gives a rich aromatic flavor without destroying an undeveloped palate.   Rating: 3.5 of 5 Stars Author: Sir Walter Scott " ( )