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This volume is an absurdist play in which two characters, Vladimir and Estragon, wait endlessly and in vain for the arrival of someone named Godot. They claim he's an acquaintance but in fact hardly know him, admitting that they would not recognize him when they do see him. To occupy the time they eat, sleep, converse, argue, sing, play games, exercise, swap hats, and contemplate suicide -- anything "to hold the terrible silence at bay". Throughout the play, the audience may encounter religious, philosophical, classical, psychoanalytical, biographical, and especially wartime references.… (més)
یکی از معناباخته ترین نمایشنامههایی که خوندم... کسانی که منتظرن تا گودو (به نظر گاد یا خدا) برسه و در انتظارش یک داستان رو هر روز تکرار میکنن... هر روز استراگون کتک میخوره! هر روز با پوتینهاش درگیره! هر روز ولادیمیر در انتظار گودو به استراگون برمیخوره و هزاران و هزاران چرخش و دوبارهی دیگه! ( )
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
Estragon, sitting on a low mound, is trying to take off his boot. He pulls at it with both hands, panting. He gives up, exhausted, rests, tries again. As before. Enter Vladimir ESTRAGON: (giving up again) Nothing to be done.
Citacions
Informació del coneixement compartit en anglès.Modifica-la per localitzar-la a la teva llengua.
"Don't talk to me. Don't speak to me. Stay with me."
This volume is an absurdist play in which two characters, Vladimir and Estragon, wait endlessly and in vain for the arrival of someone named Godot. They claim he's an acquaintance but in fact hardly know him, admitting that they would not recognize him when they do see him. To occupy the time they eat, sleep, converse, argue, sing, play games, exercise, swap hats, and contemplate suicide -- anything "to hold the terrible silence at bay". Throughout the play, the audience may encounter religious, philosophical, classical, psychoanalytical, biographical, and especially wartime references.