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S'està carregant… Modern Sculpture: A Concise Historyde Herbert Read
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Apunta't a LibraryThing per saber si aquest llibre et pot agradar. No hi ha cap discussió a Converses sobre aquesta obra. I found this to be a really nice overview. I am a fan of modern sculpture and feel that I now have a deeper understanding of the art. It was very helpful to see how all of these artists interrelated and influenced one another. What I didn't like was more about the construction of the book. At first, i found that the constant flipping back and forth to refer to photos from earlier pages to be cumbersome, but soon realized that this is the reality of having to discuss a broad range of pieces. I came to peace with it. My frustration reemerged in the latter third of the book because now I was reading pages and pages on one artist (Moore, Hepworth) with photos from other artists who the author never even refers to! Not the end of the world, I still gave the book 4 stars. I highly recommend it. Sense ressenyes | afegeix-hi una ressenya
Pertany a aquestes sèriesThames and Hudson World of Art (Modern Sculpture: Concise History) Pertany a aquestes col·leccions editorials
Sir Herbert Read traces the development of modern sculpture from Rodin to the present day and brings order into the apparently chaotic proliferation of styles and techniques during this period. No s'han trobat descripcions de biblioteca. |
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Google Books — S'està carregant… GèneresClassificació Decimal de Dewey (DDC)735.23The arts Sculpture and related arts Sculpture from 1400 Specific periods 1900-1999LCC (Clas. Bibl. Congrés EUA)ValoracióMitjana:
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Read has an annoying habit of privileging artists that he knew well personally (Moore, Barbara Hepworth, Eduardo Paolozzi) in his narrative. Moore is a great artist and it is not as if he needs any special pleading, but Read provides it anyway. It all comes across as unpleasantly clubby in the worst British sense. (From an avowed anarchist and the son of a farmer, no less!)
The illustrations are another matter. They are fascinating, but a vast number of the sculptors and pieces, especially in the second half of the volume, are referred to nowhere in the text, or at most in a list. Whoever put this edition together allowed the textual and visual sides of the book to lead separate lives. ( )