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Sense of Direction: Some Observations on the…
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Sense of Direction: Some Observations on the Art of Directing (edició 2003)

de William Ball (Autor)

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2065131,330 (4.24)Cap
"William Ball, founder and general director of the acclaimed American Conservatory Theatre, engages his audience in a wide-ranging discussion of the director's process - from first reading through opening night. Mr. Ball offers a candid, personal account of his method of working - including the choice of a play's essential elements, preproduction homework, casting, and rehearsal techniques"--Cover… (més)
Membre:OberlinSWAP
Títol:Sense of Direction: Some Observations on the Art of Directing
Autors:William Ball (Autor)
Informació:Drama Publishers/Quite Specific Media (2003), Edition: No Edition Stated, 180 pages
Col·leccions:Main
Valoració:
Etiquetes:THEA/DANC

Informació de l'obra

Sense of Direction: Some Observations on the Art of Directing de William Ball

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Es mostren totes 5
William Ball, the former artistic director and founder of The American Conservatory Theatre in San Fransisco, boils down almost forty years of teaching, acting and directing experience into possibly the most effective,educational and practical document about directing.
  RKC-Drama | Mar 24, 2011 |
A bold statement about how to direct. Not for everyone - but that's what makes it such an interesting read. Ball respects and trusts actors to the point of fault. ( )
  ngabriel | Jun 21, 2010 |
8
  OberlinSWAP | Jul 20, 2015 |
8
  OberlinSWAP | Jul 20, 2015 |
Amazon: the former artistic director and founder of The American Conservatory Theatre in San Fransisco, boils down almost forty years of teaching, acting and directing experience into possibly the most effective,educational and practical document about directing. Ball lays out in a logical, simple and jargon free manner the nuts and bolts of building a balanced right and left brained community which has complete and utter access to the creative impulse.
He gives the advice that actors, like cattle, can't hold too many ideas in their heads at one time so he urges the director to come up with a shorthand of small verbs or nouns with which the actor might make himself aware at all times. "Seduce," for example, might be his direction to the actor playing Cleopatra. Sounds elementary, but it works!
  mmckay | May 16, 2006 |
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"William Ball, founder and general director of the acclaimed American Conservatory Theatre, engages his audience in a wide-ranging discussion of the director's process - from first reading through opening night. Mr. Ball offers a candid, personal account of his method of working - including the choice of a play's essential elements, preproduction homework, casting, and rehearsal techniques"--Cover

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