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Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge. After 12 years revenge finally arrives in the shape of a theatre course at a nearby prison. Here Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It's magic! But will it remake Felix as his enemies fall?… (més)
While “Hag-Seed” is a book that’s great for a quick read, it doesn’t deliver the punches that the premises promise, making it an all-around mediocre book.
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“This is certain, that a man that studieth revenge keeps his own wounds green, which otherwise would heal, and do well.”
— Sir Francis Bacon, "On Revenge."
“. . . although there are nice people on the stage, there are some who would make your hair stand on end.”
— Charles Dickens.
“Other flowering isles must be In the sea of Life and Agony: Other spirits float and flee O’er that gulf . . .”
— Percy Bysse Shelly, "Lines Written Among the Euganean Hills."
Dedicatòria
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Richard Bradshaw, 1944-2007 Gwendolyn MacEwen, 1941-1987
Enchanters
Primeres paraules
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The house lights dim. The audience quiets.
Citacions
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"But Shakespeare is such a classic." Too good for them, was what she meant. "He had no intention of being a classic!" Felix said, adding a tinge of indignation to his voice. "For him, the classics were, well, Virgil, and Herodotus, and...He was simply an actor-manager trying to keep afloat. It's only due to luck that we have Shakespeare at all! Nothing was even published till he was gone!"
The prisoners loved the fight scenes. Why not? Everyone loved the fight scenes: that's why Shakespeare put them in.
A cruise ship filled with old people, people even older than himself, snoozing in deck chairs and doing line-dancing—that was his idea, if not of hell exactly, then at least of limbo. A state of suspension somewhere on the road to death. But on second thought, what did he have to lose? The road to death is after all the road he's on, so why not eat well during the journey?
Darreres paraules
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"To the elements be free," he says to her. And, finally, she is.
Felix is at the top of his game as artistic director of the Makeshiweg Theatre Festival. His productions have amazed and confounded. Now he's staging a Tempest like no other: not only will it boost his reputation, it will heal emotional wounds. Or that was the plan. Instead, after an act of unforeseen treachery, Felix is living in exile in a backwoods hovel, haunted by memories of his beloved lost daughter, Miranda. And brewing revenge. After 12 years revenge finally arrives in the shape of a theatre course at a nearby prison. Here Felix and his inmate actors will put on his Tempest and snare the traitors who destroyed him. It's magic! But will it remake Felix as his enemies fall?
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