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The Overstory: A Novel de Richard Powers
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The Overstory: A Novel (2018 original; edició 2019)

de Richard Powers (Autor)

MembresRessenyesPopularitatValoració mitjanaMencions
3,1101643,280 (4.07)356
An air force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back to life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. These four, and five other strangers - each summoned in different ways by trees - are brought together in a last and violent stand to save the continent's few remaining acres of virgin forest. In his twelfth novel, National Book Award winner Richard Powers delivers a sweeping, impassioned novel of activism and resistance that is also a stunning evocation of - and paean to - the natural world. From the roots to the crown and back to the seeds, The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond, exploring the essential conflict on this planet: the one taking place between humans and nonhumans. There is a world alongside ours - vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe. The Overstory is a book for all readers who despair of humanity's self-imposed separation from the rest of creation and who hope for the transformative, regenerating possibility of a homecoming. If the trees of this earth could speak, what would they tell us? -- from dust jacket.… (més)
Membre:yorga2020
Títol:The Overstory: A Novel
Autors:Richard Powers (Autor)
Informació:W. W. Norton & Company (2019), Edition: Reprint, 512 pages
Col·leccions:La teva biblioteca
Valoració:
Etiquetes:to-read, to-read-with-emily

Detalls de l'obra

The Overstory de Richard Powers (2018)

  1. 31
    Barkskins de Annie Proulx (GerrysBookshelf)
  2. 21
    The Legacy of Luna: The Story of a Tree, a Woman and the Struggle to Save the Redwoods de Julia Hill (Gwendydd)
    Gwendydd: One of the main characters of Overstory is loosely based on the life of Julia Butterfly Hill.
  3. 11
    The Golden Spruce: A True Story of Myth, Madness, and Greed de John Vaillant (Gwendydd)
    Gwendydd: These books both talk a lot about the giant trees of the west coast, logging, and anti-logging activists.
  4. 00
    Greenwood de Michael Christie (OscarWilde87)
  5. 01
    The Species Seekers: Heroes, Fools, and the Mad Pursuit of Life on Earth de Richard Conniff (Sandwich76)
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» Mira també 356 mencions

Anglès (159)  Alemany (1)  Neerlandès (1)  Francès (1)  Totes les llengües (162)
Es mostren 1-5 de 162 (següent | mostra-les totes)
In the first half of [b:The Overstory|40180098|The Overstory|Richard Powers|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1562786502l/40180098._SY75_.jpg|57662223] the author uses trees as a connecting motif through the lives of nine disconnected characters. I've enjoyed the "different characters / shared object" framing device since first experiencing it in [b:The Library Card|87218|The Library Card|Jerry Spinelli|https://i.gr-assets.com/images/S/compressed.photo.goodreads.com/books/1328865933l/87218._SX50_.jpg|1222529] and the first half of the book uses it extremely well. The second half of the book shifts into a shared narrative and the book's well crafted characters suffer under the weight of having to carry that narrative. Still - well written and worth the read. ( )
  eshaundo | Sep 13, 2021 |
Trees tie together everything that takes place in this novel. It starts with small short stories that are seemingly disconnected except for the presence of a tree, sometimes more prominent than others. When the action moves to the second portion of the book, the stories begin to weave together. I won't say that this was an easy read, but it was very good. It made me think about the importance of trees on many levels, especially as exemplified by the stories that intertwine. Any reader can take away something from this book, something that will make them look at trees and forests in different ways and think about how they may have played a role in their lives. I won't look at a forest the same. ( )
  hobbitprincess | Sep 9, 2021 |
The introduction of the characters made very good short stories for the first 9 chapters of the book, reminiscent to me of an American David Mitchell (Cloud Atlas). The later half of the book was a coming together of the characters and their love for trees. I found the later half a little disappointing after such a brilliant start and felt the author could have made more of the trees being the salvation of the characters, rather than their destruction. I felt the ending was too pessimistic for such an inspiring species. I enjoyed the references to trees in Religion, Ovid, Thoreau, Emerson, Muir, and others. I wonder, were the references to modern books (The Hidden Life of Trees by Peter Wohlleben, and Influence: Science and Practice by Robert Cialdini) mentioned only by fictional titles because these authors are still in copyright? The inclusion of the Bystander Effect occurring in the psychology lecture hall was very well written and ironic. ( )
  AChild | Sep 6, 2021 |
My first tree hugger book.
Long.
Learned so much. Different persprective. Amazing how nature is all connected!
I did like the individual stories at the beginning more than the rest. ( )
  avdesertgirl | Aug 22, 2021 |
A sweeping, impassioned work of activism and resistance that is also a stunning evocaton of the natural world. From the roots to the crown and back to the seeds, it unfolds in concentric rings of interlocking fables that range from New York to the Pacific Northwest and beyond. There is a world alongside ours - vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe.
By Richard Powers
  GLC-Library | Aug 16, 2021 |
Es mostren 1-5 de 162 (següent | mostra-les totes)
“Literary fiction has largely become co-opted by that belief that meaning is an entirely personal thing,” Powers says. “It’s embraced the idea that life is primarily a struggle of the individual psyche to come to terms with itself. Consequently, it’s become a commodity like a wood chipper, or any other thing that can be rated in terms of utility.” [...]

“I want literature to be something other than it is today,” Powers says. “There was a time when our myths and legends and stories were about something greater than individual well-being. "
afegit per elenchus | editalithub.com, Kevin Berger (Apr 23, 2018)
 
Acquiring tree consciousness, a precondition for learning how to live here on Earth, means learning what things grow and thrive here, independently of us.

We are phenomenally bad at experiencing, estimating, and conceiving of time. Our brains are shaped to pay attention to rapid movements against stable backgrounds, and we’re almost blind to the slower, broader background drift. The technologies that we have built to defeat time—writing and recording and photographing and filming—can impair our memory (as Socrates feared) and collapse us even more densely into what psychologists call the “specious present,” which seems to get shorter all the time. Plants’ memory and sense of time is utterly alien to us. It’s almost impossible for a person to wrap her head around the idea that there are bristlecone pines in the White Mountains of California that have been slowly dying since before humans invented writing.
 

» Afegeix-hi altres autors

Nom de l'autorCàrrecTipus d'autorObra?Estat
Powers, Richardautor primaritotes les edicionsconfirmat
Allié, ManfredÜbersetzerautor secundarialgunes edicionsconfirmat
Bierstadt, AlbertAutor de la cobertaautor secundarialgunes edicionsconfirmat
Chauvin, SergeTraductionautor secundarialgunes edicionsconfirmat
Gaffney, EvanDissenyador de la cobertaautor secundarialgunes edicionsconfirmat
Guevara, Teresa Lanero Ladrón deTraductorautor secundarialgunes edicionsconfirmat
Kempf-Allié, GabrieleÜbersetzerautor secundarialgunes edicionsconfirmat
Lanero, TeresaTraductorautor secundarialgunes edicionsconfirmat
Noorman, JelleTraductorautor secundarialgunes edicionsconfirmat
Quinn, MarysarahDissenyadorautor secundarialgunes edicionsconfirmat
Toren, SuzanneNarradorautor secundarialgunes edicionsconfirmat
Vighi, LiciaTraductorautor secundarialgunes edicionsconfirmat
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The greatest delight which the fields and woods minister, is the suggestion of an occult relation between man and the vegetable. I am not alone and unacknowledged. They nod to me, and I to them. The waving of the boughs in the storm, is new to me and old. It takes me by surprise, and yet is unknown. Its effect is like that of a higher thought or better emotion coming over me, when I deemed I was thinking justly or doing right.
--Ralph Waldo Emerson
Earth may be alive: not as the ancients saw her--a sentient Goddess with a purpose and foresight--but alive like a tree. A tree that quietly exists, never moving except to sway in the wind, yet endlessly conversing with the sunlight and soil. Using sunlight and water and nutrient minerals to grow and change. But all done so imperceptibly, that to me an old oak tree on the green is the same as it was when I was a child.
--James Lovelock
Tree . . . he watching you. You look at tree, he listen to you. He got no finger, he can't speak. But that leaf . . . he pumping, growing, growing in the night. While you sleeping you dream something. Tree and grass same thing.
--Bill Neidjie
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To be human is to confuse a satisfying story with a meaningful one, and to mistake life for something huge with two legs.
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No n'hi ha cap

An air force loadmaster in the Vietnam War is shot out of the sky, then saved by falling into a banyan. An artist inherits a hundred years of photographic portraits, all of the same doomed American chestnut. A hard-partying undergraduate in the late 1980s electrocutes herself, dies, and is sent back to life by creatures of air and light. A hearing- and speech-impaired scientist discovers that trees are communicating with one another. These four, and five other strangers - each summoned in different ways by trees - are brought together in a last and violent stand to save the continent's few remaining acres of virgin forest. In his twelfth novel, National Book Award winner Richard Powers delivers a sweeping, impassioned novel of activism and resistance that is also a stunning evocation of - and paean to - the natural world. From the roots to the crown and back to the seeds, The Overstory unfolds in concentric rings of interlocking fables that range from antebellum New York to the late twentieth-century Timber Wars of the Pacific Northwest and beyond, exploring the essential conflict on this planet: the one taking place between humans and nonhumans. There is a world alongside ours - vast, slow, interconnected, resourceful, magnificently inventive, and almost invisible to us. This is the story of a handful of people who learn how to see that world and who are drawn up into its unfolding catastrophe. The Overstory is a book for all readers who despair of humanity's self-imposed separation from the rest of creation and who hope for the transformative, regenerating possibility of a homecoming. If the trees of this earth could speak, what would they tell us? -- from dust jacket.

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